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Jacopo Strada and Cultural Patronage at the Imperial Court - The Antique as Innovation, Band 2
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743Ambitions as a Publisher Strada’s work in other ways. When Strada requested the Emperor sometime in 1571 to instruct the ambassador in Constantinople to have a bundle of his texts translated into Turkish, Arabic and Persian, he was confident that this would be granted.48 In a similar way Strada may have sent around the texts of his en- tries to various scholars contracted to provide correct translations. 14.5.3 Caesar’s Complete Works, Annotated and Illustrated It may be assumed that Strada occasionally or regularly employed scholars and artists in a similar way for his many other projects, for instance in trans- lating Leandro Alberti’s Description of Italy into Latin and in providing the supplements he planned to add to it. As we shall see below, the number and the character of the encyclopaedic compilations which Strada had available for publication by the mid-1570s indicate that work on these had steadily continued during the 1560s. The first concrete piece of evidence of these is a copyright privilege from the French King Charles ix, which was granted to Strada on Christmas Day of 1572. This apparently extended to a list of sever- al planned publications, but it is known only through the text as included in Strada’s 1575 edition of Caesar’s Commentaries, and therefore only gives title and description of that one book.49 From this document it appears that the work as planned differed from the one eventually printed [Fig. 14.21–14.27]. In the first place, Strada intended the book to be bilingual, presenting the complete Latin text next to an Ital- ian translation: the exact reverse of what he planned for Serlio’s Settimo Li- bro, where Serlio’s Italian was complemented by a Latin translation. That he thus wished to cover a European, rather than a local market is evidence for 48 Doc. 1571-00-00. 49 Caesar 1575: ‘Iaques de Strada Mantuan, antiquaire de l’Empereur nostre tres cher et tres amé beaupere et cousin, nous a fait entendrè qu’il desireroit volontiers faire mettre en lumiere les livres contenus en une feuille de papier à nous praesentee, et attachee sous le contreseel de nostre chancellerie. Desquels le premier est, un livre en langue italienne, ensemble avec la version Latine, intitulé en Italien, C. Iulij Caesaris rerum gestarum Com- mentarij xiv. Nempe: C. Iul. Ces. De Bello Gallico, Comm. vii. A. Hirtij. De eodem, Liber I.C. Iul. Caes. De Bello Civili Pompeiano, Comm. iii. A. Hirtij De Bello Alexandrino, Liber I. De Bello Africano, Liber I. De Bello Hispanico, Liber I. Omnia collatis antiquis manu- scriptis exemplaribus, quae passim in Italia, Gallia, et Germania invenir potuimus, doctè, accuratè, et emendatè restituta. Eutropij Epitome Belli Gallici, ex Suetonij Tranquilli monumentis, quae desiderantur. Cum doctiss. Annotationibus Henrici Glareani, Fulvij Ursini Romani, Francisci Hotomani, I.C. Aldi Manutij, P.F. <…>Donné à Paris le xxv. iour de Decembre, l’an de grace 1572 et en notre regne le xiii’. A cursory investigation of the relevant indices of the Archives Nationales in Paris suggests that both Strada’s request and the original of the privilege were probably destroyed. I am grateful to Odile Bordaz to have guided me in this quick search.
