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Chapter
8386
Though the word ‘stanza’ might here still refer to a ‘room’ in the Kunstkam-
mer, the word ‘fabricare’ suggests that the construction of a new building was
intended, rather than the adaptation of an already existing space to the Duke’s
‘antiquaglie’.
Certainly the letter of instruction the Duke himself addressed to Strada on
20 October leaves no room for doubt that a new building was to be commis-
sioned. The Duke tells Strada that he has decided on the site where the new
‘Haus für die antiquitäten’ is to be built; he will send Strada a plan of the plot
as soon as possible, together with his own thoughts on the subject, ‘die sachen
dest bas darnach habest zurichten’, in order for Strada to arrange things ac-
cordingly.8 Three weeks later the Duke writes again to Strada, stressing his
wish ‘das Studium mögen aufrichten unnd dasselb mit ehisten in ain wesen
bringen’: that is, ‘to build the studio and have it brought into being as soon as
possible’. He tells Strada that Fugger will send him:
… the [plan of the] site of the place where we intend to build the house,
according to which you can plan the building, and write all things in the
margin, so that we can look into one thing and another, and afterwards
we can the better discuss with you our wishes and opinions.9
Here it is quite clear that a new building is envisaged, and that Strada is ex-
pected to produce a design for it, which can be the subject of a further oral con-
sultation, after having been duly considered by the Duke and others: doubtless
Fugger and the local architects are implied. Acting on the Duke’s direction,
Fugger himself had already written to Strada the day before, though it is not
quite clear whether he already had sent off the drawing of the site:
About the building [‘palazzo’] which his Excellency wishes to construct,
he has planned to have done all the preparatory work for it [on the site,
DJ], and then to have designs made [for it] by some masters, as well as
venire in qua’, cited in Von Busch 1973, p. 123 and 343, n. 99; Weski/Frosien Leinz 1987, Text-
band, p. 466, nr. 132.
8 Von Busch 1973, p. 123; Weski/Frosien Leinz 1987, Textband, p. 466, nr. 133: ‘Mit erstem wöl-
len wir dir ain verzaichnis des Plaz darauf wir vermainend das Haus für die antiquitäten
zu sezen, zueschicken, hatt bisher unnser abwesenheit halber von haus nit sein khonnden.
Wollen dir auch daneben usnnser mainung vermelden, die sachen destbas darnach habest
zurichten’.
9 Von Busch 1973, p. 123; Weski / Frosien Leinz 1987, Textband, p. 466, nr. 137: ‘Der Fugger wirdt
dir den grundt des Plaz, darauf wir die behausung vermainen Zubauen, Zueschicken, demn-
ach wirstu den Paw khinden Richten, unnd alle sachen nach lenngs Zuschreiben, damit wir
unns in denselben unnd anndern ersechen, unnd hernach mit dir unnser gelegenheit unnd
mainung zu seiner Zeit desto bas mündtlich Reden khonnden’.
