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723Ambitions
as a Publisher
coached them in developing the humanist handwriting so important in his
profession. True to the convictions he had expressed in his letter to Adam
von Dietrichstein discussed in the preceding chapter, he also carefully taught
them to draw: in Ottavio’s case with conspicuous success, witness the many
elegant illustrated manuscripts he later presented to his many patrons
[Figs. 14.1–14.2].11
Having obtained his benefice in Mantua cathedral Paolo Strada appears to
have taken holy orders, and to have led a simple, withdrawn life in Vienna. To
finish his education and to extend his accomplishments his father sent him
with the Imperial embassy led by Karel Rijm to Constantinople, where he was
expected to learn Turkish and Arabic, as well as to obtain materials relating to
his father’s various projects.12 On his return in 1573 Strada applied to Maximil-
ian ii to have him employed at court, giving a succinct account of his character
and accomplishments:
He is inclined to travel, and particularly in Turkey, of which he has some
beginning of the language, and in practising it in the future he could
completely master it. He is a spirited young man, who will go to the end
of the earth if Your Majesty would order him to; he is twenty-five years
old, born of a German mother at Nuremberg. He speaks Italian and
ancora servidori della Signoria Vostra, et io insieme’. (Strada to Jacopo Dani, Doc. 1577-
10-04); ‘Hora, Signor mio Carissimo, il gentilhuomo, il Signor Riccardo Riccardi io non l’ò
visto, ma bene io ne feci cercare per Pauolo mio figliuolo (che hora egli serve qui l’Altezza
del Arciducha Hernest con doi cavalli per gentill’ huomo), et lui in mio nome lo invitò a
vedere il mio studio’. (Strada to Jacopo Dani, Doc. 1582-11-02).
11 Drawings certainly attributable to Paolo Strada have not (yet) been identified.
12 Doc. 1569-11-05, Strada to Guglielmo, Duke of Mantua, Vienna, 5 November 1569: ‘Il mio
figliolo maggiore mando in Turchia con il Signor ambassador di Sua Maestà , dove starÃ
qualche anno. Se in detto loco potra servire Vostra Excellenzia, lo faro con tutto il cuore et
a me sarra summo favore che li comandi. Sua Maestà lo à pigliato in protetione, che come
suo creado li sia raccomandato.’; Doc. 1571-11-20, Strada to Guglielmo, Duke of Mantua,
Vienna, 20 November 1571: ‘Mio figliolo il Canonico Sua Maestà Cesarea lo mantiene in
Constantinopoli a imparare la lingua turca et araba; et quelli che vengono di là fanno fede
a Sua Maestà Cesarea che fara bonissima riesita, e di già parla turcho comodamente. A
mandato di qua la prima parte di Terentio scritto di sua mane—che à studiato in lingua
turcha—scritto; et per quest’altra posta mandara il resto; io lo voglio poi presentare a Sua
Maestà Cesarea. Esso mi scrive che dessidera servire in detto loco l’Excellenza Vostra Il-
lustrissima in qualche cosa se gli’è buono. Me à anche mandato tutti gl’inventarii del<li>
libri graeci che sonno in tutte quelle librarie graeche di Constantinopoli; delli quali cred-
do se ne averia bonissima conditione quando si volessero comprare, e quando fossero in
queste bande saria un thesoro.’; Doc. 1573-06-17, Strada to Jacopo Dani, Vienna, 17 June
1573: ‘In Constantinopoli da Pauolo mio figliuolo me ò fatto portare tutti gli Imperatori
orientali, o in medaglie o in pittura che à pottuti trovare; et in spatio di 3 anni che vi è
stato ne à fatto buona diligenza’.
