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Jacopo Strada and Cultural Patronage at the Imperial Court - The Antique as Innovation, Band 2
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Chapter 14736 that mirrors and complements Strada’s Epitome thesauri antiquitatum, which presented similar abridged lives of the Emperors.31 So it is doubtless no coin- cidence that Strada published Panvinio’s book under the title Epitome pontifi- cum romanorum. The copyright privilege mentions two other works which were never pub- lished, but which in future would loom ever larger in Strada’s publishing projects. In fact it was Strada’s increasing ambition for these projects and the megalomaniac size they assumed over the course of the years that prevented their realization. The first is a ‘universal’ dictionary in the three classical lan- guages, Greek, Latin and Hebrew, explaining all words and concepts, both an- cient and contemporary, in these three languages.32 This was something which had been attempted before. What was exceptional was Strada’s intention to illustrate the entries not only with text passages, but also with ‘figures’ (here: tables and schemes) and ‘images’ drawn from his collection of ancient and modern sources. The use of appropriate images to illustrate the argument was also intended in the last book mentioned in the privilege, a corrected Latin translation of Leandro Alberti’s 1550 Descrittione di tutta Italia.33 14.4.3 The Two Books Actually Published: The Fasti et Triumphi and Epitome Pontificum Of the five titles mentioned in the copyright privilege of January 1556 only two, the books compiled by Onofrio Panvinio, were ever published. These were printed in Venice at Strada’s expense, as is explicitly stated on the title pages and confirmed by the bookplate, which is a variant of that used for the Lyon Epitome thesauri antiquitatum [Figs. 14.14 and 14.18]. Perhaps Strada may have been aware that the Lyon Epitome was being pirated by a Swiss printer at this very time, which may have been the reason why he took the trouble to ob- tain additional copyright privileges from Ferdinand i, King of the Romans, and from Lorenzo Priuli, Doge of Venice, included with that obtained from Charles 31 Doc. 1556-01-08: ‘Brevis pontificum Romanorum descriptio a sancto Petro apostolo usque ad Paulum IIII. Caraffa Neapolitanum, cum singulorum conclavi et electione, item cardi- nalium creationes, tituli, legationes, patria, insignia et obitus, Onophrio Panvino, Vero- nense, Augustiniano authore, ex museo Jacobi de Strada, Mantuani antiquarii’. 32 Doc. 1556-01-08: ‘Ingens thesaurus seu universale dictionarium rerum et verborum omni- umque tam antiquitatum quam novitatum, non solum Latine, Grece et Hebraice explica- tis, verum etiam figuris et imaginibus tam ex vetustis monumentis quam novis excerptis expressarum ex museo Jacobi de Strada, Mantuani antiquarii’. 33 Doc. 1556-01-08: ‘Descriptio totius Italiae, antehac a F. Leandro Alberto, Bononiense, in Italo sermone scripta, nunc vero in Latinum sermonem conversa et a multis erroribus vindicata, preterea iconibus aliisque rebus scitu dignis expolita, ex museo ut supra<…>’.
