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213Tasks
at the Imperial Court
arcades, prepared by yet another of the Imperial Baumeister, Benedikt Kölbl,
which was discussed and approved by this ad hoc committee.44
In the first half of July 1559 Schallautzer again asked Strada and Ferrabosco to
give advice, this time on the planned decoration of the ceiling of the great hall
of the Hofburg at Innsbruck, a project which will be discussed in some detail
below. On the 27th of April of the following year, Schallautzer asked him again
to participate in a similar meeting: with Ferrabosco and the Italian sculptor
Natale Veneziano Strada was to discuss the plans for the funeral monument of
Emperor Maximilian i in the Hofkirche at Innsbruck, which was specially built
to receive it. The committee was to prepare a Gutachten, an advice, on the shape
of the tomb proper, which was to be placed at the centre of the group of over
life-size bronze statues of Habsburg ‘gesibt [und] freundschaft’—ancestors
and allies—which had first been commissioned, fifty years earlier, by Maximil-
ian himself. Its deliberations likewise will be discussed below.45
The tomb was the principal and most prestigious dynastic commission un-
dertaken by Ferdinand i; so Strada’s participation in the committee demon-
strates considerable confidence in his artistic expertise. It is this confidence
that, on 31 January of 1560, had motivated Ferdinand to formally appoint Stra-
da as one of his architects, specifically for the projects under construction in
Vienna:
Graciously considering the experience and competence we have ob-
served our faithful and dear Jacob Strada to possess in the matter of
building, we have graciously appointed him as an architect for our build-
ings here [= in Vienna].46
Strada’s activities as such are attested by the presence of his name in a docu-
ment of 1562 listing the names of the architects involved in restructuring the
Hofburg, but no information on his share in the work has been preserved.47
44 Grün 2014, p. 242, n. 1172; on the Hofspital, see below, Ch. 6.1.
45 Ch. 6.2.; the memorial referred to was communicated to Ferdinand by his architect,
Hermes Schallautzer, doubtless also present at the meeting; it is printed in Schönherr
1890, p. 265–266.
46 DOC. 1560-01-31 [HKA, Gedenkbuch Nr. 86, fol. 44 verso; Lietzmann 1987 p. 113, note 73].
47 DOC. 1560-01-31; but he had in fact already been awarded a first payment of his annual sal-
ary over 1559 (DOC. 1559-12-20), and in a note to the Emperor Benedikt Kölbl had referred
to him and Ferrabosco as ‘Ihrer Majestäts Baumeister’ (HKA, NÖHA W 61/C59, fol 172 r,
cited in Lietzmann 1987, p 113, n 71). The list of architects cited in Kühnel 1959 p. 320 (HKA,
NÖHA, W 61/A2, fol 304 v; cited Lietzmann 1987, p. 113, n. 73).
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Buch Jacopo Strada and Cultural Patronage at the Imperial Court - The Antique as Innovation, Band 1"
Jacopo Strada and Cultural Patronage at the Imperial Court
The Antique as Innovation, Band 1
- Titel
- Jacopo Strada and Cultural Patronage at the Imperial Court
- Untertitel
- The Antique as Innovation
- Band
- 1
- Autor
- Dirk Jacob Jansen
- Verlag
- Brill
- Ort
- Leiden
- Datum
- 2019
- Sprache
- englisch
- Lizenz
- CC BY-NC-ND 4.0
- ISBN
- 978-90-04-35949-9
- Abmessungen
- 15.8 x 24.1 cm
- Seiten
- 572
- Kategorien
- Biographien
- Kunst und Kultur
Inhaltsverzeichnis
- Preface XV
