Seite - 214 - in Jacopo Strada and Cultural Patronage at the Imperial Court - The Antique as Innovation, Band 1
Bild der Seite - 214 -
Text der Seite - 214 -
Chapter
4214
In August of 1560 Strada obtained a passport for a trip to Venice: this trip,
however, was undertaken in his private interest, to recover some debts due to
him. While in Venice he did buy some antique sculptures, but these appear
not to have been destined for Ferdinand (more likely Strada bought them on
behalf of Hans Jakob Fugger or even merely for his own collection). The no-
bleman Andrea Loredan, having heard of the high prices Strada had paid for
these, offered Strada part of his own celebrated collection. Strada did indeed
approach the Emperor, but this appears to have been his own initiative, and
Ferdinand showed no interest.48
The next instance of a concrete service dates only from after Ferdinand’s
death, and is merely documented because it entailed some travel expenses:
Strada was sent to Prague in connection with the tomb of Ferdinand and his
consort that was to be erected in St. Vitus Cathedral in Prague.49 The tomb,
which is no masterwork [below, Figs. 9.02–9.03], would ultimately also receive
the remains of Maximilian ii himself. It was executed in Innsbruck by Alexan-
der Colin and his workshop between 1566 and 1589; again there are no concrete
indications exactly what share Strada had in its conception.
In November 1566 Strada again was given an advance for his travel ex-
penses, when Maximilian sent him to Munich at the pressing request of Duke
Albrecht v of Bavaria. Maximilian wrote to his brother-in-law that he assented
to Strada’s departure ‘wiewol ich sainer in etzlichen sachen nit wol geraten
khan’, ‘though in many things [?projects] I cannot really miss’, which indicates
that, notwithstanding the dearth of concrete information, Strada was not in-
active in Vienna itself. He would be lent in this manner to the Duke on two
further occasions, in 1568 and in 1570. His activities for that patron will be
discussed below.50
On the second of these occasions, in November 1568, when Albrecht sug-
gested that Maximilian, because of his absence from Vienna, would for some
while have no need of Strada, the Emperor again had noted that in fact he
did have good uses for his erudite servant. It is very likely that the Emperor at
the time was consulting Strada regularly in connection with the design of the
large garden and its ample pleasure pavilion, the Neugebäude, which he was
planning near his hunting lodge at Kaiserebersdorf, some miles east of Vienna.
A letter from Hans Jakob Fugger to Strada of the 13th of the same month implies
48 DOC. 1560-08-20; Von Busch 1973, p. 202 and note 69. Strada would acquire the Loredan
collection a decade later on behalf of Duke Albrecht v of Bavaria (cf. below, Ch. 12.3).
49 DOC. 1565-03-28.
50 DOC 1566-11-18; shortly before his departure the Emperor granted Strada a travel allow-
ance (DOC 1566-12-18). Strada’s trips on behalf of Duke Albrecht discussed below, Ch. 12.3.
