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371An
Object Lesson
Languet says that he often visited Strada’s house, which had been built accord-
ing to the rules of classical architecture, and to such effect that Languet could
not name another house in that city of similar elegance and provided with
so many features conducive to commodious living.8 Strada, who probably in-
spired Languet’s panegyric, himself offered the use of his house to the Duke of
Mantua in similar terms:
I offer my house to Your Excellency at any occasion he might need it,
which, once its construction is finished, is a suitable lodging for a prince.9
At a later date, when Strada encountered financial troubles, he indeed pro-
posed it as a suitable residence for a prince, the young Duke Ferdinand of
Bavaria, should he wish to spend some time at the Imperial court. That offer
was not accepted, but on another occasion the Count Palatine Georg Johann
i of Veldenz-Lützelstein was lodged in Strada’s house for some months at the
Emperor’s expense.10 Hans Jakob Fugger himself naturally lodged with Strada
when he came to Vienna, as did the Bohemian Magnate Vilém z Rožmberk. In
the early 1580s the top floor of the house was occupied by the Croatian prelate
and politician Juraj (György) Drašković (Draskovics), Archbishop of Kalocsa,
Ban of Croatia and chancellor of Hungary, together with the offices of the Hun-
garian chancery for which he was responsible.11 Even members of the dynasty
occasionally used Strada’s house, as in November of 1579, when some courtiers
organised a banquet, a dance and a ‘mummerey’ or masque for the youngest
Archdukes: an occasion which indicates that the house included at least one
room of sufficient size for such festivities.12
8 DOC. 1576-09-07: ‘Viennae fui saepius in eius aedibus, quas ad normam veteris architectu-
rae ita aedificavit, ut nesciam, an ullae sint in ea urbe conferendae cum illis elegantia et iis
rebus, quae ad commode habitandum sunt necessariae.’ Languet probably visited Strada’s
house in the company of his pupil, Sir Philip Sidney, during his first stay in Vienna in 1573;
Sidney, but not Languet, is inscribed in Ottavio Strada’s Stammbuch (see below, Ch. 11.1).
9 DOC. 1568-12-28.
10 Pfalzgraf Georg Johann i. zu Veldenz-Lützelstein (1543–1592); married since 1562 to Anna
Maria, daughter of Gustav i Wasa, King of Sweden.
11 DOC. 1577-02-18: [Strada is paid 50 Gulden rent for his house in Vienna] ‘<...>darin Pfalts-
graf Georg Hans bei Rhein im Jahr 1575 eine Zeit lang gelegen’; Fugger stayed in Strada’s
house during his stay in Vienna in the winter of 1568; another of Stada’s patrons, Vilém
z Rožmberka, lodged in Strada’s house on his visits to court and knew it well, as appears
from Strada attempt to interest him to buy it (DOC. 1573-12-18); on Drašković, cf. DOC.
1581-11-02.
12 DOC. 1579-11-17: Sigmundt von Hochenburg to Archduke Matthias, Vienna 17 November
1579: ‘<...>Iere Fürstl. Durchl. etc. die fast alle wochen zum ringrennen haben vor ein ze-
hen Tagen in einn Ringrennen zwo Parteyen in deren Jeder sechs waren gemacht vnd also
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Buch Jacopo Strada and Cultural Patronage at the Imperial Court - The Antique as Innovation, Band 1"
Jacopo Strada and Cultural Patronage at the Imperial Court
The Antique as Innovation, Band 1
- Titel
- Jacopo Strada and Cultural Patronage at the Imperial Court
- Untertitel
- The Antique as Innovation
- Band
- 1
- Autor
- Dirk Jacob Jansen
- Verlag
- Brill
- Ort
- Leiden
- Datum
- 2019
- Sprache
- englisch
- Lizenz
- CC BY-NC-ND 4.0
- ISBN
