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and banker such as Fugger, but through his connections with Fugger and asso-
ciates such as the Nieri and because of his own experience as a merchant and
book dealer he was sufficiently aware of international commerce and financial
dealing occasionally to advise or assist some of his patrons in this field.
There are many other instances of people who visited Strada’s house or at
least were in contact with him when in Vienna—they cannot all be discussed
in detail. Thus when Strada tried to persuade Vilém z Rožmberk to buy his
house and collections, he refers to his patron’s personal knowledge of both.
When he makes the same offer to the Elector of Saxony, he refers him to his
own ‘Kammersekretär’ Hans Jeniß or Jenitz, ‘who had seen it the time that
Your Electoral Grace has been here at Vienna’ (in February 1573). In a letter of
recommendation for Strada to the Elector of Saxony in this same affair, Hubert
Languet [Fig. 11.18] amply praises Strada’s house, which presupposes that he
saw it during his visits to the Imperial court, as did his pupil and dearest friend,
the English diplomat, soldier, poet and national hero, Sir Philip Sidney. As we
saw, Sidney’s name and family device, ‘Quo fata me vocant’, is inscribed in
Ottavio Strada’s Stammbuch [Fig. 11.9].27
The Flemish humanist Nicasius Ellebodius, who had settled in Hungary as a
canon of Esztergom cathedral, visited Strada’s house to buy copies of Lodovico
Castelvetro’s brand new Italian translation of Aristotle’s poetics for his Mila-
nese colleague, Gian Vincenzo Pinelli. Pinelli had told Ellebodius that the book
could be had at Strada’s house, and thus must at least have heard of Strada’s
activities—perhaps his source was Ellebodius himself, who elsewhere men-
tions Strada as a friend.28 The fact that the book was sold at Strada’s house
strongly suggests that he had been instrumental in its printing, with Maximilian
27 Doc. 1576-09-28: ‘Eur C.F.G. Secretari, der H[err] Jeniß, der khan Eur C.F.G. einen bericht
darvon geben, der hatt sie das mal gesehen, wie eur C.F.G. alhie zu Wien gewesen sendt’;
cf. Lietzmann 1997, p. 397. Languet’s letter Doc. 1576-09-07.
28 Lodovico Castelvetro, Poetica d’Aristotele vulgarizzata, et sposta, Vienna (per Gaspar Stain-
hofer), 1570. It was soon reprinted (Basle, Perna, 1576). Pinelli had at first written to Janus
Sambucus to go and buy two copies of the book, which Ellebodius could pick up when
he arrived in Vienna. Ellebodius first visited Strada, whom he elsewhere calls his friend,
and found him ill. When it turned out that Sambucus had not yet picked up the books,
Ellebodius bought the two copies for Pinelli and one for himself from Strada directly.
A few months later Pinelli asked Ellebodius to get another copy for a friend, ‘il gentilis-
simo Monsignor del Bene’. By now back in Pressburg Ellebodius wrote to the young Hugo
Blotius, who had just arrived in Vienna, telling him that either Sambucus or (the sculptor
Mathias) Manmacher could tell him where to find Strada’s house (‘aedes’), and asking
him to greet him in his name; cf. Docs. 1571-05-14; 1571-07-04; 1571-09-27a, b and c.; on the
sympathetic Ellebodius (also: Ellebaudt, Van Ellebode), see Sivirsky 1976; Almási 2009,
pp. 72–73, 202 and passim.
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Buch Jacopo Strada and Cultural Patronage at the Imperial Court - The Antique as Innovation, Band 2"
Jacopo Strada and Cultural Patronage at the Imperial Court
The Antique as Innovation, Band 2
- Titel
- Jacopo Strada and Cultural Patronage at the Imperial Court
- Untertitel
- The Antique as Innovation
- Band
- 2
- Autor
- Dirk Jacob Jansen
- Verlag
- Brill
- Ort
- Leiden
- Datum
- 2019
- Sprache
- englisch
- Lizenz
- CC BY-NC-ND 4.0
- ISBN
- 978-90-04-35949-9
- Abmessungen
- 15.8 x 24.1 cm
- Seiten
- 542
- Kategorien
- Biographien
- Kunst und Kultur
Inhaltsverzeichnis
- 11 The Musaeum: Strada’s Circle 547
- 11.1 Strada’s House 547
- 11.2 High-ranking Visitors: Strada’s Guest Book and Ottavio’s Stammbuch 548
- 11.3 ‘Urbanissime Strada’: Accessibility of and Hospitality in the Musaeum 554
- 11.4 Intellectual Associates 556
- 11.5 Strada’s Confessional Position 566
- 11.6 Contacts with Members of the Dynasty 570
- 12 The Musaeum: its Contents 576
- 12.1 Introduction 576
- 12.2 Strada’s own Descriptions of his Musaeum 577
- 12.3 Strada’s Acquisitions for Duke Albrecht V of Bavaria 580
- 12.4 Strada’s own Cabinet of Antiquities 592
- 12.5 Acquisitions of Other Materials in Venice 599
- 12.6 Commissions in Mantua 610
- 12.7 ‘Gemalte Lustigen Tiecher’: Contemporary Painting in Strada’s Musaeum 615
- 12.8 Conclusion 628
- 13 Books, Prints and Drawings: The Musaeum as a centre of visualdocumentation 629
- 13.1 Introduction 629
- 13.2 Strada’s Acquisition of Drawings 630
- 13.3 ‘Owls to Athens’: Some Documents Relating to Strada’s GraphicCollection 634
- 13.4 The Contents of Strada’s Collection of Prints and Drawings 641
- 13.5 Later Fate of Strada’s Prints and Drawings 647
- 13.6 Drawings Preserved in a Context Linking Them withStrada 649
- 13.7 Strada’s Commissions of Visual Documentation: Antiquity 673
- 13.8 Strada’s Commissions of Visual Documentation: Contemporary Architecture and Decoration 692
- 13.9 Images as a Source of Knowledge 711
- 13.10 Conclusion 717
- 14 ‘Ex Musaeo et Impensis Jacobi Stradae, S.C.M. Antiquarius, CivisRomani’: Strada’s Frustrated Ambitions as a Publisher 719
- 14.1 Is There Life beyond the Court? 719
- 14.2 Strada’s Family 719
- 14.3 Ottavio Strada’s Role 725
- 14.4 The Publishing Project: Strada Ambitions as a Publisher 728
- 14.5 The Musaeum as an Editorial Office? 739
- 14.6 Financing the Programme 752
- 14.7 The Index Sive Catalogus 760
- 14.8 Strada’s Approach of Christophe Plantin 775
- 14.9 The Rupture with Ottavio 781
- 14.10 Strada’s Testamentary Disposition 783
- 14.11 Conclusion: The Aftermath 786
- 15 Le Cose dell’antichità : Strada as a Student of Antiquity 799
- 16 Strada & Co.: By Appointment to His Majesty the Emperor 830
- 16.1 Strada as an Imperial Antiquary and Architect 830
- 16.2 Strada’s Role as an Agent 836
- 16.3 Strada as an Independent Agent 840
- 16.4 ‘Ex Musaeo Iacobi de Strada’: Study, Studio, Workshop, Office, Showroom 843
- 16.5 Strada’s Influence: An Agent of Change 849
- 16.6 Conclusion: Strada’s Personality 863
- 16.7 Epilogue: Back to the Portrait 868
- Appendices 877
- Chronological List of Sources 915
- Bibliography 932
- List of Illustrations 986
- Index 1038