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Chapter
5310
99 Holzschuh-Hofer 2014(a), pp. 104–108; discussed below, Ch. 5.5.2.
100 Holzschuh-Hofer 2014(a), pp. 104–108.
101 Ibid., pp. 108–111; Kühnel 1956, p. 258.
102 Holzschuh-Hofer 2014(a), pp. 111–122; cf. below, Ch. 5.4; on the window surronds, see be-
low, 5.6.2.
in front of the entrance to the chapel, in the corner between south-west and
south-east wings; this housed a monumental staircase of three flights, preced-
ed by a huge square hall or landing giving access both to the chapel and to the
royal apartment. The plans for this addition were made by Francesco de Pozzo
and included an arcade on the ground floor carried on heavily bossed pillars
or buttresses, which were not to the taste of some of his colleagues. This gave
rise to an extensive debate, in which Ferdinand, at the time absent in Prague,
actively participated; it will be briefly discussed later in this chapter.99 In the
end Ferdinand decided to uphold Pozzo’s plans, the remains of which are still
visible in the southwest corner of the Schweizerhof.
The north-east wing functioned as ‘Frauenzimmer’, lodging Queen Anna and
her household on the second floor, and the ‘Niederösterreichische Kammer’, the
treasury of Lower Austria. Some of the damages it had suffered in the 1529 siege
had been set in order already in the 1530s, but it was largely reconstructed in the
mid-1540s. The Frauenzimmer provided a Chamber, a dining room and a recep-
tion hall for the Queen herself, and was preceded by a new, monumental stair-
case.100 It is not clear whether her later successor, Maximilian’s consort Maria
of Spain, arrived in Vienna in 1551, used the rooms of her late mother-in-law;
it was either extended with, or exchanged for an apartment installed for her
on the second floor in the completely new-built north-west wing. This apart-
ment, nearer to those both of her husband and her father-in-law, consisted of a
larger space (‘lange Saal’), an (ante-) chamber, a dining room and a bedcham-
ber. The other floors of this building housed several administrative offices,
including a ‘Gwelbl’, a vaulted (strong-) room for the use of Leopold Heyperger,
as ‘Burggraf’ the chamberlain responsible not only for the day-to day mainte-
nance of the Hofburg, but also for the care of treasures and other valuables.101
The north-west wing provided the Hofburg with a new, monumental façade,
provided with well-designed window-surrounds in the classical manner, deco-
rated with the symbols of the order of the Golden Fleece [Fig. 5.80]. It also incor-
porated the only entrance gate to the courtyard, now known as ‘Schweizertor’,
which carries the date 1552 [Figs. 5.81–5.82]. Gate and window-surrounds are
almost the only architectural elements of the sixteenth century in the Hofburg
that have been preserved intact.102 The northwest wing also incorporated part
of the remnants of the north tower, which had become unstable and had been
partly demolished. During the reconstruction of this section a narrow gallery was
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Buch Jacopo Strada and Cultural Patronage at the Imperial Court - The Antique as Innovation, Band 1"
Jacopo Strada and Cultural Patronage at the Imperial Court
The Antique as Innovation, Band 1
- Titel
- Jacopo Strada and Cultural Patronage at the Imperial Court
- Untertitel
- The Antique as Innovation
- Band
- 1
- Autor
- Dirk Jacob Jansen
- Verlag
- Brill
- Ort
- Leiden
- Datum
- 2019
- Sprache
- englisch
- Lizenz
- CC BY-NC-ND 4.0
- ISBN
- 978-90-04-35949-9
