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665Visual
Documentation
related to the reliefs in the coffers of the barrel-vault in the Camera degli Stuc-
chi of the Palazzo del Te [fols. 1–26; Figs. 13.53–13.58]. Since a number of these
drawings differ in detail from the stuccoes as executed, Strada’s copies were
certainly derived from Giulio’s original modelli, or based on workshop copies
of these that were in Strada’s possession.62 The former option is more likely:
from the Index sive catalogus we know that Strada also owned—and intended
to publish—the complete set of Giulio’s designs for the double frieze, repre-
senting Caesar’s battle-order, in this same room:
A picture of the order in which Caesar the dictator was wont to set out
with his legions, infantry and cavalry as well as his auxiliary troops; drawn
after the pictures made by Giulio Romano in the Palazzo del Te outside
Mantua: a most perfect and wonderful thing, and worth seeing; the origi-
nals of which I bought from Raphael, Giulio’s son.
This entry helps solve the problem of the iconography of the frieze in the Cam-
era degli Stucchi, and it is of some significance that an inscription explaining
62 The following drawings represent inventions used in the ceiling of the Camera degli Stuc-
chi: fols. 1,2,3,6,7,9, 10, 16, 17, 21, 23, 24 and 26. In view of the fact that many of these in-
ventions were copied already in Giulio’s own workshop, and various versions have been
preserved of many of them, an attempt to identify the individual sheets actually in Stra-
da’s possession—if at all feasible—would involve detailed material and provenance re-
search that far transcends the limits of this study; the items illustrated here serve merely
as examples.
Figure 13.52 Giulio Romano, design for a section of the double frieze in the Camera degli
Stucchi, Paris, Louvre.
Figure 13.51 Francesco Primaticcio, after Giulio Romano, Detail of the battle order of
Caesar, double frieze in the Camera degli Stucchi, Palazzo del Te, Mantua.
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Buch Jacopo Strada and Cultural Patronage at the Imperial Court - The Antique as Innovation, Band 2"
Jacopo Strada and Cultural Patronage at the Imperial Court
The Antique as Innovation, Band 2
- Titel
- Jacopo Strada and Cultural Patronage at the Imperial Court
- Untertitel
- The Antique as Innovation
- Band
- 2
- Autor
- Dirk Jacob Jansen
- Verlag
- Brill
- Ort
- Leiden
- Datum
- 2019
- Sprache
- englisch
- Lizenz
- CC BY-NC-ND 4.0
- ISBN
- 978-90-04-35949-9
- Abmessungen
- 15.8 x 24.1 cm
- Seiten
- 542
- Kategorien
- Biographien
- Kunst und Kultur
Inhaltsverzeichnis
- 11 The Musaeum: Strada’s Circle 547
- 11.1 Strada’s House 547
- 11.2 High-ranking Visitors: Strada’s Guest Book and Ottavio’s Stammbuch 548
- 11.3 ‘Urbanissime Strada’: Accessibility of and Hospitality in the Musaeum 554
- 11.4 Intellectual Associates 556
- 11.5 Strada’s Confessional Position 566
- 11.6 Contacts with Members of the Dynasty 570
- 12 The Musaeum: its Contents 576
- 12.1 Introduction 576
- 12.2 Strada’s own Descriptions of his Musaeum 577
- 12.3 Strada’s Acquisitions for Duke Albrecht V of Bavaria 580
- 12.4 Strada’s own Cabinet of Antiquities 592
- 12.5 Acquisitions of Other Materials in Venice 599
- 12.6 Commissions in Mantua 610
- 12.7 ‘Gemalte Lustigen Tiecher’: Contemporary Painting in Strada’s Musaeum 615
- 12.8 Conclusion 628
- 13 Books, Prints and Drawings: The Musaeum as a centre of visualdocumentation 629
- 13.1 Introduction 629
- 13.2 Strada’s Acquisition of Drawings 630
- 13.3 ‘Owls to Athens’: Some Documents Relating to Strada’s GraphicCollection 634
- 13.4 The Contents of Strada’s Collection of Prints and Drawings 641
- 13.5 Later Fate of Strada’s Prints and Drawings 647
- 13.6 Drawings Preserved in a Context Linking Them withStrada 649
- 13.7 Strada’s Commissions of Visual Documentation: Antiquity 673
- 13.8 Strada’s Commissions of Visual Documentation: Contemporary Architecture and Decoration 692
- 13.9 Images as a Source of Knowledge 711
- 13.10 Conclusion 717
- 14 ‘Ex Musaeo et Impensis Jacobi Stradae, S.C.M. Antiquarius, CivisRomani’: Strada’s Frustrated Ambitions as a Publisher 719
- 14.1 Is There Life beyond the Court? 719
- 14.2 Strada’s Family 719
- 14.3 Ottavio Strada’s Role 725
- 14.4 The Publishing Project: Strada Ambitions as a Publisher 728
- 14.5 The Musaeum as an Editorial Office? 739
- 14.6 Financing the Programme 752
- 14.7 The Index Sive Catalogus 760
- 14.8 Strada’s Approach of Christophe Plantin 775
- 14.9 The Rupture with Ottavio 781
- 14.10 Strada’s Testamentary Disposition 783
- 14.11 Conclusion: The Aftermath 786
- 15 Le Cose dell’antichità : Strada as a Student of Antiquity 799
- 16 Strada & Co.: By Appointment to His Majesty the Emperor 830
- 16.1 Strada as an Imperial Antiquary and Architect 830
- 16.2 Strada’s Role as an Agent 836
- 16.3 Strada as an Independent Agent 840
- 16.4 ‘Ex Musaeo Iacobi de Strada’: Study, Studio, Workshop, Office, Showroom 843
- 16.5 Strada’s Influence: An Agent of Change 849
- 16.6 Conclusion: Strada’s Personality 863
- 16.7 Epilogue: Back to the Portrait 868
- Appendices 877
- Chronological List of Sources 915
- Bibliography 932
- List of Illustrations 986
- Index 1038