- Acknowledgements XVIII
- Acknowledgments of Financial Support Received XXI
- List of Abbreviations XXII
- Introduction: The Image—Or from Whom (Not?) to Buy a Second-Hand Car 1
- 0.1 The Portraits of Jacopo and Ottavio Strada 1
- 0.2 Why are These Portraits so Special? 4
- 0.3 Motions of the Mind 4
- 0.4 What is Known About Strada: Early Notices 9
- 0.5 Quellenkunde: Some Sources Published in the NineteenthCentury 15
- 0.6 Kulturgeschichte before World War II 19
- 0.7 Romance: Josef Svátek and the Rudolfine Legend 21
- 0.8 A (Very) Modest Place in the History of Classical Scholarship 24
- 0.9 Contemporary Scholarship 25
- 0.10 What Has Not Been Written on Jacopo Strada 37
- 0.11 Weaving the Strands Together: The Purpose of this Study 39
- 1 Early Years: Family Background, Education, Giulio Romano 45
- 2 Travel: Rome, Landshut, Nuremberg—Strada’s Connection withWenzel Jamnitzer 67
- 3 In Hans Jakob Fuggers’s Service 107
- 3.1 Hans Jakob Fugger 107
- 3.2 Fugger as a Patron and Collector 114
- 3.3 Fugger’s Employment of Strada 121
- 3.4 Architectural Patronage for the Fuggers: The DonauwörthStudiolo 134
- 3.5 Strada’s Trips to Lyon 137
- 3.6 Strada’s Contacts in Lyon: Sebastiano Serlio 149
- 3.7 Civis Romanus: Strada’s Sojourn in Rome 156
- 3.8 Commissions and Purchases: The Genesis of Strada’s Musaeum 174
- 3.9 Departure from Rome 183
- 4 Antiquario Della Sacra Cesarea Maesta: Strada’s Tasksat Court 188
- 4.1 Looking for Patronage: Strada’s Arrival at the ImperialCourt 188
- 4.2 The Controversy with Wolfgang Lazius 200
- 4.3 ‘Obwol Ir.Maj. den Strada selbst dier Zeit wol zu geprauchen’: Strada’s Tasks at Court 210
- 4.4 Indirect Sources Throwing Light on Strada’s Employment at Court 242
- 4.5 Conclusion 248
- 5 Jacopo Strada as an Imperial Architect: Background 251
- 5.1 Introduction: The Austrian Habsburgs as Patrons of Architecture 251
- 5.2 The Prince as Architect: Ferdinand I and Maximilian II asAmateurs and Patrons of Architecture 255
- 5.3 ‘Adeste Musae’: Maximilian’s Hunting Lodge and Garden in the Prater 290
- 5.4 The Imperial Residence: Status quo at Strada’s Arrival 307
- 5.5 The Architectural Infrastructure at the Imperial Court 319
- 5.6 Strada’s Competence as an Architect 331
- 6 Strada’s Role in Projects Initiated by Emperor Ferdinand I 339
- 7 An Object Lesson: Strada’s House in Vienna 367
- 8 The Munich Antiquarium 383
- 9 The Neugebäude 430
- 9.1 The Tomb of Ferdinand I and Anna in Prague; Licinio’s Paintings in Pressburg 431
- 9.2 Kaiserebersdorf and Katterburg 432
- 9.3 Sobriety versus Conspicuous Consumption 437
- 9.4 Hans Jakob Fugger’s Letter 438
- 9.5 Description of the Complex 441
- 9.6 The Personal Involvement of Emperor Maximilian II 455
- 9.7 Ottoman Influence? 463
- 9.8 Classical Sources: Roman Castrametatio and the Fortified Palace of Diocletian at Split 467
- 9.9 Classical Sources: Monuments of Ancient Rome 480
- 9.10 Contemporary Italian Architecture 489
- 9.11 Strada’s Contribution 500
- 9.12 Conclusion: Strada’s Role in the Design of the Neugebäude 507
- 10 Other Patrons of Architecture 514
- 10.1 The Courtyard of the Landhaus in Graz 514
- 10.2 The Residence for Archduke Ernest 517
- 10.3 Other Patrons: Vilém z Rožmberk 520
- 10.4 Jan Šembera Černohorský z Boskovic and BučoviceCastle 524
- 10.5 Christoph von Teuffenbach: The House in Vienna and the Castle at Drnholec 530
- 10.6 Reichard Strein von Schwarzenau and the Castle at Schwarzenau 534
- 10.7 Conclusion 542