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559Strada’s
Circle
This suggests a cordial relationship between the two men and may imply that
the Bishop even had visited Strada at home. At this time this was not yet the
huge house in the Vordere Schenkengasse, but a smaller one Strada must have
acquired when he first arrived in Vienna, probably identical with the house in
the suburb of St Ulrich he possessed and lived in when he drafted his last will
in 1584.23
On the other hand it is not likely that such relations with a prelate and am-
bassador can have been quite as intimate as those with Jacopo Dani, whose
status as secretary to the ambassador was probably closer to Strada’s own. The
letter does suggest a patronage relationship, since Strada rather ambiguously
offers to continue his services to Bochetel, provided that the latter were satis-
fied with them.24 But it is not clear whether these services were rendered in
his capacity as a learned antiquary, as a bookseller and purveyor of antiquities
and works of art, or purely as a merchant and commercial agent, assisting the
ambassador in arranging the financial details of his mission. That the latter
option is not impossible is indicated by the fact that Strada at one time was
approached for a huge loan by the Papal Nuncio, Zaccaria Dolfin, which he de-
cided to refuse. Strada himself later suspected that this refusal had prompted
Dolfin to denounce him to the Inquisition, thus causing the big trouble he was
in during his visit to Mantua in the summer of 1567.25
In fact it may well be that both types of services intermingled. The Nieri or
Neri mentioned in Strada’s letter to Bochetel of 1562, resident in Nuremberg,
were succesful merchants from Lucca resident in Nuremberg. Francesco Nieri
is mentioned in Ottavio Strada’s letter to his father from Nuremberg in Decem-
ber 1574, and Strada’s last will mentions ‘Paulinuss Nijeri von Lucca’ as ‘meiner
Gefährte’, who seems to have functioned as banker for Strada and his ‘Genos-
sen’: both words are translations of the Italian ‘compagno’, which suggests that
they were regular business associates.26 Doubtless Strada was not a merchant
23 Cf. above, Ch. 7.
24 Doc 1562-10-21: ‘Dessidero che la Signoria Vostra Reverendissima mi faccia favore di farmi
avisare se avera riceputo li detti danari et se crede di ritornare più in queste nostre bande
come sua Maestà Cesarea viene; che per la parte mia La voria pur ancor servire qual che
anno, ma che fosse con Sua sadiffatione <sic>’.
25 Doc. 1568-00-00, Strada’s undated draft for a letter to an unnamed fellow refugee from
the Mantuan Inquisition: ‘Ma poi che voi cominciate a cantare, dite tutto l’historia, e dite
come il Delfino Cardinale [patriarca crossed out, corrected into: essendo Vescovo], non gli
volendo prestar mille <duca>ti, ne tampoco farla sigurtà , esso à fatto questo ufitio; ma
ancora lui è conossiuto.’ Dolfin was created a cardinal after his return from the Imperial
court in 1565, where he spent four years.
26 Docs. 1562-10-21, 1574-12-05, 1584-07-01. I have not been able to find anything concrete
about the Frankfurt branch of the Nieri; like many expatriate Lucchese merchants
elsewhere in Europe, they may well have been Protestants.
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Buch Jacopo Strada and Cultural Patronage at the Imperial Court - The Antique as Innovation, Band 2"
Jacopo Strada and Cultural Patronage at the Imperial Court
The Antique as Innovation, Band 2
- Titel
- Jacopo Strada and Cultural Patronage at the Imperial Court
- Untertitel
- The Antique as Innovation
- Band
- 2
- Autor
- Dirk Jacob Jansen
- Verlag
- Brill
- Ort
- Leiden
- Datum
- 2019
- Sprache
- englisch
- Lizenz
- CC BY-NC-ND 4.0
- ISBN
- 978-90-04-35949-9
- Abmessungen
- 15.8 x 24.1 cm
- Seiten
- 542
- Kategorien
- Biographien
- Kunst und Kultur
Inhaltsverzeichnis
- 11 The Musaeum: Strada’s Circle 547
- 11.1 Strada’s House 547
- 11.2 High-ranking Visitors: Strada’s Guest Book and Ottavio’s Stammbuch 548
- 11.3 ‘Urbanissime Strada’: Accessibility of and Hospitality in the Musaeum 554
- 11.4 Intellectual Associates 556
- 11.5 Strada’s Confessional Position 566
- 11.6 Contacts with Members of the Dynasty 570
- 12 The Musaeum: its Contents 576
- 12.1 Introduction 576
- 12.2 Strada’s own Descriptions of his Musaeum 577
- 12.3 Strada’s Acquisitions for Duke Albrecht V of Bavaria 580
- 12.4 Strada’s own Cabinet of Antiquities 592
- 12.5 Acquisitions of Other Materials in Venice 599
- 12.6 Commissions in Mantua 610
- 12.7 ‘Gemalte Lustigen Tiecher’: Contemporary Painting in Strada’s Musaeum 615
- 12.8 Conclusion 628
- 13 Books, Prints and Drawings: The Musaeum as a centre of visualdocumentation 629
- 13.1 Introduction 629
- 13.2 Strada’s Acquisition of Drawings 630
- 13.3 ‘Owls to Athens’: Some Documents Relating to Strada’s GraphicCollection 634
- 13.4 The Contents of Strada’s Collection of Prints and Drawings 641
- 13.5 Later Fate of Strada’s Prints and Drawings 647
- 13.6 Drawings Preserved in a Context Linking Them withStrada 649
- 13.7 Strada’s Commissions of Visual Documentation: Antiquity 673
- 13.8 Strada’s Commissions of Visual Documentation: Contemporary Architecture and Decoration 692
- 13.9 Images as a Source of Knowledge 711
- 13.10 Conclusion 717
- 14 ‘Ex Musaeo et Impensis Jacobi Stradae, S.C.M. Antiquarius, CivisRomani’: Strada’s Frustrated Ambitions as a Publisher 719
- 14.1 Is There Life beyond the Court? 719
- 14.2 Strada’s Family 719
- 14.3 Ottavio Strada’s Role 725
- 14.4 The Publishing Project: Strada Ambitions as a Publisher 728
- 14.5 The Musaeum as an Editorial Office? 739
- 14.6 Financing the Programme 752
- 14.7 The Index Sive Catalogus 760
- 14.8 Strada’s Approach of Christophe Plantin 775
- 14.9 The Rupture with Ottavio 781
- 14.10 Strada’s Testamentary Disposition 783
- 14.11 Conclusion: The Aftermath 786
- 15 Le Cose dell’antichità : Strada as a Student of Antiquity 799
- 16 Strada & Co.: By Appointment to His Majesty the Emperor 830
- 16.1 Strada as an Imperial Antiquary and Architect 830
- 16.2 Strada’s Role as an Agent 836
- 16.3 Strada as an Independent Agent 840
- 16.4 ‘Ex Musaeo Iacobi de Strada’: Study, Studio, Workshop, Office, Showroom 843
- 16.5 Strada’s Influence: An Agent of Change 849
- 16.6 Conclusion: Strada’s Personality 863
- 16.7 Epilogue: Back to the Portrait 868
- Appendices 877
- Chronological List of Sources 915
- Bibliography 932
- List of Illustrations 986
- Index 1038