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279Imperial
Architect: Background
53 Extracted from Holtzmann 1903, passim.
1499, but again very popular in the 1540s. This book can stand as an excellent
illustration of the link between court culture, humanist learning and knowl-
edge of classical architecture [Fig. 5.30].
5.2.4 The Prince as Architect: Practical Experience
The architectural frame of reference that Maximilian could draw upon in his
patronage was not, however, determined solely or even primarily by theoreti-
cal treatises and more or less fanciful woodcuts. It is important to ask what
architecture he had actually seen by 1555, and also which of these examples
would have most impressed him, and why. A brief sketch of his itinerary will
serve the purpose.53
Maximilian was born in the Vienna Hofburg, but he lived the first decade
and a half of his life largely in Innsbruck, except for a year spent in Vienna
when he was about ten years old. Only from 1543 onward did he begin to travel,
at first in his father’s retinue, attending the 1543 Nuremberg Diet and visiting
Prague for the first time. The next four years he spent in the retinue of Charles
v, beginning with the French campaign ending in the capture of Soissons and
the peace of Crépy, followed by a long sojourn at the Imperial court at Brussels
(September 1544–March 1545).
Fortification being an important subject for a prince and warrior in training,
he will have been able to see for himself, or at least in its plans, the fortifications of
Antwerp developed by the Italian architect Donato de’ Boni, who also designed
the Imperial gate to that city which was being built at the time [Fig. 5.33]. Per-
haps he also heard something about the plans of Charles v and of his aunt Mary
of Hungary for their respective residences in Brussels and Binche that were to be
realized in the following years. Travelling with the court and the army of Charles v
during the months preceding and following the battle of Mühlberg (24 April 1547)
he criss-crossed central and southern Germany, where he visited both friendly
courts—such as Munich, Stuttgart, Jülich and Dresden—and the principal Im-
perial towns, such as Aix-la Chapelle, Cologne, Worms, Speyer, Regensburg, Ulm,
Nuremberg and Augsburg. With his father he visited most of the Habsburg do-
minions in and bordering on Germany, including Moravia, Silesia and Lusatia.
In 1548 Charles v and Ferdinand i agreed to a marriage settlement between
Charles’ daughter Maria and Maximilian, who was given the title of King of
Bohemia on the occasion. In June of that year Maximilian travelled from
Augsburg, where he had been attending the famous geharnischte Reichstag,
through Munich, Innsbruck, Bolzano and Trent to Mantua, and from there
zurück zum
Buch Jacopo Strada and Cultural Patronage at the Imperial Court - The Antique as Innovation, Band 1"
Jacopo Strada and Cultural Patronage at the Imperial Court
The Antique as Innovation, Band 1
- Titel
- Jacopo Strada and Cultural Patronage at the Imperial Court
- Untertitel
- The Antique as Innovation
- Band
- 1
- Autor
- Dirk Jacob Jansen
- Verlag
- Brill
- Ort
- Leiden
- Datum
- 2019
- Sprache
- englisch
- Lizenz
- CC BY-NC-ND 4.0
- ISBN
- 978-90-04-35949-9
- Abmessungen
- 15.8 x 24.1 cm
- Seiten
- 572
- Kategorien
- Biographien
- Kunst und Kultur
Inhaltsverzeichnis
- Preface XV
- Acknowledgements XVIII