- Abmessungen
- 15.8 x 24.1 cm
- Seiten
- 572
- Kategorien
- Biographien
- Kunst und Kultur
Inhaltsverzeichnis
- Preface XV
- Acknowledgements XVIII
- Acknowledgments of Financial Support Received XXI
- List of Abbreviations XXII
- Introduction: The Image—Or from Whom (Not?) to Buy a Second-Hand Car 1
- 0.1 The Portraits of Jacopo and Ottavio Strada 1
- 0.2 Why are These Portraits so Special? 4
- 0.3 Motions of the Mind 4
- 0.4 What is Known About Strada: Early Notices 9
- 0.5 Quellenkunde: Some Sources Published in the NineteenthCentury 15
- 0.6 Kulturgeschichte before World War II 19
- 0.7 Romance: Josef Svátek and the Rudolfine Legend 21
- 0.8 A (Very) Modest Place in the History of Classical Scholarship 24
- 0.9 Contemporary Scholarship 25
- 0.10 What Has Not Been Written on Jacopo Strada 37
- 0.11 Weaving the Strands Together: The Purpose of this Study 39
- 1 Early Years: Family Background, Education, Giulio Romano 45
- 2 Travel: Rome, Landshut, Nuremberg—Strada’s Connection withWenzel Jamnitzer 67
- 3 In Hans Jakob Fuggers’s Service 107
- 3.1 Hans Jakob Fugger 107
- 3.2 Fugger as a Patron and Collector 114
- 3.3 Fugger’s Employment of Strada 121
- 3.4 Architectural Patronage for the Fuggers: The DonauwörthStudiolo 134
- 3.5 Strada’s Trips to Lyon 137
- 3.6 Strada’s Contacts in Lyon: Sebastiano Serlio 149
- 3.7 Civis Romanus: Strada’s Sojourn in Rome 156
- 3.8 Commissions and Purchases: The Genesis of Strada’s Musaeum 174
- 3.9 Departure from Rome 183
- 4 Antiquario Della Sacra Cesarea Maesta: Strada’s Tasksat Court 188
- 4.1 Looking for Patronage: Strada’s Arrival at the ImperialCourt 188
- 4.2 The Controversy with Wolfgang Lazius 200
- 4.3 ‘Obwol Ir.Maj. den Strada selbst dier Zeit wol zu geprauchen’: Strada’s Tasks at Court 210
- 4.4 Indirect Sources Throwing Light on Strada’s Employment at Court 242
- 4.5 Conclusion 248
- 5 Jacopo Strada as an Imperial Architect: Background 251
- 5.1 Introduction: The Austrian Habsburgs as Patrons of Architecture 251
- 5.2 The Prince as Architect: Ferdinand I and Maximilian II asAmateurs and Patrons of Architecture 255
- 5.3 ‘Adeste Musae’: Maximilian’s Hunting Lodge and Garden in the Prater 290
- 5.4 The Imperial Residence: Status quo at Strada’s Arrival 307
- 5.5 The Architectural Infrastructure at the Imperial Court 319
- 5.6 Strada’s Competence as an Architect 331
- 6 Strada’s Role in Projects Initiated by Emperor Ferdinand I 339
- 7 An Object Lesson: Strada’s House in Vienna 367
- 8 The Munich Antiquarium 383
- 9 The Neugebäude 430
- 9.1 The Tomb of Ferdinand I and Anna in Prague; Licinio’s Paintings in Pressburg 431
- 9.2 Kaiserebersdorf and Katterburg 432
- 9.3 Sobriety versus Conspicuous Consumption 437
- 9.4 Hans Jakob Fugger’s Letter 438
- 9.5 Description of the Complex 441
- 9.6 The Personal Involvement of Emperor Maximilian II 455
- 9.7 Ottoman Influence? 463
- 9.8 Classical Sources: Roman Castrametatio and the Fortified Palace of Diocletian at Split 467
- 9.9 Classical Sources: Monuments of Ancient Rome 480
- 9.10 Contemporary Italian Architecture 489
- 9.11 Strada’s Contribution 500
- 9.12 Conclusion: Strada’s Role in the Design of the Neugebäude 507
- 10 Other Patrons of Architecture 514
- 10.1 The Courtyard of the Landhaus in Graz 514
- 10.2 The Residence for Archduke Ernest 517
- 10.3 Other Patrons: Vilém z Rožmberk 520
- 10.4 Jan Šembera Černohorský z Boskovic and BučoviceCastle 524
- 10.5 Christoph von Teuffenbach: The House in Vienna and the Castle at Drnholec 530
- 10.6 Reichard Strein von Schwarzenau and the Castle at Schwarzenau 534
- 10.7 Conclusion 542