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Jacopo Strada and Cultural Patronage at the Imperial Court - The Antique as Innovation, Band 2
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Chapter 13686 Such sets of drawings of Trajan’s Column were quite popular, and not least with Strada’s patrons: a copy in the form of a book, now in the Österreichische Nationalbibliothek, but originally at Ambras, may well have been the copy Strada mentions in his Index sive catalogus, acquired by Archduke Ferdinand ii of Tirol after Strada’s death—if not before [Fig. 13.89–13.90]. A similar copy, this time in four volumes, is mentioned in an inventory of the Munich Kunst- kammer of 1598, together with a set of drawings after the frieze of the column of Marcus Aurelius. Perhaps these had been commissioned by Duke Albrecht V of Bavaria from Strada together with a similar set of drawings of the Column of Theodosius in Constantinople, but it is more likely that the drawings of the Theodosian column (in fact it was the column dedicated to Arcadius) were intended to complement the sets of drawings of the Columns of Trajan and Marcus Aurelius which Strada earlier may have purveyed to Fugger.98 Finally Strada supplied a copy to Vilém z Rožmberk, the Czech magnate to whom he had dedicated his edition of Serlio’s Settimo Libro. In this case the sheets had been pasted together so as to form a continuous scroll, rather than a codex: ‘<…> die Columna Trajana, die ich E.G. vorlengst presentiertt hab, nemlich des kästla mit den vieren rollen<…>’.99 This rotulus must have been very similar to the scroll from a private collection which was exhibited at the Institut Français at Florence in 1984 [Fig. 13.87–13.88]: technique and style of drawing of this set is so close to Strada’s numismatic drawings that a tentative attribution to his 98 önb-hs, Cod. 9410. In the older catalogues this volume precedes the description of the numismatic volumes by Jacopo and Ottavio Strada. The Munich copies are mentioned in Diemer/Diemer/Sauerländer 2008, 1, p. 58, nr. 153 (Marcus Aurelius) and p. 66, nr. 183 (Trajan); on the drawings of the Column of Theodosius, not included in the inventory, see below. 99 Doc. 1573-12-18; Strada wished to borrow Rožmberk’s copy to consult it for his polyglot dictionary, which indicate that at that time he did not possess a copy of his own; perhaps he took this opportunity of preparing the copy in the form of a book mentioned in the Index sive catalogus. Figures 13.89–13.90 The Column of Trajan in images from the Ambras manuscript, probably purveyed by Jacopo Strada; Vienna, Österreichische Nationalbibliothek.
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Jacopo Strada and Cultural Patronage at the Imperial Court The Antique as Innovation, Band 2
Titel
Jacopo Strada and Cultural Patronage at the Imperial Court
Untertitel
The Antique as Innovation
Band
2
Autor
Dirk Jacob Jansen
Verlag
Brill
Ort
Leiden
Datum
2019
Sprache
englisch
Lizenz
CC BY-NC-ND 4.0
ISBN
978-90-04-35949-9
Abmessungen
15.8 x 24.1 cm
Seiten
542
Kategorien
Biographien
Kunst und Kultur

Inhaltsverzeichnis

  1. 11 The Musaeum: Strada’s Circle 547
    1. 11.1 Strada’s House 547
    2. 11.2 High-ranking Visitors: Strada’s Guest Book and Ottavio’s Stammbuch 548
    3. 11.3 ‘Urbanissime Strada’: Accessibility of and Hospitality in the Musaeum 554
    4. 11.4 Intellectual Associates 556
    5. 11.5 Strada’s Confessional Position 566
    6. 11.6 Contacts with Members of the Dynasty 570
  2. 12 The Musaeum: its Contents 576
    1. 12.1 Introduction 576
    2. 12.2 Strada’s own Descriptions of his Musaeum 577
    3. 12.3 Strada’s Acquisitions for Duke Albrecht V of Bavaria 580
    4. 12.4 Strada’s own Cabinet of Antiquities 592
    5. 12.5 Acquisitions of Other Materials in Venice 599
    6. 12.6 Commissions in Mantua 610
    7. 12.7 ‘Gemalte Lustigen Tiecher’: Contemporary Painting in Strada’s Musaeum 615
    8. 12.8 Conclusion 628
  3. 13 Books, Prints and Drawings: The Musaeum as a centre of visualdocumentation 629
    1. 13.1 Introduction 629
    2. 13.2 Strada’s Acquisition of Drawings 630
    3. 13.3 ‘Owls to Athens’: Some Documents Relating to Strada’s GraphicCollection 634
    4. 13.4 The Contents of Strada’s Collection of Prints and Drawings 641
    5. 13.5 Later Fate of Strada’s Prints and Drawings 647
    6. 13.6 Drawings Preserved in a Context Linking Them withStrada 649
    7. 13.7 Strada’s Commissions of Visual Documentation: Antiquity 673
    8. 13.8 Strada’s Commissions of Visual Documentation: Contemporary Architecture and Decoration 692
    9. 13.9 Images as a Source of Knowledge 711
    10. 13.10 Conclusion 717
  4. 14 ‘Ex Musaeo et Impensis Jacobi Stradae, S.C.M. Antiquarius, CivisRomani’: Strada’s Frustrated Ambitions as a Publisher 719
    1. 14.1 Is There Life beyond the Court? 719
    2. 14.2 Strada’s Family 719
    3. 14.3 Ottavio Strada’s Role 725
    4. 14.4 The Publishing Project: Strada Ambitions as a Publisher 728
    5. 14.5 The Musaeum as an Editorial Office? 739
    6. 14.6 Financing the Programme 752
    7. 14.7 The Index Sive Catalogus 760
    8. 14.8 Strada’s Approach of Christophe Plantin 775
    9. 14.9 The Rupture with Ottavio 781
    10. 14.10 Strada’s Testamentary Disposition 783
    11. 14.11 Conclusion: The Aftermath 786
  5. 15 Le Cose dell’antichità: Strada as a Student of Antiquity 799
    1. 15.1 Profession: Antiquarius 799
    2. 15.2 Strada’s Qualities as an Antiquary 807
    3. 15.3 Strada’s Method 813
    4. 15.4 Strada’s Aims 822
  6. 16 Strada & Co.: By Appointment to His Majesty the Emperor 830
    1. 16.1 Strada as an Imperial Antiquary and Architect 830
    2. 16.2 Strada’s Role as an Agent 836
    3. 16.3 Strada as an Independent Agent 840
    4. 16.4 ‘Ex Musaeo Iacobi de Strada’: Study, Studio, Workshop, Office, Showroom 843
    5. 16.5 Strada’s Influence: An Agent of Change 849
    6. 16.6 Conclusion: Strada’s Personality 863
    7. 16.7 Epilogue: Back to the Portrait 868
  7. Appendices 877
    1. A Some Unpublished Letters 877
    2. B Strada’s Will 894
    3. C Strada’s Musaeum: Pleasant paintings 900
    4. D Strada’s Musaeum: The Index Sive Catalogus 902
  8. Chronological List of Sources 915
  9. Bibliography 932
  10. List of Illustrations 986
  11. Index 1038
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Jacopo Strada and Cultural Patronage at the Imperial Court