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Jacopo Strada and Cultural Patronage at the Imperial Court - The Antique as Innovation, Band 2
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721Ambitions as a Publisher mistress is a misapprehension of Svátek which needs to be corrected again and again.6 Some years after his wife’s death, perhaps on his trip to the Elector August of Saxony in the autumn of 1576, Strada began a liaison with Margaretha Hum- mer or Himmer, from Marienberg in the Margraviate of Meissen, whom he describes in his will both as his ‘Dienerin’—his servant—and his ‘concubine’. In 1582 Rudolf ii had legitimized the two sons she gave him, Tobia, born in 1578, and Martino, born in 1580. Martino appears to have died soon after, since he is not mentioned in Strada’s will, but his sister Sicilia survived and was promised a legacy of hundred Gulden. Whereas their mother had to be content with her outstanding wages, a third of the revenue of Strada’s various houses and gar- dens was assigned to Tobia’s maintenance and education, and he was allotted a decent share in his father’s inheritance. Moreover his father appointed cura- tors expected to manage his patrimony until his majority and ‘to raise him to diligent study, gravity and the fear of God’.7 Strada doubtless had taken equal care of the education of his legitimate male offspring, who were taught in the Vienna Jesuit College, founded by Peter Canisius in 1552 in response to Ferdinand i’s request to Ignatius of Loyola.8 6 Svatek 1883; Svatek 1891–1892; cf. Ch. 0.1. In fact Rudolf ii’s mistress was Anna Maria Strada (1579–1629), the natural daughter of Ottavio Strada and one Mariana Hofmaisterin, according to his testament of 26 February 1606 [HHStA, Obersthofmarschallamt, Karton 624, Konvolut 1606/1]. She was the mother of two of Rudolf’s illegitimate but recognized sons, Mathias and Carolus Faustus (but not of his favourite son Julius, who would become insane and is the subject of many legends and romantic tales). This is clear from the documents relating to Don Mathias of Austria in the Vienna Hofkammerarchiv, Hoffinanz, r., nr. 185, ‘1622, Jan. 18’ (‘Konvolut Don Mathias’). I am grateful to Hofrat Dr Christian Sapper who discovered and shared these documents with me at the time; see now his exhaustive study on Rudolf’s chil- dren, which includes brief essays on the Strada family and Anna Maria’s husband, Christoph Ranfft von Wiesenthal (Sapper 1999, pp. 30–44). They are corroborated by Ottavio Strada himself in the entry of Rudolf ii in his ms. Chronica thesauri antiquitatum (Prague, University Library, cod. xi.d.20), p. lviii), which gives a survey of Rudolf’s children from various mothers, of whom only Anna Maria Strada is mentioned by name. Her marriage to Christoph Ranfft is evident both from the ‘Konvolut Don Mathias’ and from Ottavio’s will (cf. Jansen 1988, p. 132 and 143, n. 5). Much later, when already resident in France for many years, Ottavio Strada the Younger still kept in touch with his half-sister and her family, witness a letter by Ranfft to his brother-in-law of 1629 (Vienna, HHStA, rhr, Privilegia Varii Generis 1/10, fol. 80–87). 7 Doc 1584-07-01; Lietzmann 1997, pp. 391–392 suggests that Strada met Margaretha in Meissen on his way back to Vienna from Dresden; Doc 1582-00-00. Tobia was perhaps still alive when his brother Ottavio made his testament on 25 February 1605, though he had not kept in touch: ‘Meinem unehlichen Bruder Tobiam verschaf ich 30 L. wan er noch lebt’. [HHStA, Obersthof- marschallamt, Karton 624, Konvolut 1606/1]. 8 ‘In casa delli Jesuiti ò tenuto in donzina alle spese in compagnia d’altri gentilhuomini gli miei figliuoli’. (Strada to Jacopo Dani, Doc 1576-09-28).
