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Chapter
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interrupted by his precipitate flight from the Inquisition. Once he had found
colleagues he could trust, such as Bertani and Andreasi, his personal presence
was not necessary, and commissions could be transmitted by correspondence
or the mediation of travellers between Mantua and Vienna. But when a de-
cade later Strada again took up his collecting of documentation, both Scultori
and Bertani had died and he had lost contact with Andreasi, which is the rea-
son why he wrote directly to Duke Guglielmo, asking him to help him arrange
the commission of the desired material: in the first place similarly detailed
drawings of the architecture and decorations of the Ducal palace at Mantua
and of the important Gonzaga residence at Marmirolo, likewise designed by
Giulio Romano and his pupils. It seems hardly credible, but it appears that
the Duke indeed took the trouble to help Strada have his commissions execut-
ed, because Andreasi’s drawings of several rooms in the Palazzo Ducale have
been preserved intact together with his earlier drawings of the Palazzo del Te
[Figs. 13.114–13.117].
13.8.3 Illustrations for Leandro Alberti’s Description of Italy
The letter cited here, dated 4 October 1577, gives some additional information
on what type of material Strada had collected, and also mentions an explicit
purpose: the publication of a very amply enriched, profusely illustrated edition
of La Descrittione di tutta Italia by the Dominican historian Leandro Alberti.125
This popular first complete survey of the historical geography of Italy had first
125 Doc. 1577-10-04(a). On the same date Strada wrote a similar request to Duke Alfonso ii of
Ferrara, and another letter to Grand Duke Francesco of Tuscany, asking him to arrange for
the book to be printed in Florence, cf. Docs. 1577-10-04(b), (c) and (d). His project is also
described in the Index sive catalogus (Appendix D), nr. 44, and in his letter to Christophe
Plantin Doc. 1578-08-13).
Figures 13.115–13.117 Ippolito Andreasi, documentation of the Palazzo Ducale, Mantua:
various elements of the Camerino dei Cesari; Düsseldorf, Museum
Kunstpalast.
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Buch Jacopo Strada and Cultural Patronage at the Imperial Court - The Antique as Innovation, Band 2"
Jacopo Strada and Cultural Patronage at the Imperial Court
The Antique as Innovation, Band 2
- Titel
- Jacopo Strada and Cultural Patronage at the Imperial Court
- Untertitel
- The Antique as Innovation
- Band
- 2
- Autor
- Dirk Jacob Jansen
- Verlag
- Brill
- Ort
- Leiden
- Datum
- 2019
- Sprache
- englisch
- Lizenz
- CC BY-NC-ND 4.0
- ISBN
- 978-90-04-35949-9
- Abmessungen
- 15.8 x 24.1 cm
- Seiten
- 542
- Kategorien
- Biographien
- Kunst und Kultur
Inhaltsverzeichnis
- 11 The Musaeum: Strada’s Circle 547
- 11.1 Strada’s House 547
- 11.2 High-ranking Visitors: Strada’s Guest Book and Ottavio’s Stammbuch 548
- 11.3 ‘Urbanissime Strada’: Accessibility of and Hospitality in the Musaeum 554
- 11.4 Intellectual Associates 556
- 11.5 Strada’s Confessional Position 566
- 11.6 Contacts with Members of the Dynasty 570
- 12 The Musaeum: its Contents 576
- 12.1 Introduction 576
- 12.2 Strada’s own Descriptions of his Musaeum 577
- 12.3 Strada’s Acquisitions for Duke Albrecht V of Bavaria 580
- 12.4 Strada’s own Cabinet of Antiquities 592
- 12.5 Acquisitions of Other Materials in Venice 599
- 12.6 Commissions in Mantua 610
- 12.7 ‘Gemalte Lustigen Tiecher’: Contemporary Painting in Strada’s Musaeum 615
- 12.8 Conclusion 628
- 13 Books, Prints and Drawings: The Musaeum as a centre of visualdocumentation 629
- 13.1 Introduction 629
- 13.2 Strada’s Acquisition of Drawings 630
- 13.3 ‘Owls to Athens’: Some Documents Relating to Strada’s GraphicCollection 634
- 13.4 The Contents of Strada’s Collection of Prints and Drawings 641
- 13.5 Later Fate of Strada’s Prints and Drawings 647
- 13.6 Drawings Preserved in a Context Linking Them withStrada 649
- 13.7 Strada’s Commissions of Visual Documentation: Antiquity 673
- 13.8 Strada’s Commissions of Visual Documentation: Contemporary Architecture and Decoration 692
- 13.9 Images as a Source of Knowledge 711
- 13.10 Conclusion 717
- 14 ‘Ex Musaeo et Impensis Jacobi Stradae, S.C.M. Antiquarius, CivisRomani’: Strada’s Frustrated Ambitions as a Publisher 719
- 14.1 Is There Life beyond the Court? 719
- 14.2 Strada’s Family 719
- 14.3 Ottavio Strada’s Role 725
- 14.4 The Publishing Project: Strada Ambitions as a Publisher 728
- 14.5 The Musaeum as an Editorial Office? 739
- 14.6 Financing the Programme 752
- 14.7 The Index Sive Catalogus 760
- 14.8 Strada’s Approach of Christophe Plantin 775
- 14.9 The Rupture with Ottavio 781
- 14.10 Strada’s Testamentary Disposition 783
- 14.11 Conclusion: The Aftermath 786
- 15 Le Cose dell’antichità : Strada as a Student of Antiquity 799
- 16 Strada & Co.: By Appointment to His Majesty the Emperor 830
- 16.1 Strada as an Imperial Antiquary and Architect 830
- 16.2 Strada’s Role as an Agent 836
- 16.3 Strada as an Independent Agent 840
- 16.4 ‘Ex Musaeo Iacobi de Strada’: Study, Studio, Workshop, Office, Showroom 843
- 16.5 Strada’s Influence: An Agent of Change 849
- 16.6 Conclusion: Strada’s Personality 863
- 16.7 Epilogue: Back to the Portrait 868
- Appendices 877
- Chronological List of Sources 915
- Bibliography 932
- List of Illustrations 986
- Index 1038