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567Strada’s
Circle
It is difficult to judge the sincerity of this protestation: even if he were a sincere
and devout Catholic, Strada would not have obtruded his convictions in his
dealing with the Austrian and Bohemian nobility, considering that the major-
ity were Protestant at the time. But his outward Catholicism may have had
more pragmatic causes: it is obvious that he did not wish to lose the possibil-
ity of ecclesiastical preferment for his sons. Thus he managed through Duke
Guglielmo of Mantua to have his son Paolo elected to a benefice in Mantua
cathedral, thanks to the insistent recommendation of Maximilian ii; Rudolf
ii would later recommend his second son Ottavio to a benefice in a cathedral
chapter in Germany.
But Strada’s outward Catholicism was not particularly convincing to the
Holy Office. Ironically, at the very moment when Duke Guglielmo conceded
the benefice to Paolo Strada, Jacopo was in Mantua and was caught up in the
clamorous persecution of heretics in that town launched in 1567 by the Do-
minican friar Camillo Campeggi. It involved many high officials of the Gonzaga
administration and even some members of minor branches of the dynasty. There
is evidence that Strada was in contact with Mantuan evangelicals, including
Lucretia Manfrona Gonzaga and Vittoria Gonzaga Martinengo, who ‘privately
abjured’ in the presence of, among other gentlemen, one ‘dottor Strada’, who
appears to have been Jacopo.38 Strada’s colleagues, the Duke’s prefetto delle
fabbricche, Giovanni Battista Bertani, and the engraver Giovanni Battista Scul-
tori, with both of whom he was collaborating at that time, were also among
the accused.39 Strada himself attributed his persecution to the ill-will of the
Papal Nuncio at the Imperial Court, Zaccaria Dolfin, whom he had once re-
fused a substantial loan.40 Strada appealed for protection for himself and the
people he employed to Duke Guglielmo, who notwithstanding the Emperor’s
express recommendation appears not to have dared to give him a safe-conduct,
a visitarmi; et di questo il mondo ne puol far giudicio perchè ultimamente morse mia
moglie (Iddio habbi l’anima sua) io la feci interrare al modo nostro; et mi costò piu di
300 talleri il mortorio, et Sua Maestà Cesarea con la Maestà del Re vi mandorno accom-
pagnarla gli gentilhuomini della Camera, et vi era un monte di signori. Et pel contrario,
s’io fosse stato de altra religione, la mandavo fuori della terra alla loro chiesa; con x L. la
sotteravo, si come fanno le gentildonne loro della loro religione.’
38 Docs. 1567-06-1 and 1567-06-30; Davari 1879, pp. 34 and 68–69; Pagano 1991; Berzaghi 2011,
p. 10.
39 On Campeggi, see Marchetti 1974; on his mission in Mantua, see Pagano 1991.
40 Docs. 1568-00-00: Strada’s undated draft for a letter to an unnamed collaborator in Man-
tua, who had likewise been forced to flee the Inquisition: ‘Ma poi che voi cominciate a
cantare, dite tutto l’historia, e dite come il Delfino Cardinale [‘patriarca’ crossed out, cor-
rected into: ‘essendo Vescovo’], non gli volendo prestar mille <duca>ti, ne tampoco farla
sigurtà , esso à fatto questo ufitio; ma ancora lui è conossiuto’.
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Buch Jacopo Strada and Cultural Patronage at the Imperial Court - The Antique as Innovation, Band 2"
Jacopo Strada and Cultural Patronage at the Imperial Court
The Antique as Innovation, Band 2
- Titel
- Jacopo Strada and Cultural Patronage at the Imperial Court
- Untertitel
- The Antique as Innovation
- Band
- 2
- Autor
- Dirk Jacob Jansen
- Verlag
- Brill
- Ort
- Leiden
- Datum
- 2019
- Sprache
- englisch
- Lizenz
- CC BY-NC-ND 4.0
- ISBN
- 978-90-04-35949-9
- Abmessungen
- 15.8 x 24.1 cm
- Seiten
- 542
- Kategorien
- Biographien
- Kunst und Kultur
Inhaltsverzeichnis
- 11 The Musaeum: Strada’s Circle 547
- 11.1 Strada’s House 547
- 11.2 High-ranking Visitors: Strada’s Guest Book and Ottavio’s Stammbuch 548
- 11.3 ‘Urbanissime Strada’: Accessibility of and Hospitality in the Musaeum 554
- 11.4 Intellectual Associates 556
- 11.5 Strada’s Confessional Position 566
- 11.6 Contacts with Members of the Dynasty 570
- 12 The Musaeum: its Contents 576
- 12.1 Introduction 576
- 12.2 Strada’s own Descriptions of his Musaeum 577
- 12.3 Strada’s Acquisitions for Duke Albrecht V of Bavaria 580
- 12.4 Strada’s own Cabinet of Antiquities 592
- 12.5 Acquisitions of Other Materials in Venice 599
- 12.6 Commissions in Mantua 610
- 12.7 ‘Gemalte Lustigen Tiecher’: Contemporary Painting in Strada’s Musaeum 615
- 12.8 Conclusion 628
- 13 Books, Prints and Drawings: The Musaeum as a centre of visualdocumentation 629
- 13.1 Introduction 629
- 13.2 Strada’s Acquisition of Drawings 630
- 13.3 ‘Owls to Athens’: Some Documents Relating to Strada’s GraphicCollection 634
- 13.4 The Contents of Strada’s Collection of Prints and Drawings 641
- 13.5 Later Fate of Strada’s Prints and Drawings 647
- 13.6 Drawings Preserved in a Context Linking Them withStrada 649
- 13.7 Strada’s Commissions of Visual Documentation: Antiquity 673
- 13.8 Strada’s Commissions of Visual Documentation: Contemporary Architecture and Decoration 692
- 13.9 Images as a Source of Knowledge 711
- 13.10 Conclusion 717
- 14 ‘Ex Musaeo et Impensis Jacobi Stradae, S.C.M. Antiquarius, CivisRomani’: Strada’s Frustrated Ambitions as a Publisher 719
- 14.1 Is There Life beyond the Court? 719
- 14.2 Strada’s Family 719
- 14.3 Ottavio Strada’s Role 725
- 14.4 The Publishing Project: Strada Ambitions as a Publisher 728
- 14.5 The Musaeum as an Editorial Office? 739
- 14.6 Financing the Programme 752
- 14.7 The Index Sive Catalogus 760
- 14.8 Strada’s Approach of Christophe Plantin 775
- 14.9 The Rupture with Ottavio 781
- 14.10 Strada’s Testamentary Disposition 783
- 14.11 Conclusion: The Aftermath 786
- 15 Le Cose dell’antichità : Strada as a Student of Antiquity 799
- 16 Strada & Co.: By Appointment to His Majesty the Emperor 830
- 16.1 Strada as an Imperial Antiquary and Architect 830
- 16.2 Strada’s Role as an Agent 836
- 16.3 Strada as an Independent Agent 840
- 16.4 ‘Ex Musaeo Iacobi de Strada’: Study, Studio, Workshop, Office, Showroom 843
- 16.5 Strada’s Influence: An Agent of Change 849
- 16.6 Conclusion: Strada’s Personality 863
- 16.7 Epilogue: Back to the Portrait 868
- Appendices 877
- Chronological List of Sources 915
- Bibliography 932
- List of Illustrations 986
- Index 1038