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Jacopo Strada and Cultural Patronage at the Imperial Court The Antique as Innovation, Band 2
Titel
Jacopo Strada and Cultural Patronage at the Imperial Court
Untertitel
The Antique as Innovation
Band
2
Autor
Dirk Jacob Jansen
Verlag
Brill
Ort
Leiden
Datum
2019
Sprache
englisch
Lizenz
CC BY-NC-ND 4.0
ISBN
978-90-04-35949-9
Abmessungen
15.8 x 24.1 cm
Seiten
542
Kategorien
Biographien
Kunst und Kultur

Inhaltsverzeichnis

  1. 11 The Musaeum: Strada’s Circle 547
    1. 11.1 Strada’s House 547
    2. 11.2 High-ranking Visitors: Strada’s Guest Book and Ottavio’s Stammbuch 548
    3. 11.3 ‘Urbanissime Strada’: Accessibility of and Hospitality in the Musaeum 554
    4. 11.4 Intellectual Associates 556
    5. 11.5 Strada’s Confessional Position 566
    6. 11.6 Contacts with Members of the Dynasty 570
  2. 12 The Musaeum: its Contents 576
    1. 12.1 Introduction 576
    2. 12.2 Strada’s own Descriptions of his Musaeum 577
    3. 12.3 Strada’s Acquisitions for Duke Albrecht V of Bavaria 580
    4. 12.4 Strada’s own Cabinet of Antiquities 592
    5. 12.5 Acquisitions of Other Materials in Venice 599
    6. 12.6 Commissions in Mantua 610
    7. 12.7 ‘Gemalte Lustigen Tiecher’: Contemporary Painting in Strada’s Musaeum 615
    8. 12.8 Conclusion 628
  3. 13 Books, Prints and Drawings: The Musaeum as a centre of visualdocumentation 629
    1. 13.1 Introduction 629
    2. 13.2 Strada’s Acquisition of Drawings 630
    3. 13.3 ‘Owls to Athens’: Some Documents Relating to Strada’s GraphicCollection 634
    4. 13.4 The Contents of Strada’s Collection of Prints and Drawings 641
    5. 13.5 Later Fate of Strada’s Prints and Drawings 647
    6. 13.6 Drawings Preserved in a Context Linking Them withStrada 649
    7. 13.7 Strada’s Commissions of Visual Documentation: Antiquity 673
    8. 13.8 Strada’s Commissions of Visual Documentation: Contemporary Architecture and Decoration 692
    9. 13.9 Images as a Source of Knowledge 711
    10. 13.10 Conclusion 717
  4. 14 ‘Ex Musaeo et Impensis Jacobi Stradae, S.C.M. Antiquarius, CivisRomani’: Strada’s Frustrated Ambitions as a Publisher 719
    1. 14.1 Is There Life beyond the Court? 719
    2. 14.2 Strada’s Family 719
    3. 14.3 Ottavio Strada’s Role 725
    4. 14.4 The Publishing Project: Strada Ambitions as a Publisher 728
    5. 14.5 The Musaeum as an Editorial Office? 739
    6. 14.6 Financing the Programme 752
    7. 14.7 The Index Sive Catalogus 760
    8. 14.8 Strada’s Approach of Christophe Plantin 775
    9. 14.9 The Rupture with Ottavio 781
    10. 14.10 Strada’s Testamentary Disposition 783
    11. 14.11 Conclusion: The Aftermath 786
  5. 15 Le Cose dell’antichità: Strada as a Student of Antiquity 799
    1. 15.1 Profession: Antiquarius 799
    2. 15.2 Strada’s Qualities as an Antiquary 807
    3. 15.3 Strada’s Method 813
    4. 15.4 Strada’s Aims 822
  6. 16 Strada & Co.: By Appointment to His Majesty the Emperor 830
    1. 16.1 Strada as an Imperial Antiquary and Architect 830
    2. 16.2 Strada’s Role as an Agent 836
    3. 16.3 Strada as an Independent Agent 840
    4. 16.4 ‘Ex Musaeo Iacobi de Strada’: Study, Studio, Workshop, Office, Showroom 843
    5. 16.5 Strada’s Influence: An Agent of Change 849
    6. 16.6 Conclusion: Strada’s Personality 863
    7. 16.7 Epilogue: Back to the Portrait 868
  7. Appendices 877
    1. A Some Unpublished Letters 877
    2. B Strada’s Will 894
    3. C Strada’s Musaeum: Pleasant paintings 900
    4. D Strada’s Musaeum: The Index Sive Catalogus 902
  8. Chronological List of Sources 915
  9. Bibliography 932
  10. List of Illustrations 986
  11. Index 1038
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Jacopo Strada and Cultural Patronage at the Imperial Court