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Jacopo Strada and Cultural Patronage at the Imperial Court - The Antique as Innovation, Band 2
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549Strada’s Circle reported that the Duke had considered it the finest house in Vienna, and had persuaded the Emperor himself to pay it a visit.2 It is quite understandable that Strada was proud of such visits by ruling princes: they both strengthened his professional prestige and furthered his ambitions for himself and his family. That is why—perhaps incited by the Stammbuch of his neighbour, Christoph von Teuffenbach—he decided to make up a sort of guestbook to record the names of such illustrious visitors. He described it in a letter of June 1573 to his old acquaintance Jacopo Dani, secretary of Duke Cosimo of Florence: Some years ago I prepared a little book, as a memorial of my house, on the first page of which His Imperial Majesty [= Maximilian ii] wrote his rime or device; then follows the King [= Rudolf ii], with his brother [= Archduke Ernest]; and then the other Dukes, but not in their order [of precedence], but according to when they have been in my studio. All have written in it, the Duke of Bavaria is among the recent ones, and of Saxony, Duke Wilhelm and the Elector [= August] follow, I mean to say that there is no precedence, other than that occasioned by time [Figs. 11.3–11.4].3 Then Jacopo asked Dani to persuade Duke Cosimo and his son Francesco to write their devices on the enclosed clean sheet of paper, and send him their coats of arms, so that he could add their entries to this album. Though Fran- cesco de’ Medici [Fig. 11.2] visited Vienna in 1565, like his future brother-in- law Alfonso d’Este, and probably visited Strada’s house, Cosimo never came to Vienna. This implies that Strada’s book was not so much an exact register, as an exalted type of album amicorum, documenting Strada’s connections with his princely patrons.4 So it is probable that the entries of other princes Strada had met or visited in the course of his travels—such as Landgrave Wilhelm iv 2 Doc. 1565-08-26; Niccolò Stopio to Hans Jakob Fugger, Venice 7 sept. 1567: ‘<…>non li [= Stra- da] mancha modo di riuscirne con bon utile, et certo bisogna bene che così sia, volendo fab- ricare palazzi de 7 o 8 mila taleri, come dice che lui fa, et che dal duca di Ferrara fu giudicata il più bello di Vienna, onde Sua Maesta Cesarea l’andò anche a vederlo, havendo ciò inteso dal Duca<…>’, BHStA-LA 4852, f. 64/58; and cf. above, Ch. 7. Note the tone of this passage, which demonstrates Stopio’s envy of Strada’s success. The presence at this visit of Francesco Gonzaga da Novellara, who acted as envoy or agent of his cousin, the Duke of Mantua, is mentioned in a letter by Strada to the Duke of Mantua (Doc. 1568-12-28). 3 Doc 1573-06-17; on Teuffenbach and his possible influence in this, cf. Ch. 10.5. When Strada says that he intends the described the book ‘per una memoria di casa mia’ he can refer either to his house, the actual building, or to his ‘house’, i.e. his family or dynasty; possibly he meant to imply both. 4 Strada probably met Cosimo on an earlier occasion, and Dani had probably renewed his con- tacts with Strada in consultation with the Duke, who needed useful contacts at the Imperial
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Jacopo Strada and Cultural Patronage at the Imperial Court The Antique as Innovation, Band 2
Titel
Jacopo Strada and Cultural Patronage at the Imperial Court
Untertitel