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Jacopo Strada and Cultural Patronage at the Imperial Court The Antique as Innovation, Band 2
Titel
Jacopo Strada and Cultural Patronage at the Imperial Court
Untertitel
The Antique as Innovation
Band
2
Autor
Dirk Jacob Jansen
Verlag
Brill
Ort
Leiden
Datum
2019
Sprache
englisch
Lizenz
CC BY-NC-ND 4.0
ISBN
978-90-04-35949-9
Abmessungen
15.8 x 24.1 cm
Seiten
542
Kategorien
Biographien
Kunst und Kultur

Inhaltsverzeichnis

  1. 11 The Musaeum: Strada’s Circle 547
    1. 11.1 Strada’s House 547
    2. 11.2 High-ranking Visitors: Strada’s Guest Book and Ottavio’s Stammbuch 548
    3. 11.3 ‘Urbanissime Strada’: Accessibility of and Hospitality in the Musaeum 554
    4. 11.4 Intellectual Associates 556
    5. 11.5 Strada’s Confessional Position 566
    6. 11.6 Contacts with Members of the Dynasty 570
  2. 12 The Musaeum: its Contents 576
    1. 12.1 Introduction 576
    2. 12.2 Strada’s own Descriptions of his Musaeum 577
    3. 12.3 Strada’s Acquisitions for Duke Albrecht V of Bavaria 580
    4. 12.4 Strada’s own Cabinet of Antiquities 592
    5. 12.5 Acquisitions of Other Materials in Venice 599
    6. 12.6 Commissions in Mantua 610
    7. 12.7 ‘Gemalte Lustigen Tiecher’: Contemporary Painting in Strada’s Musaeum 615
    8. 12.8 Conclusion 628
  3. 13 Books, Prints and Drawings: The Musaeum as a centre of visualdocumentation 629
    1. 13.1 Introduction 629
    2. 13.2 Strada’s Acquisition of Drawings 630
    3. 13.3 ‘Owls to Athens’: Some Documents Relating to Strada’s GraphicCollection 634
    4. 13.4 The Contents of Strada’s Collection of Prints and Drawings 641
    5. 13.5 Later Fate of Strada’s Prints and Drawings 647
    6. 13.6 Drawings Preserved in a Context Linking Them withStrada 649
    7. 13.7 Strada’s Commissions of Visual Documentation: Antiquity 673
    8. 13.8 Strada’s Commissions of Visual Documentation: Contemporary Architecture and Decoration 692
    9. 13.9 Images as a Source of Knowledge 711
    10. 13.10 Conclusion 717
  4. 14 ‘Ex Musaeo et Impensis Jacobi Stradae, S.C.M. Antiquarius, CivisRomani’: Strada’s Frustrated Ambitions as a Publisher 719
    1. 14.1 Is There Life beyond the Court? 719
    2. 14.2 Strada’s Family 719
    3. 14.3 Ottavio Strada’s Role 725
    4. 14.4 The Publishing Project: Strada Ambitions as a Publisher 728
    5. 14.5 The Musaeum as an Editorial Office? 739
    6. 14.6 Financing the Programme 752
    7. 14.7 The Index Sive Catalogus 760
    8. 14.8 Strada’s Approach of Christophe Plantin 775
    9. 14.9 The Rupture with Ottavio 781
    10. 14.10 Strada’s Testamentary Disposition 783
    11. 14.11 Conclusion: The Aftermath 786
  5. 15 Le Cose dell’antichità: Strada as a Student of Antiquity 799
    1. 15.1 Profession: Antiquarius 799
    2. 15.2 Strada’s Qualities as an Antiquary 807
    3. 15.3 Strada’s Method 813
    4. 15.4 Strada’s Aims 822
  6. 16 Strada & Co.: By Appointment to His Majesty the Emperor 830
    1. 16.1 Strada as an Imperial Antiquary and Architect 830
    2. 16.2 Strada’s Role as an Agent 836
    3. 16.3 Strada as an Independent Agent 840
    4. 16.4 ‘Ex Musaeo Iacobi de Strada’: Study, Studio, Workshop, Office, Showroom 843
    5. 16.5 Strada’s Influence: An Agent of Change 849
    6. 16.6 Conclusion: Strada’s Personality 863
    7. 16.7 Epilogue: Back to the Portrait 868
  7. Appendices 877
    1. A Some Unpublished Letters 877
    2. B Strada’s Will 894
    3. C Strada’s Musaeum: Pleasant paintings 900
    4. D Strada’s Musaeum: The Index Sive Catalogus 902
  8. Chronological List of Sources 915
  9. Bibliography 932
  10. List of Illustrations 986
  11. Index 1038
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Jacopo Strada and Cultural Patronage at the Imperial Court