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Jacopo Strada and Cultural Patronage at the Imperial Court - The Antique as Innovation, Band 2
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741Ambitions as a Publisher his other projects he likewise must have employed learned men to provide and correct the content for each book, and professional scribes to provide the fair copy for the typesetters. Strada’s request to the Reichsvizekanzler, Johann Baptist Weber, for Imperial letters of recommendation for his print- ing projects includes an offer to have the book titles in each letter inserted by his own servant, which confirms his employment of at least one profes- sional scribe.43 It is further corroborated by a request to Hans Jakob Fugger from Carolus Stephanus, one of his librarians, for a rise or, failing that, for some help or a recommendation to find a better job. Fugger was quite prepared to help him, and asked his other librarian, Wolfgang Prommer, for his comment and suggestions. Prommer explained that Stephanus hoped that Fugger would recommend him for a place as a clerk in the chancery of the Augsburg City Council; but if that was no option, at least ‘to be recommended to Jacobo de Strada, where he intends to maintain himself with his wife and child by assidu- ous writing’.44 Stephanus should not be confused with the well-known French physician Charles Estienne, though he may likewise have been a relative of the famous French printers Henri and Robert Estienne, who maintained contacts with the Fuggers. Certainly he was a learned man, who wrote good Latin. It is not known whether he did any work for Strada, but his request again con- firms that Strada did indeed employ professional scribes and scholars such as Stephanus, and that these were sufficiently well paid to make such employ- ment desirable.45 14.5.2 The Polyglot Dictionary Strada himself explicitly speaks of the people he employed in at least one of his projects, the polyglot dictionary, in his letter of 28 December 1568 thank- ing Duke Guglielmo Gonzaga of Mantua for the patronage extended to his son Paolo. From this it appears that from a simple polyglot dictionary in the three classical languages it had developed into something much bigger: 43 Doc. 1573-06-00 (shortly before 6 June 1573): ‘Se’l paresse alla Signoria Vostra che a cadauna lettera vi si metesse dentro questi titoli di questi libri, io li faria coppiare dal mio huomo, per non dar tanta fattica a quello che scrivera le lettere’. 44 ‘Mit einer Condition, vermaint er durch E.G. furbitt bey dem Herrn Stattpfleger Relingen zu promovirt werden, ob er mitterzeit In der Herren von Augspurg Canntzelley mechte gebraucht werden. Wa er dort nit vnder mechte Khumen, begert er auf das wenigist durch E.G. hülff bey dem Jacobo de Strada zu Commendirt werden, daselbs vermaint er sich mit stetigem schreiben kinde mit sampt seim weib vnd Kindt aufenthallten’. Hartig 1917(a), pp. 317–318 (Stephanus’ request to Fugger, in Latin, undated, 1566); 318–319: Fugger’s re- quest for more information to Prommer); 319–320 (Prommer’s point by point reply). 45 Ibid., pp. 229–230; doubtless thanks to Fugger’s support Stephanus later was appointed an official notary, who was occasionally employed by the Fugger: thus he drafted the inven- tory of the library and collection of Raymund Fugger the Younger in 1576; ibid. p. 38, n. 1.