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Jacopo Strada and Cultural Patronage at the Imperial Court The Antique as Innovation, Band 2
Titel
Jacopo Strada and Cultural Patronage at the Imperial Court
Untertitel
The Antique as Innovation
Band
2
Autor
Dirk Jacob Jansen
Verlag
Brill
Ort
Leiden
Datum
2019
Sprache
englisch
Lizenz
CC BY-NC-ND 4.0
ISBN
978-90-04-35949-9
Abmessungen
15.8 x 24.1 cm
Seiten
542
Kategorien
Biographien
Kunst und Kultur

Inhaltsverzeichnis

  1. 11 The Musaeum: Strada’s Circle 547
    1. 11.1 Strada’s House 547
    2. 11.2 High-ranking Visitors: Strada’s Guest Book and Ottavio’s Stammbuch 548
    3. 11.3 ‘Urbanissime Strada’: Accessibility of and Hospitality in the Musaeum 554
    4. 11.4 Intellectual Associates 556
    5. 11.5 Strada’s Confessional Position 566
    6. 11.6 Contacts with Members of the Dynasty 570
  2. 12 The Musaeum: its Contents 576
    1. 12.1 Introduction 576
    2. 12.2 Strada’s own Descriptions of his Musaeum 577
    3. 12.3 Strada’s Acquisitions for Duke Albrecht V of Bavaria 580
    4. 12.4 Strada’s own Cabinet of Antiquities 592
    5. 12.5 Acquisitions of Other Materials in Venice 599
    6. 12.6 Commissions in Mantua 610
    7. 12.7 ‘Gemalte Lustigen Tiecher’: Contemporary Painting in Strada’s Musaeum 615
    8. 12.8 Conclusion 628
  3. 13 Books, Prints and Drawings: The Musaeum as a centre of visualdocumentation 629
    1. 13.1 Introduction 629
    2. 13.2 Strada’s Acquisition of Drawings 630
    3. 13.3 ‘Owls to Athens’: Some Documents Relating to Strada’s GraphicCollection 634
    4. 13.4 The Contents of Strada’s Collection of Prints and Drawings 641
    5. 13.5 Later Fate of Strada’s Prints and Drawings 647
    6. 13.6 Drawings Preserved in a Context Linking Them withStrada 649
    7. 13.7 Strada’s Commissions of Visual Documentation: Antiquity 673
    8. 13.8 Strada’s Commissions of Visual Documentation: Contemporary Architecture and Decoration 692
    9. 13.9 Images as a Source of Knowledge 711
    10. 13.10 Conclusion 717
  4. 14 ‘Ex Musaeo et Impensis Jacobi Stradae, S.C.M. Antiquarius, CivisRomani’: Strada’s Frustrated Ambitions as a Publisher 719
    1. 14.1 Is There Life beyond the Court? 719
    2. 14.2 Strada’s Family 719
    3. 14.3 Ottavio Strada’s Role 725
    4. 14.4 The Publishing Project: Strada Ambitions as a Publisher 728
    5. 14.5 The Musaeum as an Editorial Office? 739
    6. 14.6 Financing the Programme 752
    7. 14.7 The Index Sive Catalogus 760
    8. 14.8 Strada’s Approach of Christophe Plantin 775
    9. 14.9 The Rupture with Ottavio 781
    10. 14.10 Strada’s Testamentary Disposition 783
    11. 14.11 Conclusion: The Aftermath 786
  5. 15 Le Cose dell’antichità: Strada as a Student of Antiquity 799
    1. 15.1 Profession: Antiquarius 799
    2. 15.2 Strada’s Qualities as an Antiquary 807
    3. 15.3 Strada’s Method 813
    4. 15.4 Strada’s Aims 822
  6. 16 Strada & Co.: By Appointment to His Majesty the Emperor 830
    1. 16.1 Strada as an Imperial Antiquary and Architect 830
    2. 16.2 Strada’s Role as an Agent 836
    3. 16.3 Strada as an Independent Agent 840
    4. 16.4 ‘Ex Musaeo Iacobi de Strada’: Study, Studio, Workshop, Office, Showroom 843
    5. 16.5 Strada’s Influence: An Agent of Change 849
    6. 16.6 Conclusion: Strada’s Personality 863
    7. 16.7 Epilogue: Back to the Portrait 868
  7. Appendices 877
    1. A Some Unpublished Letters 877
    2. B Strada’s Will 894
    3. C Strada’s Musaeum: Pleasant paintings 900
    4. D Strada’s Musaeum: The Index Sive Catalogus 902
  8. Chronological List of Sources 915
  9. Bibliography 932
  10. List of Illustrations 986
  11. Index 1038
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Jacopo Strada and Cultural Patronage at the Imperial Court