The Antique as Innovation
Band
2
Autor
Dirk Jacob Jansen
Verlag
Brill
Ort
Leiden
Datum
2019
Sprache
englisch
Lizenz
CC BY-NC-ND 4.0
ISBN
978-90-04-35949-9
Abmessungen
15.8 x 24.1 cm
Seiten
542
Kategorien
Biographien
Kunst und Kultur

Inhaltsverzeichnis

  1. 11 The Musaeum: Strada’s Circle 547
    1. 11.1 Strada’s House 547
    2. 11.2 High-ranking Visitors: Strada’s Guest Book and Ottavio’s Stammbuch 548
    3. 11.3 ‘Urbanissime Strada’: Accessibility of and Hospitality in the Musaeum 554
    4. 11.4 Intellectual Associates 556
    5. 11.5 Strada’s Confessional Position 566
    6. 11.6 Contacts with Members of the Dynasty 570
  2. 12 The Musaeum: its Contents 576
    1. 12.1 Introduction 576
    2. 12.2 Strada’s own Descriptions of his Musaeum 577
    3. 12.3 Strada’s Acquisitions for Duke Albrecht V of Bavaria 580
    4. 12.4 Strada’s own Cabinet of Antiquities 592
    5. 12.5 Acquisitions of Other Materials in Venice 599
    6. 12.6 Commissions in Mantua 610
    7. 12.7 ‘Gemalte Lustigen Tiecher’: Contemporary Painting in Strada’s Musaeum 615
    8. 12.8 Conclusion 628
  3. 13 Books, Prints and Drawings: The Musaeum as a centre of visualdocumentation 629
    1. 13.1 Introduction 629
    2. 13.2 Strada’s Acquisition of Drawings 630
    3. 13.3 ‘Owls to Athens’: Some Documents Relating to Strada’s GraphicCollection 634
    4. 13.4 The Contents of Strada’s Collection of Prints and Drawings 641
    5. 13.5 Later Fate of Strada’s Prints and Drawings 647
    6. 13.6 Drawings Preserved in a Context Linking Them withStrada 649
    7. 13.7 Strada’s Commissions of Visual Documentation: Antiquity 673
    8. 13.8 Strada’s Commissions of Visual Documentation: Contemporary Architecture and Decoration 692
    9. 13.9 Images as a Source of Knowledge 711
    10. 13.10 Conclusion 717
  4. 14 ‘Ex Musaeo et Impensis Jacobi Stradae, S.C.M. Antiquarius, CivisRomani’: Strada’s Frustrated Ambitions as a Publisher 719
    1. 14.1 Is There Life beyond the Court? 719
    2. 14.2 Strada’s Family 719
    3. 14.3 Ottavio Strada’s Role 725
    4. 14.4 The Publishing Project: Strada Ambitions as a Publisher 728
    5. 14.5 The Musaeum as an Editorial Office? 739
    6. 14.6 Financing the Programme 752
    7. 14.7 The Index Sive Catalogus 760
    8. 14.8 Strada’s Approach of Christophe Plantin 775
    9. 14.9 The Rupture with Ottavio 781
    10. 14.10 Strada’s Testamentary Disposition 783
    11. 14.11 Conclusion: The Aftermath 786
  5. 15 Le Cose dell’antichità: Strada as a Student of Antiquity 799
    1. 15.1 Profession: Antiquarius 799
    2. 15.2 Strada’s Qualities as an Antiquary 807
    3. 15.3 Strada’s Method 813
    4. 15.4 Strada’s Aims 822
  6. 16 Strada & Co.: By Appointment to His Majesty the Emperor 830
    1. 16.1 Strada as an Imperial Antiquary and Architect 830
    2. 16.2 Strada’s Role as an Agent 836
    3. 16.3 Strada as an Independent Agent 840
    4. 16.4 ‘Ex Musaeo Iacobi de Strada’: Study, Studio, Workshop, Office, Showroom 843
    5. 16.5 Strada’s Influence: An Agent of Change 849
    6. 16.6 Conclusion: Strada’s Personality 863
    7. 16.7 Epilogue: Back to the Portrait 868
  7. Appendices 877
    1. A Some Unpublished Letters 877
    2. B Strada’s Will 894
    3. C Strada’s Musaeum: Pleasant paintings 900
    4. D Strada’s Musaeum: The Index Sive Catalogus 902
  8. Chronological List of Sources 915
  9. Bibliography 932
  10. List of Illustrations 986
  11. Index 1038
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Jacopo Strada and Cultural Patronage at the Imperial Court