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Jacopo Strada and Cultural Patronage at the Imperial Court The Antique as Innovation, Band 2
Titel
Jacopo Strada and Cultural Patronage at the Imperial Court
Untertitel
The Antique as Innovation
Band
2
Autor
Dirk Jacob Jansen
Verlag
Brill
Ort
Leiden
Datum
2019
Sprache
englisch
Lizenz
CC BY-NC-ND 4.0
ISBN
978-90-04-35949-9
Abmessungen
15.8 x 24.1 cm
Seiten
542
Kategorien
Biographien
Kunst und Kultur

Inhaltsverzeichnis

  1. 11 The Musaeum: Strada’s Circle 547
    1. 11.1 Strada’s House 547
    2. 11.2 High-ranking Visitors: Strada’s Guest Book and Ottavio’s Stammbuch 548
    3. 11.3 ‘Urbanissime Strada’: Accessibility of and Hospitality in the Musaeum 554
    4. 11.4 Intellectual Associates 556
    5. 11.5 Strada’s Confessional Position 566
    6. 11.6 Contacts with Members of the Dynasty 570
  2. 12 The Musaeum: its Contents 576
    1. 12.1 Introduction 576
    2. 12.2 Strada’s own Descriptions of his Musaeum 577
    3. 12.3 Strada’s Acquisitions for Duke Albrecht V of Bavaria 580
    4. 12.4 Strada’s own Cabinet of Antiquities 592
    5. 12.5 Acquisitions of Other Materials in Venice 599
    6. 12.6 Commissions in Mantua 610
    7. 12.7 ‘Gemalte Lustigen Tiecher’: Contemporary Painting in Strada’s Musaeum 615
    8. 12.8 Conclusion 628
  3. 13 Books, Prints and Drawings: The Musaeum as a centre of visualdocumentation 629
    1. 13.1 Introduction 629
    2. 13.2 Strada’s Acquisition of Drawings 630
    3. 13.3 ‘Owls to Athens’: Some Documents Relating to Strada’s GraphicCollection 634
    4. 13.4 The Contents of Strada’s Collection of Prints and Drawings 641
    5. 13.5 Later Fate of Strada’s Prints and Drawings 647
    6. 13.6 Drawings Preserved in a Context Linking Them withStrada 649
    7. 13.7 Strada’s Commissions of Visual Documentation: Antiquity 673
    8. 13.8 Strada’s Commissions of Visual Documentation: Contemporary Architecture and Decoration 692
    9. 13.9 Images as a Source of Knowledge 711
    10. 13.10 Conclusion 717
  4. 14 ‘Ex Musaeo et Impensis Jacobi Stradae, S.C.M. Antiquarius, CivisRomani’: Strada’s Frustrated Ambitions as a Publisher 719
    1. 14.1 Is There Life beyond the Court? 719
    2. 14.2 Strada’s Family 719
    3. 14.3 Ottavio Strada’s Role 725
    4. 14.4 The Publishing Project: Strada Ambitions as a Publisher 728
    5. 14.5 The Musaeum as an Editorial Office? 739
    6. 14.6 Financing the Programme 752
    7. 14.7 The Index Sive Catalogus 760
    8. 14.8 Strada’s Approach of Christophe Plantin 775
    9. 14.9 The Rupture with Ottavio 781
    10. 14.10 Strada’s Testamentary Disposition 783
    11. 14.11 Conclusion: The Aftermath 786
  5. 15 Le Cose dell’antichità: Strada as a Student of Antiquity 799
    1. 15.1 Profession: Antiquarius 799
    2. 15.2 Strada’s Qualities as an Antiquary 807
    3. 15.3 Strada’s Method 813
    4. 15.4 Strada’s Aims 822
  6. 16 Strada & Co.: By Appointment to His Majesty the Emperor 830
    1. 16.1 Strada as an Imperial Antiquary and Architect 830
    2. 16.2 Strada’s Role as an Agent 836
    3. 16.3 Strada as an Independent Agent 840
    4. 16.4 ‘Ex Musaeo Iacobi de Strada’: Study, Studio, Workshop, Office, Showroom 843
    5. 16.5 Strada’s Influence: An Agent of Change 849
    6. 16.6 Conclusion: Strada’s Personality 863
    7. 16.7 Epilogue: Back to the Portrait 868
  7. Appendices 877
    1. A Some Unpublished Letters 877
    2. B Strada’s Will 894
    3. C Strada’s Musaeum: Pleasant paintings 900
    4. D Strada’s Musaeum: The Index Sive Catalogus 902
  8. Chronological List of Sources 915
  9. Bibliography 932
  10. List of Illustrations 986
  11. Index 1038
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Jacopo Strada and Cultural Patronage at the Imperial Court