zurück zum
Buch Jacopo Strada and Cultural Patronage at the Imperial Court - The Antique as Innovation, Band 1"
Jacopo Strada and Cultural Patronage at the Imperial Court
The Antique as Innovation, Band 1
- Titel
- Jacopo Strada and Cultural Patronage at the Imperial Court
- Untertitel
- The Antique as Innovation
- Band
- 1
- Autor
- Dirk Jacob Jansen
- Verlag
- Brill
- Ort
- Leiden
- Datum
- 2019
- Sprache
- englisch
- Lizenz
- CC BY-NC-ND 4.0
- ISBN
- 978-90-04-35949-9
- Abmessungen
- 15.8 x 24.1 cm
- Seiten
- 572
- Kategorien
- Biographien
- Kunst und Kultur
Inhaltsverzeichnis
- Preface XV
- Acknowledgements XVIII
- Acknowledgments of Financial Support Received XXI
- List of Abbreviations XXII
- Introduction: The Image—Or from Whom (Not?) to Buy a Second-Hand Car 1
- 0.1 The Portraits of Jacopo and Ottavio Strada 1
- 0.2 Why are These Portraits so Special? 4
- 0.3 Motions of the Mind 4
- 0.4 What is Known About Strada: Early Notices 9
- 0.5 Quellenkunde: Some Sources Published in the NineteenthCentury 15
- 0.6 Kulturgeschichte before World War II 19
- 0.7 Romance: Josef Svátek and the Rudolfine Legend 21
- 0.8 A (Very) Modest Place in the History of Classical Scholarship 24
- 0.9 Contemporary Scholarship 25
- 0.10 What Has Not Been Written on Jacopo Strada 37
- 0.11 Weaving the Strands Together: The Purpose of this Study 39
- 1 Early Years: Family Background, Education, Giulio Romano 45
- 2 Travel: Rome, Landshut, Nuremberg—Strada’s Connection withWenzel Jamnitzer 67
- 3 In Hans Jakob Fuggers’s Service 107
- 3.1 Hans Jakob Fugger 107
- 3.2 Fugger as a Patron and Collector 114
- 3.3 Fugger’s Employment of Strada 121
- 3.4 Architectural Patronage for the Fuggers: The DonauwörthStudiolo 134
- 3.5 Strada’s Trips to Lyon 137
- 3.6 Strada’s Contacts in Lyon: Sebastiano Serlio 149
- 3.7 Civis Romanus: Strada’s Sojourn in Rome 156
- 3.8 Commissions and Purchases: The Genesis of Strada’s Musaeum 174
- 3.9 Departure from Rome 183
- 4 Antiquario Della Sacra Cesarea Maesta: Strada’s Tasksat Court 188
- 4.1 Looking for Patronage: Strada’s Arrival at the ImperialCourt 188
- 4.2 The Controversy with Wolfgang Lazius 200
- 4.3 ‘Obwol Ir.Maj. den Strada selbst dier Zeit wol zu geprauchen’: Strada’s Tasks at Court 210
- 4.4 Indirect Sources Throwing Light on Strada’s Employment at Court 242
- 4.5 Conclusion 248
- 5 Jacopo Strada as an Imperial Architect: Background 251
- 5.1 Introduction: The Austrian Habsburgs as Patrons of Architecture 251
- 5.2 The Prince as Architect: Ferdinand I and Maximilian II asAmateurs and Patrons of Architecture 255
- 5.3 ‘Adeste Musae’: Maximilian’s Hunting Lodge and Garden in the Prater 290
- 5.4 The Imperial Residence: Status quo at Strada’s Arrival 307
- 5.5 The Architectural Infrastructure at the Imperial Court 319
- 5.6 Strada’s Competence as an Architect 331
- 6 Strada’s Role in Projects Initiated by Emperor Ferdinand I 339
- 7 An Object Lesson: Strada’s House in Vienna 367
- 8 The Munich Antiquarium 383
- 9 The Neugebäude 430
- 9.1 The Tomb of Ferdinand I and Anna in Prague; Licinio’s Paintings in Pressburg 431
- 9.2 Kaiserebersdorf and Katterburg 432
- 9.3 Sobriety versus Conspicuous Consumption 437
- 9.4 Hans Jakob Fugger’s Letter 438
- 9.5 Description of the Complex 441
- 9.6 The Personal Involvement of Emperor Maximilian II 455
- 9.7 Ottoman Influence? 463
- 9.8 Classical Sources: Roman Castrametatio and the Fortified Palace of Diocletian at Split 467
- 9.9 Classical Sources: Monuments of Ancient Rome 480
- 9.10 Contemporary Italian Architecture 489
- 9.11 Strada’s Contribution 500
- 9.12 Conclusion: Strada’s Role in the Design of the Neugebäude 507
- 10 Other Patrons of Architecture 514
- 10.1 The Courtyard of the Landhaus in Graz 514
- 10.2 The Residence for Archduke Ernest 517
- 10.3 Other Patrons: Vilém z Rožmberk 520
- 10.4 Jan Šembera Černohorský z Boskovic and BučoviceCastle 524
- 10.5 Christoph von Teuffenbach: The House in Vienna and the Castle at Drnholec 530
- 10.6 Reichard Strein von Schwarzenau and the Castle at Schwarzenau 534
- 10.7 Conclusion 542