- 978-90-04-35949-9
- Abmessungen
- 15.8 x 24.1 cm
- Seiten
- 572
- Kategorien
- Biographien
- Kunst und Kultur
Inhaltsverzeichnis
- Preface XV
- Acknowledgements XVIII
- Acknowledgments of Financial Support Received XXI
- List of Abbreviations XXII
- Introduction: The Image—Or from Whom (Not?) to Buy a Second-Hand Car 1
- 0.1 The Portraits of Jacopo and Ottavio Strada 1
- 0.2 Why are These Portraits so Special? 4
- 0.3 Motions of the Mind 4
- 0.4 What is Known About Strada: Early Notices 9
- 0.5 Quellenkunde: Some Sources Published in the NineteenthCentury 15
- 0.6 Kulturgeschichte before World War II 19
- 0.7 Romance: Josef Svátek and the Rudolfine Legend 21
- 0.8 A (Very) Modest Place in the History of Classical Scholarship 24
- 0.9 Contemporary Scholarship 25
- 0.10 What Has Not Been Written on Jacopo Strada 37
- 0.11 Weaving the Strands Together: The Purpose of this Study 39
- 1 Early Years: Family Background, Education, Giulio Romano 45
- 2 Travel: Rome, Landshut, Nuremberg—Strada’s Connection withWenzel Jamnitzer 67
- 3 In Hans Jakob Fuggers’s Service 107
- 3.1 Hans Jakob Fugger 107
- 3.2 Fugger as a Patron and Collector 114
- 3.3 Fugger’s Employment of Strada 121
- 3.4 Architectural Patronage for the Fuggers: The DonauwörthStudiolo 134
- 3.5 Strada’s Trips to Lyon 137
- 3.6 Strada’s Contacts in Lyon: Sebastiano Serlio 149
- 3.7 Civis Romanus: Strada’s Sojourn in Rome 156
- 3.8 Commissions and Purchases: The Genesis of Strada’s Musaeum 174
- 3.9 Departure from Rome 183
- 4 Antiquario Della Sacra Cesarea Maesta: Strada’s Tasksat Court 188
- 4.1 Looking for Patronage: Strada’s Arrival at the ImperialCourt 188
- 4.2 The Controversy with Wolfgang Lazius 200
- 4.3 ‘Obwol Ir.Maj. den Strada selbst dier Zeit wol zu geprauchen’: Strada’s Tasks at Court 210
- 4.4 Indirect Sources Throwing Light on Strada’s Employment at Court 242
- 4.5 Conclusion 248
- 5 Jacopo Strada as an Imperial Architect: Background 251
- 5.1 Introduction: The Austrian Habsburgs as Patrons of Architecture 251
- 5.2 The Prince as Architect: Ferdinand I and Maximilian II asAmateurs and Patrons of Architecture 255
- 5.3 ‘Adeste Musae’: Maximilian’s Hunting Lodge and Garden in the Prater 290
- 5.4 The Imperial Residence: Status quo at Strada’s Arrival 307
- 5.5 The Architectural Infrastructure at the Imperial Court 319
- 5.6 Strada’s Competence as an Architect 331
- 6 Strada’s Role in Projects Initiated by Emperor Ferdinand I 339
- 7 An Object Lesson: Strada’s House in Vienna 367
- 8 The Munich Antiquarium 383
- 9 The Neugebäude 430
- 9.1 The Tomb of Ferdinand I and Anna in Prague; Licinio’s Paintings in Pressburg 431
- 9.2 Kaiserebersdorf and Katterburg 432
- 9.3 Sobriety versus Conspicuous Consumption 437
- 9.4 Hans Jakob Fugger’s Letter 438
- 9.5 Description of the Complex 441
- 9.6 The Personal Involvement of Emperor Maximilian II 455
- 9.7 Ottoman Influence? 463
- 9.8 Classical Sources: Roman Castrametatio and the Fortified Palace of Diocletian at Split 467
- 9.9 Classical Sources: Monuments of Ancient Rome 480
- 9.10 Contemporary Italian Architecture 489
- 9.11 Strada’s Contribution 500
- 9.12 Conclusion: Strada’s Role in the Design of the Neugebäude 507
- 10 Other Patrons of Architecture 514
- 10.1 The Courtyard of the Landhaus in Graz 514
- 10.2 The Residence for Archduke Ernest 517
- 10.3 Other Patrons: Vilém z Rožmberk 520
- 10.4 Jan Šembera Černohorský z Boskovic and BučoviceCastle 524
- 10.5 Christoph von Teuffenbach: The House in Vienna and the Castle at Drnholec 530
- 10.6 Reichard Strein von Schwarzenau and the Castle at Schwarzenau 534
- 10.7 Conclusion 542