- Acknowledgments of Financial Support Received XXI
- List of Abbreviations XXII
- Introduction: The Image—Or from Whom (Not?) to Buy a Second-Hand Car 1
- 0.1 The Portraits of Jacopo and Ottavio Strada 1
- 0.2 Why are These Portraits so Special? 4
- 0.3 Motions of the Mind 4
- 0.4 What is Known About Strada: Early Notices 9
- 0.5 Quellenkunde: Some Sources Published in the NineteenthCentury 15
- 0.6 Kulturgeschichte before World War II 19
- 0.7 Romance: Josef Svátek and the Rudolfine Legend 21
- 0.8 A (Very) Modest Place in the History of Classical Scholarship 24
- 0.9 Contemporary Scholarship 25
- 0.10 What Has Not Been Written on Jacopo Strada 37
- 0.11 Weaving the Strands Together: The Purpose of this Study 39
- 1 Early Years: Family Background, Education, Giulio Romano 45
- 2 Travel: Rome, Landshut, Nuremberg—Strada’s Connection withWenzel Jamnitzer 67
- 3 In Hans Jakob Fuggers’s Service 107
- 3.1 Hans Jakob Fugger 107
- 3.2 Fugger as a Patron and Collector 114
- 3.3 Fugger’s Employment of Strada 121
- 3.4 Architectural Patronage for the Fuggers: The DonauwörthStudiolo 134
- 3.5 Strada’s Trips to Lyon 137
- 3.6 Strada’s Contacts in Lyon: Sebastiano Serlio 149
- 3.7 Civis Romanus: Strada’s Sojourn in Rome 156
- 3.8 Commissions and Purchases: The Genesis of Strada’s Musaeum 174
- 3.9 Departure from Rome 183
- 4 Antiquario Della Sacra Cesarea Maesta: Strada’s Tasksat Court 188
- 4.1 Looking for Patronage: Strada’s Arrival at the ImperialCourt 188
- 4.2 The Controversy with Wolfgang Lazius 200
- 4.3 ‘Obwol Ir.Maj. den Strada selbst dier Zeit wol zu geprauchen’: Strada’s Tasks at Court 210
- 4.4 Indirect Sources Throwing Light on Strada’s Employment at Court 242
- 4.5 Conclusion 248
- 5 Jacopo Strada as an Imperial Architect: Background 251
- 5.1 Introduction: The Austrian Habsburgs as Patrons of Architecture 251
- 5.2 The Prince as Architect: Ferdinand I and Maximilian II asAmateurs and Patrons of Architecture 255
- 5.3 ‘Adeste Musae’: Maximilian’s Hunting Lodge and Garden in the Prater 290
- 5.4 The Imperial Residence: Status quo at Strada’s Arrival 307
- 5.5 The Architectural Infrastructure at the Imperial Court 319
- 5.6 Strada’s Competence as an Architect 331
- 6 Strada’s Role in Projects Initiated by Emperor Ferdinand I 339
- 7 An Object Lesson: Strada’s House in Vienna 367
- 8 The Munich Antiquarium 383
- 9 The Neugebäude 430
- 9.1 The Tomb of Ferdinand I and Anna in Prague; Licinio’s Paintings in Pressburg 431
- 9.2 Kaiserebersdorf and Katterburg 432
- 9.3 Sobriety versus Conspicuous Consumption 437
- 9.4 Hans Jakob Fugger’s Letter 438
- 9.5 Description of the Complex 441
- 9.6 The Personal Involvement of Emperor Maximilian II 455
- 9.7 Ottoman Influence? 463
- 9.8 Classical Sources: Roman Castrametatio and the Fortified Palace of Diocletian at Split 467
- 9.9 Classical Sources: Monuments of Ancient Rome 480
- 9.10 Contemporary Italian Architecture 489
- 9.11 Strada’s Contribution 500
- 9.12 Conclusion: Strada’s Role in the Design of the Neugebäude 507
- 10 Other Patrons of Architecture 514
- 10.1 The Courtyard of the Landhaus in Graz 514
- 10.2 The Residence for Archduke Ernest 517
- 10.3 Other Patrons: Vilém z Rožmberk 520
- 10.4 Jan Šembera Černohorský z Boskovic and BučoviceCastle 524
- 10.5 Christoph von Teuffenbach: The House in Vienna and the Castle at Drnholec 530
- 10.6 Reichard Strein von Schwarzenau and the Castle at Schwarzenau 534
- 10.7 Conclusion 542