Web-Books
im Austria-Forum
Austria-Forum
Web-Books
Biographien
Jacopo Strada and Cultural Patronage at the Imperial Court - The Antique as Innovation, Band 2
Seite - 585 -
  • Benutzer
  • Version
    • Vollversion
    • Textversion
  • Sprache
    • Deutsch
    • English - Englisch

Seite - 585 - in Jacopo Strada and Cultural Patronage at the Imperial Court - The Antique as Innovation, Band 2

Bild der Seite - 585 -

Bild der Seite - 585 - in Jacopo Strada and Cultural Patronage at the Imperial Court - The Antique as Innovation, Band 2

Text der Seite - 585 -

585The Musaeum: Its Contents Strada’s first trip in the Duke’s service, in 1566, was to Rome, the obvious source of Roman antiquities. Here he purchased a considerable quantity of antique sculpture, which arrived in Munich only in the summer of 1567. A list Strada had made when he was packing the crates, which in Munich was trans- lated by Fugger himself, lists no less than twenty-five full-length statues, about thirty portrait heads, and a number of fragments and miscellaneous objects.21 Doubtless incited by Fugger and by Strada himself, in the following year the Duke sent Strada to Venice to attempt the purchase of the huge and famous collection of antiques brought together by Andrea Loredan. After complicated negotiations, involving a lawsuit and the intervention of the Signoria on behalf of the Duke, Strada was able to conclude the transaction during a second trip to Venice in 1568.22 The purchase included ninety-one portrait heads, forty-three statues and torsos, thirty-three reliefs, forty-four miscellaneous fragments of statuary, about hundred and twenty small bronzes and a quantity of other objects of ar- chaeological interest, and finally a medal cabinet containing about 2500 gold, silver and bronze Greek and Roman coins.23 The original estimate of the col- lection amounted to about 8400 ducats, which the Duke was allowed to pay in yearly instalments. It can thus be regarded as the most important single trans- action of Strada’s career known to us.24 Apart from the Loredan collection Strada also vainly attempted to acquire part of the equally celebrated collection left by another Venetian nobleman, Gabriele Vendramin. He did, however, succeed in purchasing on behalf of the Duke a number of antiquities from the collection of Simone Zeno: twenty-two portrait heads, six small full-length statues or statuettes, seven torsos, fifteen 21 Von Busch 1973, pp. 116–17 and 139–141 ff.; BHStA-LA 4851, fols. 235, 248–249, 282–285; ex- cerpts printed in Weski/Frosien-Leinz 1987, Textband, Quellenanhang pp. 457–459, nrs. 38–47. The Roman sources on the exportation of antiques from Rome published in Jestaz 1963 do not refer to these acquisitions. 22 Strada is documented in Venice from February until the end of August 1567; from Febru- ary until July 1568 (part of which time he spent in Mantua) and again briefly in July 1569; cf. Von Busch 1973, pp. 203–207. 23 Von Busch 1973, pp. 119–122 (on Strada’s negotiations with Andrea Loredan) and pp. 142– 143 (on the contents of these collections). 24 Von Busch 1973, pp. 120–121. In financial terms, the transaction can only be compared in scope to the corpus of numismatic drawings Strada purveyed to Fugger and later to Duke Albrecht V: this included ca 8.000 drawings for which Strada was paid a ducat each (cf. above, Ch. 3.3). But this transaction stretched over at least two decades; cf. above, Ch. 3; and Von Busch 1973, pp. 194–195. The genesis of the collection of the Antiquarium has re- ceived ample attention in Von Busch 1973 and Weski/ Frosien-Leinz 1987, so need not be discussed here.
zurück zum  Buch Jacopo Strada and Cultural Patronage at the Imperial Court - The Antique as Innovation, Band 2"
Jacopo Strada and Cultural Patronage at the Imperial Court The Antique as Innovation, Band 2
Titel
Jacopo Strada and Cultural Patronage at the Imperial Court
Untertitel
The Antique as Innovation
Band
2
Autor
Dirk Jacob Jansen
Verlag
Brill
Ort
Leiden
Datum
2019
Sprache
englisch
Lizenz
CC BY-NC-ND 4.0
ISBN
978-90-04-35949-9
Abmessungen
15.8 x 24.1 cm
Seiten
542
Kategorien
Biographien
Kunst und Kultur