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Buch Jacopo Strada and Cultural Patronage at the Imperial Court - The Antique as Innovation, Band 2"
Jacopo Strada and Cultural Patronage at the Imperial Court
The Antique as Innovation, Band 2
- Titel
- Jacopo Strada and Cultural Patronage at the Imperial Court
- Untertitel
- The Antique as Innovation
- Band
- 2
- Autor
- Dirk Jacob Jansen
- Verlag
- Brill
- Ort
- Leiden
- Datum
- 2019
- Sprache
- englisch
- Lizenz
- CC BY-NC-ND 4.0
- ISBN
- 978-90-04-35949-9
- Abmessungen
- 15.8 x 24.1 cm
- Seiten
- 542
- Kategorien
- Biographien
- Kunst und Kultur
Inhaltsverzeichnis
- 11 The Musaeum: Strada’s Circle 547
- 11.1 Strada’s House 547
- 11.2 High-ranking Visitors: Strada’s Guest Book and Ottavio’s Stammbuch 548
- 11.3 ‘Urbanissime Strada’: Accessibility of and Hospitality in the Musaeum 554
- 11.4 Intellectual Associates 556
- 11.5 Strada’s Confessional Position 566
- 11.6 Contacts with Members of the Dynasty 570
- 12 The Musaeum: its Contents 576
- 12.1 Introduction 576
- 12.2 Strada’s own Descriptions of his Musaeum 577
- 12.3 Strada’s Acquisitions for Duke Albrecht V of Bavaria 580
- 12.4 Strada’s own Cabinet of Antiquities 592
- 12.5 Acquisitions of Other Materials in Venice 599
- 12.6 Commissions in Mantua 610
- 12.7 ‘Gemalte Lustigen Tiecher’: Contemporary Painting in Strada’s Musaeum 615
- 12.8 Conclusion 628
- 13 Books, Prints and Drawings: The Musaeum as a centre of visualdocumentation 629
- 13.1 Introduction 629
- 13.2 Strada’s Acquisition of Drawings 630
- 13.3 ‘Owls to Athens’: Some Documents Relating to Strada’s GraphicCollection 634
- 13.4 The Contents of Strada’s Collection of Prints and Drawings 641
- 13.5 Later Fate of Strada’s Prints and Drawings 647
- 13.6 Drawings Preserved in a Context Linking Them withStrada 649
- 13.7 Strada’s Commissions of Visual Documentation: Antiquity 673
- 13.8 Strada’s Commissions of Visual Documentation: Contemporary Architecture and Decoration 692
- 13.9 Images as a Source of Knowledge 711
- 13.10 Conclusion 717
- 14 ‘Ex Musaeo et Impensis Jacobi Stradae, S.C.M. Antiquarius, CivisRomani’: Strada’s Frustrated Ambitions as a Publisher 719
- 14.1 Is There Life beyond the Court? 719
- 14.2 Strada’s Family 719
- 14.3 Ottavio Strada’s Role 725
- 14.4 The Publishing Project: Strada Ambitions as a Publisher 728
- 14.5 The Musaeum as an Editorial Office? 739
- 14.6 Financing the Programme 752
- 14.7 The Index Sive Catalogus 760
- 14.8 Strada’s Approach of Christophe Plantin 775
- 14.9 The Rupture with Ottavio 781
- 14.10 Strada’s Testamentary Disposition 783
- 14.11 Conclusion: The Aftermath 786
- 15 Le Cose dell’antichità : Strada as a Student of Antiquity 799
- 16 Strada & Co.: By Appointment to His Majesty the Emperor 830
- 16.1 Strada as an Imperial Antiquary and Architect 830
- 16.2 Strada’s Role as an Agent 836
- 16.3 Strada as an Independent Agent 840
- 16.4 ‘Ex Musaeo Iacobi de Strada’: Study, Studio, Workshop, Office, Showroom 843
- 16.5 Strada’s Influence: An Agent of Change 849
- 16.6 Conclusion: Strada’s Personality 863
- 16.7 Epilogue: Back to the Portrait 868
- Appendices 877
- Chronological List of Sources 915
- Bibliography 932
- List of Illustrations 986
- Index 1038