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xiContents
5.2 The Prince as Architect: Ferdinand I and Maximilian II as
Amateurs and Patrons of Architecture 
  255
5.3 ‘Adeste Musae’: Maximilian’s Hunting Lodge and Garden in the
Prater 
 
290
5.4 The Imperial Residence: Status quo at Strada’s Arrival 
  307
5.5 The Architectural Infrastructure at the Imperial Court 
  319
5.6 Strada’s Competence as an Architect 
  331
6 Strada’s Role in Projects Initiated by Emperor Ferdinand I   
339
6.1 The Hofspital 
  340
6.2 The Tomb of Maximilian I in Innsbruck 
 
343
6.3 Interior Decoration 
 
350
6.4 The Tanzhaus    352
6.5 The Stallburg 
 
355
7 An Object Lesson: Strada’s House in Vienna 
  367
8 The Munich Antiquarium 
  383
8.1 The Commission 
  383
8.2 The Design of 1568 
  391
8.3 The Concept 
  393
8.4 Strada’s Project: The Drawings 
  398
8.5 Strada’s Project: The Building 
  401
8.6 The Interior Elevation 
 
407
8.7 The Exterior Elevation and its Models 
  411
8.8 Conclusion: Strada’s Role in the Creation of the
Antiquarium 
 
421
9 The Neugebäude 
 
430
9.1 The Tomb of Ferdinand I and Anna in Prague; Licinio’s Paintings
in Pressburg 
  431
9.2 Kaiserebersdorf and Katterburg 
  432
9.3 Sobriety versus Conspicuous Consumption 
  437
9.4 Hans Jakob Fugger’s Letter 
  438
9.5 Description of the Complex 
  441
9.6 The Personal Involvement of Emperor Maximilian II    455
9.7 Ottoman Influence? 
 
463
9.8 Classical Sources: Roman Castrametatio and the Fortified Palace of
Diocletian at Split 
  467
9.9 Classical Sources: Monuments of Ancient Rome 
  480
9.10 Contemporary Italian Architecture 
  489
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Buch Jacopo Strada and Cultural Patronage at the Imperial Court - The Antique as Innovation, Band 2"
Jacopo Strada and Cultural Patronage at the Imperial Court
The Antique as Innovation, Band 2
- Titel
- Jacopo Strada and Cultural Patronage at the Imperial Court
- Untertitel
- The Antique as Innovation
- Band
- 2
- Autor
- Dirk Jacob Jansen
- Verlag
- Brill
- Ort
- Leiden
- Datum
- 2019
- Sprache
- englisch
- Lizenz
- CC BY-NC-ND 4.0
- ISBN
- 978-90-04-35949-9
- Abmessungen
- 15.8 x 24.1 cm
- Seiten
- 542
- Kategorien
- Biographien
- Kunst und Kultur
Inhaltsverzeichnis
- 11 The Musaeum: Strada’s Circle 547
- 11.1 Strada’s House 547
- 11.2 High-ranking Visitors: Strada’s Guest Book and Ottavio’s Stammbuch 548
- 11.3 ‘Urbanissime Strada’: Accessibility of and Hospitality in the Musaeum 554
- 11.4 Intellectual Associates 556
- 11.5 Strada’s Confessional Position 566
- 11.6 Contacts with Members of the Dynasty 570
- 12 The Musaeum: its Contents 576
- 12.1 Introduction 576
- 12.2 Strada’s own Descriptions of his Musaeum 577
- 12.3 Strada’s Acquisitions for Duke Albrecht V of Bavaria 580
- 12.4 Strada’s own Cabinet of Antiquities 592
- 12.5 Acquisitions of Other Materials in Venice 599
- 12.6 Commissions in Mantua 610
- 12.7 ‘Gemalte Lustigen Tiecher’: Contemporary Painting in Strada’s Musaeum 615
- 12.8 Conclusion 628
- 13 Books, Prints and Drawings: The Musaeum as a centre of visualdocumentation 629
- 13.1 Introduction 629
- 13.2 Strada’s Acquisition of Drawings 630
- 13.3 ‘Owls to Athens’: Some Documents Relating to Strada’s GraphicCollection 634
- 13.4 The Contents of Strada’s Collection of Prints and Drawings 641
- 13.5 Later Fate of Strada’s Prints and Drawings 647
- 13.6 Drawings Preserved in a Context Linking Them withStrada 649
- 13.7 Strada’s Commissions of Visual Documentation: Antiquity 673
- 13.8 Strada’s Commissions of Visual Documentation: Contemporary Architecture and Decoration 692
- 13.9 Images as a Source of Knowledge 711
- 13.10 Conclusion 717
- 14 ‘Ex Musaeo et Impensis Jacobi Stradae, S.C.M. Antiquarius, CivisRomani’: Strada’s Frustrated Ambitions as a Publisher 719
- 14.1 Is There Life beyond the Court? 719
- 14.2 Strada’s Family 719
- 14.3 Ottavio Strada’s Role 725
- 14.4 The Publishing Project: Strada Ambitions as a Publisher 728
- 14.5 The Musaeum as an Editorial Office? 739
- 14.6 Financing the Programme 752
- 14.7 The Index Sive Catalogus 760
- 14.8 Strada’s Approach of Christophe Plantin 775
- 14.9 The Rupture with Ottavio 781
- 14.10 Strada’s Testamentary Disposition 783
- 14.11 Conclusion: The Aftermath 786
- 15 Le Cose dell’antichità : Strada as a Student of Antiquity 799
- 16 Strada & Co.: By Appointment to His Majesty the Emperor 830
- 16.1 Strada as an Imperial Antiquary and Architect 830
- 16.2 Strada’s Role as an Agent 836
- 16.3 Strada as an Independent Agent 840
- 16.4 ‘Ex Musaeo Iacobi de Strada’: Study, Studio, Workshop, Office, Showroom 843
- 16.5 Strada’s Influence: An Agent of Change 849
- 16.6 Conclusion: Strada’s Personality 863
- 16.7 Epilogue: Back to the Portrait 868
- Appendices 877
- Chronological List of Sources 915
- Bibliography 932
- List of Illustrations 986
- Index 1038