Inhaltsverzeichnis

  1. 11 The Musaeum: Strada’s Circle 547
    1. 11.1 Strada’s House 547
    2. 11.2 High-ranking Visitors: Strada’s Guest Book and Ottavio’s Stammbuch 548
    3. 11.3 ‘Urbanissime Strada’: Accessibility of and Hospitality in the Musaeum 554
    4. 11.4 Intellectual Associates 556
    5. 11.5 Strada’s Confessional Position 566
    6. 11.6 Contacts with Members of the Dynasty 570
  2. 12 The Musaeum: its Contents 576
    1. 12.1 Introduction 576
    2. 12.2 Strada’s own Descriptions of his Musaeum 577
    3. 12.3 Strada’s Acquisitions for Duke Albrecht V of Bavaria 580
    4. 12.4 Strada’s own Cabinet of Antiquities 592
    5. 12.5 Acquisitions of Other Materials in Venice 599
    6. 12.6 Commissions in Mantua 610
    7. 12.7 ‘Gemalte Lustigen Tiecher’: Contemporary Painting in Strada’s Musaeum 615
    8. 12.8 Conclusion 628
  3. 13 Books, Prints and Drawings: The Musaeum as a centre of visualdocumentation 629
    1. 13.1 Introduction 629
    2. 13.2 Strada’s Acquisition of Drawings 630
    3. 13.3 ‘Owls to Athens’: Some Documents Relating to Strada’s GraphicCollection 634
    4. 13.4 The Contents of Strada’s Collection of Prints and Drawings 641
    5. 13.5 Later Fate of Strada’s Prints and Drawings 647
    6. 13.6 Drawings Preserved in a Context Linking Them withStrada 649
    7. 13.7 Strada’s Commissions of Visual Documentation: Antiquity 673
    8. 13.8 Strada’s Commissions of Visual Documentation: Contemporary Architecture and Decoration 692
    9. 13.9 Images as a Source of Knowledge 711
    10. 13.10 Conclusion 717
  4. 14 ‘Ex Musaeo et Impensis Jacobi Stradae, S.C.M. Antiquarius, CivisRomani’: Strada’s Frustrated Ambitions as a Publisher 719
    1. 14.1 Is There Life beyond the Court? 719
    2. 14.2 Strada’s Family 719
    3. 14.3 Ottavio Strada’s Role 725
    4. 14.4 The Publishing Project: Strada Ambitions as a Publisher 728
    5. 14.5 The Musaeum as an Editorial Office? 739
    6. 14.6 Financing the Programme 752
    7. 14.7 The Index Sive Catalogus 760
    8. 14.8 Strada’s Approach of Christophe Plantin 775
    9. 14.9 The Rupture with Ottavio 781
    10. 14.10 Strada’s Testamentary Disposition 783
    11. 14.11 Conclusion: The Aftermath 786
  5. 15 Le Cose dell’antichità: Strada as a Student of Antiquity 799
    1. 15.1 Profession: Antiquarius 799
    2. 15.2 Strada’s Qualities as an Antiquary 807
    3. 15.3 Strada’s Method 813
    4. 15.4 Strada’s Aims 822
  6. 16 Strada & Co.: By Appointment to His Majesty the Emperor 830
    1. 16.1 Strada as an Imperial Antiquary and Architect 830
    2. 16.2 Strada’s Role as an Agent 836
    3. 16.3 Strada as an Independent Agent 840
    4. 16.4 ‘Ex Musaeo Iacobi de Strada’: Study, Studio, Workshop, Office, Showroom 843
    5. 16.5 Strada’s Influence: An Agent of Change 849
    6. 16.6 Conclusion: Strada’s Personality 863
    7. 16.7 Epilogue: Back to the Portrait 868
  7. Appendices 877
    1. A Some Unpublished Letters 877
    2. B Strada’s Will 894
    3. C Strada’s Musaeum: Pleasant paintings 900
    4. D Strada’s Musaeum: The Index Sive Catalogus 902
  8. Chronological List of Sources 915
  9. Bibliography 932
  10. List of Illustrations 986
  11. Index 1038
Web-Books
Bibliothek
Datenschutz
Impressum
Austria-Forum
Austria-Forum
Web-Books
Jacopo Strada and Cultural Patronage at the Imperial Court