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Buch Jacopo Strada and Cultural Patronage at the Imperial Court - The Antique as Innovation, Band 1"
Jacopo Strada and Cultural Patronage at the Imperial Court
The Antique as Innovation, Band 1
- Titel
- Jacopo Strada and Cultural Patronage at the Imperial Court
- Untertitel
- The Antique as Innovation
- Band
- 1
- Autor
- Dirk Jacob Jansen
- Verlag
- Brill
- Ort
- Leiden
- Datum
- 2019
- Sprache
- englisch
- Lizenz
- CC BY-NC-ND 4.0
- ISBN
- 978-90-04-35949-9
- Abmessungen
- 15.8 x 24.1 cm
- Seiten
- 572
- Kategorien
- Biographien
- Kunst und Kultur
Inhaltsverzeichnis
- Preface XV
- Acknowledgements XVIII
- Acknowledgments of Financial Support Received XXI
- List of Abbreviations XXII
- Introduction: The Image—Or from Whom (Not?) to Buy a Second-Hand Car 1
- 0.1 The Portraits of Jacopo and Ottavio Strada 1
- 0.2 Why are These Portraits so Special? 4
- 0.3 Motions of the Mind 4
- 0.4 What is Known About Strada: Early Notices 9
- 0.5 Quellenkunde: Some Sources Published in the NineteenthCentury 15
- 0.6 Kulturgeschichte before World War II 19
- 0.7 Romance: Josef Svátek and the Rudolfine Legend 21
- 0.8 A (Very) Modest Place in the History of Classical Scholarship 24
- 0.9 Contemporary Scholarship 25
- 0.10 What Has Not Been Written on Jacopo Strada 37
- 0.11 Weaving the Strands Together: The Purpose of this Study 39
- 1 Early Years: Family Background, Education, Giulio Romano 45
- 2 Travel: Rome, Landshut, Nuremberg—Strada’s Connection withWenzel Jamnitzer 67
- 3 In Hans Jakob Fuggers’s Service 107
- 3.1 Hans Jakob Fugger 107
- 3.2 Fugger as a Patron and Collector 114
- 3.3 Fugger’s Employment of Strada 121
- 3.4 Architectural Patronage for the Fuggers: The DonauwörthStudiolo 134
- 3.5 Strada’s Trips to Lyon 137
- 3.6 Strada’s Contacts in Lyon: Sebastiano Serlio 149
- 3.7 Civis Romanus: Strada’s Sojourn in Rome 156
- 3.8 Commissions and Purchases: The Genesis of Strada’s Musaeum 174
- 3.9 Departure from Rome 183
- 4 Antiquario Della Sacra Cesarea Maesta: Strada’s Tasksat Court 188
- 4.1 Looking for Patronage: Strada’s Arrival at the ImperialCourt 188
- 4.2 The Controversy with Wolfgang Lazius 200
- 4.3 ‘Obwol Ir.Maj. den Strada selbst dier Zeit wol zu geprauchen’: Strada’s Tasks at Court 210
- 4.4 Indirect Sources Throwing Light on Strada’s Employment at Court 242
- 4.5 Conclusion 248
- 5 Jacopo Strada as an Imperial Architect: Background 251
- 5.1 Introduction: The Austrian Habsburgs as Patrons of Architecture 251
- 5.2 The Prince as Architect: Ferdinand I and Maximilian II asAmateurs and Patrons of Architecture 255
- 5.3 ‘Adeste Musae’: Maximilian’s Hunting Lodge and Garden in the Prater 290
- 5.4 The Imperial Residence: Status quo at Strada’s Arrival 307
- 5.5 The Architectural Infrastructure at the Imperial Court 319
- 5.6 Strada’s Competence as an Architect 331
- 6 Strada’s Role in Projects Initiated by Emperor Ferdinand I 339
- 7 An Object Lesson: Strada’s House in Vienna 367
- 8 The Munich Antiquarium 383
- 9 The Neugebäude 430
- 9.1 The Tomb of Ferdinand I and Anna in Prague; Licinio’s Paintings in Pressburg 431
- 9.2 Kaiserebersdorf and Katterburg 432
- 9.3 Sobriety versus Conspicuous Consumption 437
- 9.4 Hans Jakob Fugger’s Letter 438
- 9.5 Description of the Complex 441
- 9.6 The Personal Involvement of Emperor Maximilian II 455
- 9.7 Ottoman Influence? 463
- 9.8 Classical Sources: Roman Castrametatio and the Fortified Palace of Diocletian at Split 467
- 9.9 Classical Sources: Monuments of Ancient Rome 480
- 9.10 Contemporary Italian Architecture 489
- 9.11 Strada’s Contribution 500
- 9.12 Conclusion: Strada’s Role in the Design of the Neugebäude 507
- 10 Other Patrons of Architecture 514
- 10.1 The Courtyard of the Landhaus in Graz 514
- 10.2 The Residence for Archduke Ernest 517
- 10.3 Other Patrons: Vilém z Rožmberk 520
- 10.4 Jan Šembera Černohorský z Boskovic and BučoviceCastle 524
- 10.5 Christoph von Teuffenbach: The House in Vienna and the Castle at Drnholec 530
- 10.6 Reichard Strein von Schwarzenau and the Castle at Schwarzenau 534
- 10.7 Conclusion 542