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291Imperial
Architect: Background
66 Tanner described the location of Maximilian’s Lusthaus as ‘ad Puteum cervinum’, ‘am
Hirschbrunnen’. The drawings of Hvězda are in Vienna, önb-hs, Cod. min. 108; as is Špan’s
poem, Cod. 9902 (with a provenance from Ferdinand’s library at Ambras); on Hvězda, see
now Dobalová/ Hausenblasová / Muchka 2014; also Simons 2009, pp. 99–130, which sup-
plies the earlier bibliography, and Dobalová 2009, pp.203–213; Tanner’s description of the
Prater hunting lodge: Brevis Et Dilucida Domini Dom. Maximiliani Inclyti Regis Bohemiae
et Archiducis Austriae ec. Viennae Ad Danubii Ripas Et Diaetae Seu Amoenarii Ad Puteum
that Maximilian and Ferdinand built their hunting lodges in Vienna and
Prague at exactly the same time, in 1555, and in a very similar situation. The
location of the Grünes Lusthaus was indicated as ‘Ad Puteum Cervinum’, ‘at
the deer fountain’, i.e. in a hunting preserve, while Hvězda was built in what
was called a ‘Tiergarten’, likewise an animal and game preserve. Though ex-
cept for its cruciform plan we do not know exactly what the Prater Lusthaus
looked like—it was replaced in 1781–83 by the still existing pavilion designed
by Isidore Canevale—it is clear that both hunting lodges are similar in concep-
tion and both were richly decorated. Most striking is perhaps that both were
carefully documented at the time. The designs of Hvězda mentioned earlier
were carefully copied in a set of presentation drawings [Figs. 5.22–5.24; 5.55]
and the complex was described in a Latin poem by Vavřinec Špan ze Španova,
Ferdinandopyrgum. Maximilian’s Lusthaus was documented in a learned, Lat-
in treatise by a Vienna lawyer and Greek scholar, Georg Tanner, illustrated by
plans of its gardens by Bonifaz Wolmut [Figs. 5.54 and 5.65–5.69].66
Figure 5.54 Plan of the Grünes Lusthaus, built 1555–57 for Maximilian ii in the Prater just
outside Vienna; detail from the plan inserted in Georg Tanner’s description
(1557).
Figure 5.55 Plan of Hvězda, ground floor; presentation drawing by unknown Italian
draughtsman after an autograph by Archduke Ferdinand, 1555.
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Buch Jacopo Strada and Cultural Patronage at the Imperial Court - The Antique as Innovation, Band 1"
Jacopo Strada and Cultural Patronage at the Imperial Court
The Antique as Innovation, Band 1
- Titel
- Jacopo Strada and Cultural Patronage at the Imperial Court
- Untertitel
- The Antique as Innovation
- Band
- 1
- Autor
- Dirk Jacob Jansen
- Verlag
- Brill
- Ort
- Leiden
- Datum
- 2019
- Sprache
- englisch
- Lizenz
- CC BY-NC-ND 4.0
- ISBN
- 978-90-04-35949-9
- Abmessungen
- 15.8 x 24.1 cm
- Seiten
- 572
- Kategorien
- Biographien
- Kunst und Kultur
Inhaltsverzeichnis
- Preface XV
- Acknowledgements XVIII
- Acknowledgments of Financial Support Received XXI
- List of Abbreviations XXII
- Introduction: The Image—Or from Whom (Not?) to Buy a Second-Hand Car 1
- 0.1 The Portraits of Jacopo and Ottavio Strada 1
- 0.2 Why are These Portraits so Special? 4
- 0.3 Motions of the Mind 4
- 0.4 What is Known About Strada: Early Notices 9
- 0.5 Quellenkunde: Some Sources Published in the NineteenthCentury 15
- 0.6 Kulturgeschichte before World War II 19
- 0.7 Romance: Josef Svátek and the Rudolfine Legend 21
- 0.8 A (Very) Modest Place in the History of Classical Scholarship 24
- 0.9 Contemporary Scholarship 25
- 0.10 What Has Not Been Written on Jacopo Strada 37
- 0.11 Weaving the Strands Together: The Purpose of this Study 39
- 1 Early Years: Family Background, Education, Giulio Romano 45
- 2 Travel: Rome, Landshut, Nuremberg—Strada’s Connection withWenzel Jamnitzer 67
- 3 In Hans Jakob Fuggers’s Service 107
- 3.1 Hans Jakob Fugger 107
- 3.2 Fugger as a Patron and Collector 114
- 3.3 Fugger’s Employment of Strada 121
- 3.4 Architectural Patronage for the Fuggers: The DonauwörthStudiolo 134
- 3.5 Strada’s Trips to Lyon 137
- 3.6 Strada’s Contacts in Lyon: Sebastiano Serlio 149
- 3.7 Civis Romanus: Strada’s Sojourn in Rome 156
- 3.8 Commissions and Purchases: The Genesis of Strada’s Musaeum 174
- 3.9 Departure from Rome 183
- 4 Antiquario Della Sacra Cesarea Maesta: Strada’s Tasksat Court 188
- 4.1 Looking for Patronage: Strada’s Arrival at the ImperialCourt 188
- 4.2 The Controversy with Wolfgang Lazius 200
- 4.3 ‘Obwol Ir.Maj. den Strada selbst dier Zeit wol zu geprauchen’: Strada’s Tasks at Court 210
- 4.4 Indirect Sources Throwing Light on Strada’s Employment at Court 242
- 4.5 Conclusion 248
- 5 Jacopo Strada as an Imperial Architect: Background 251
- 5.1 Introduction: The Austrian Habsburgs as Patrons of Architecture 251
- 5.2 The Prince as Architect: Ferdinand I and Maximilian II asAmateurs and Patrons of Architecture 255
- 5.3 ‘Adeste Musae’: Maximilian’s Hunting Lodge and Garden in the Prater 290
- 5.4 The Imperial Residence: Status quo at Strada’s Arrival 307
- 5.5 The Architectural Infrastructure at the Imperial Court 319
- 5.6 Strada’s Competence as an Architect 331
- 6 Strada’s Role in Projects Initiated by Emperor Ferdinand I 339
- 7 An Object Lesson: Strada’s House in Vienna 367
- 8 The Munich Antiquarium 383
- 9 The Neugebäude 430
- 9.1 The Tomb of Ferdinand I and Anna in Prague; Licinio’s Paintings in Pressburg 431
- 9.2 Kaiserebersdorf and Katterburg 432
- 9.3 Sobriety versus Conspicuous Consumption 437
- 9.4 Hans Jakob Fugger’s Letter 438
- 9.5 Description of the Complex 441
- 9.6 The Personal Involvement of Emperor Maximilian II 455
- 9.7 Ottoman Influence? 463
- 9.8 Classical Sources: Roman Castrametatio and the Fortified Palace of Diocletian at Split 467
- 9.9 Classical Sources: Monuments of Ancient Rome 480
- 9.10 Contemporary Italian Architecture 489
- 9.11 Strada’s Contribution 500
- 9.12 Conclusion: Strada’s Role in the Design of the Neugebäude 507
- 10 Other Patrons of Architecture 514
- 10.1 The Courtyard of the Landhaus in Graz 514
- 10.2 The Residence for Archduke Ernest 517
- 10.3 Other Patrons: Vilém z Rožmberk 520
- 10.4 Jan Šembera Černohorský z Boskovic and BučoviceCastle 524
- 10.5 Christoph von Teuffenbach: The House in Vienna and the Castle at Drnholec 530
- 10.6 Reichard Strein von Schwarzenau and the Castle at Schwarzenau 534
- 10.7 Conclusion 542