Seite - 736 - in Jacopo Strada and Cultural Patronage at the Imperial Court - The Antique as Innovation, Band 2
Bild der Seite - 736 -
Text der Seite - 736 -
Chapter
14736
that mirrors and complements Strada’s Epitome thesauri antiquitatum, which
presented similar abridged lives of the Emperors.31 So it is doubtless no coin-
cidence that Strada published Panvinio’s book under the title Epitome pontifi-
cum romanorum.
The copyright privilege mentions two other works which were never pub-
lished, but which in future would loom ever larger in Strada’s publishing
projects. In fact it was Strada’s increasing ambition for these projects and the
megalomaniac size they assumed over the course of the years that prevented
their realization. The first is a ‘universal’ dictionary in the three classical lan-
guages, Greek, Latin and Hebrew, explaining all words and concepts, both an-
cient and contemporary, in these three languages.32 This was something which
had been attempted before. What was exceptional was Strada’s intention to
illustrate the entries not only with text passages, but also with ‘figures’ (here:
tables and schemes) and ‘images’ drawn from his collection of ancient and
modern sources. The use of appropriate images to illustrate the argument was
also intended in the last book mentioned in the privilege, a corrected Latin
translation of Leandro Alberti’s 1550 Descrittione di tutta Italia.33
14.4.3 The Two Books Actually Published: The Fasti et Triumphi and
Epitome Pontificum
Of the five titles mentioned in the copyright privilege of January 1556 only two,
the books compiled by Onofrio Panvinio, were ever published. These were
printed in Venice at Strada’s expense, as is explicitly stated on the title pages
and confirmed by the bookplate, which is a variant of that used for the Lyon
Epitome thesauri antiquitatum [Figs. 14.14 and 14.18]. Perhaps Strada may have
been aware that the Lyon Epitome was being pirated by a Swiss printer at this
very time, which may have been the reason why he took the trouble to ob-
tain additional copyright privileges from Ferdinand i, King of the Romans, and
from Lorenzo Priuli, Doge of Venice, included with that obtained from Charles
31 Doc. 1556-01-08: ‘Brevis pontificum Romanorum descriptio a sancto Petro apostolo usque
ad Paulum IIII. Caraffa Neapolitanum, cum singulorum conclavi et electione, item cardi-
nalium creationes, tituli, legationes, patria, insignia et obitus, Onophrio Panvino, Vero-
nense, Augustiniano authore, ex museo Jacobi de Strada, Mantuani antiquarii’.
32 Doc. 1556-01-08: ‘Ingens thesaurus seu universale dictionarium rerum et verborum omni-
umque tam antiquitatum quam novitatum, non solum Latine, Grece et Hebraice explica-
tis, verum etiam figuris et imaginibus tam ex vetustis monumentis quam novis excerptis
expressarum ex museo Jacobi de Strada, Mantuani antiquarii’.
33 Doc. 1556-01-08: ‘Descriptio totius Italiae, antehac a F. Leandro Alberto, Bononiense, in
Italo sermone scripta, nunc vero in Latinum sermonem conversa et a multis erroribus
vindicata, preterea iconibus aliisque rebus scitu dignis expolita, ex museo ut supra<…>’.
zurück zum
Buch Jacopo Strada and Cultural Patronage at the Imperial Court - The Antique as Innovation, Band 2"
Jacopo Strada and Cultural Patronage at the Imperial Court
The Antique as Innovation, Band 2
- Titel
- Jacopo Strada and Cultural Patronage at the Imperial Court
- Untertitel
- The Antique as Innovation
- Band
- 2
- Autor
- Dirk Jacob Jansen
- Verlag
- Brill
- Ort
- Leiden
- Datum
- 2019
- Sprache
- englisch
- Lizenz
- CC BY-NC-ND 4.0
- ISBN
- 978-90-04-35949-9
- Abmessungen
- 15.8 x 24.1 cm
- Seiten
- 542
- Kategorien
- Biographien
- Kunst und Kultur
Inhaltsverzeichnis
- 11 The Musaeum: Strada’s Circle 547
- 11.1 Strada’s House 547
- 11.2 High-ranking Visitors: Strada’s Guest Book and Ottavio’s Stammbuch 548
- 11.3 ‘Urbanissime Strada’: Accessibility of and Hospitality in the Musaeum 554
- 11.4 Intellectual Associates 556
- 11.5 Strada’s Confessional Position 566
- 11.6 Contacts with Members of the Dynasty 570
- 12 The Musaeum: its Contents 576
- 12.1 Introduction 576
- 12.2 Strada’s own Descriptions of his Musaeum 577
- 12.3 Strada’s Acquisitions for Duke Albrecht V of Bavaria 580
- 12.4 Strada’s own Cabinet of Antiquities 592
- 12.5 Acquisitions of Other Materials in Venice 599
- 12.6 Commissions in Mantua 610
- 12.7 ‘Gemalte Lustigen Tiecher’: Contemporary Painting in Strada’s Musaeum 615
- 12.8 Conclusion 628
- 13 Books, Prints and Drawings: The Musaeum as a centre of visualdocumentation 629
- 13.1 Introduction 629
- 13.2 Strada’s Acquisition of Drawings 630
- 13.3 ‘Owls to Athens’: Some Documents Relating to Strada’s GraphicCollection 634
- 13.4 The Contents of Strada’s Collection of Prints and Drawings 641
- 13.5 Later Fate of Strada’s Prints and Drawings 647
- 13.6 Drawings Preserved in a Context Linking Them withStrada 649
- 13.7 Strada’s Commissions of Visual Documentation: Antiquity 673
- 13.8 Strada’s Commissions of Visual Documentation: Contemporary Architecture and Decoration 692
- 13.9 Images as a Source of Knowledge 711
- 13.10 Conclusion 717
- 14 ‘Ex Musaeo et Impensis Jacobi Stradae, S.C.M. Antiquarius, CivisRomani’: Strada’s Frustrated Ambitions as a Publisher 719
- 14.1 Is There Life beyond the Court? 719
- 14.2 Strada’s Family 719
- 14.3 Ottavio Strada’s Role 725
- 14.4 The Publishing Project: Strada Ambitions as a Publisher 728
- 14.5 The Musaeum as an Editorial Office? 739
- 14.6 Financing the Programme 752
- 14.7 The Index Sive Catalogus 760
- 14.8 Strada’s Approach of Christophe Plantin 775
- 14.9 The Rupture with Ottavio 781
- 14.10 Strada’s Testamentary Disposition 783
- 14.11 Conclusion: The Aftermath 786
- 15 Le Cose dell’antichità : Strada as a Student of Antiquity 799
- 16 Strada & Co.: By Appointment to His Majesty the Emperor 830
- 16.1 Strada as an Imperial Antiquary and Architect 830
- 16.2 Strada’s Role as an Agent 836
- 16.3 Strada as an Independent Agent 840
- 16.4 ‘Ex Musaeo Iacobi de Strada’: Study, Studio, Workshop, Office, Showroom 843
- 16.5 Strada’s Influence: An Agent of Change 849
- 16.6 Conclusion: Strada’s Personality 863
- 16.7 Epilogue: Back to the Portrait 868
- Appendices 877
- Chronological List of Sources 915
- Bibliography 932
- List of Illustrations 986
- Index 1038