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747Ambitions
as a Publisher
Serlio’s Settimo Libro (nr i.), both of which would actually be printed in 1575,
the privilege mentions five other works.52 Nr ii. is Serlio’s reconstruction of
the Roman Castra as described by Polybius and an adaptation ‘ridotta in una
cittadella murata’, and complemented by a treatise on warfare by the French
general Guillaume du Bellay.53 Nr iv. is a corpus of ancient inscriptions ‘col-
lected from all over the world, in Latin, Etruscan, Greek, Arabic, Chaldean’ re-
produced and explained in seven volumes.54 Nr v. is a book which masks as
an album of ancient Roman equestrian statues, ‘both male and female’.55 This
might indeed have included images directly derived from the Marcus Aurelius
on Capitol Hill and from Roman relief sculpture, but the description rather sug-
gests that it consisted largely of prints after contemporary designs for festival
costumes in the antique manner, such as designed by Strada and his colleagues
at the Imperial court. That this was indeed the case is confirmed by the recent
identification of a volume of festival designs from Strada’s workshop in the
Kupferstich-Kabinett in Dresden, the title of which is identical to this item.56
52 Doc. 1574-04-30. The Serlio and Caesar volumes are described as follows: ‘i. ii settimo
libro d’architectura di Sebastiano Serglio Bolognese, nel qual si tratta di molti accidenti,
che possono occorrer al architetto in diversi luoghi et istrane forme de siti e nelli restau-
ramenti o restitutioni di case, e come habbiamo a far per servirci degli altri edifici e simili
cose, come nella sequente pagina si lege. Nel fine vi sonno agiunti sei palazzi con le sue
piante et fazzate in diversi modi fatte per fabricar in villa per gran prencipi del sudetto
authore, italiano et latino’; ‘iii. Cai Julii Caesaris commentariorum libri viii, quibus adi-
ecimus loca precipua delineata, in quibus ipse Caesar castrametatus est adversus varias
gentes, ex antiquissimo codice manuscripto, quos nunc primum in lucem damus cum
doctissimis Henrici Glareani annotationibus, tam latino quam italice’.
53 Ibid.: ‘ii. Castrametatione dei Romani prima nel modo, che essi accampavano per tende et
padiglioni, dimostrata et dipoi ridotta in una cittadella murata per Sebastiano Serglio Bo-
lognese, designata fuora del sexto libro di Polybio historico, italiana et latina, nel cui fine
ne habbiamo gionto l’instrutione sopra Ii fatti della guerra, descritta dal signor Gulielmo
de Bellai, signor de Lange, francese e latina’.
54 Ibid.: ‘iv. Antiquarum inscriptionum, quae toto fere orbe Latinae, Hetruscae, Graecae,
Arabicae, Caldeae in marmoribus aut aereis monumentis sculptae caelateve fuerint et
Hieroglyphicis notis signatae, tomi Septem’.
55 Ibid.: ‘v. Equestrium statuarum tam virorum quam mulierum formae elegantissimae una
cum vestimentis ipsorum ac artificiosissime pictis et arte Phrygionica ingeniöse elabora-
tis, quibus olim induebantur, item cataphractorum equorum cum eorum phaleris orna-
tissimis, quemadmodum olim Romani et Graeci in bellis atque etiam pompis publicis et
ludis curulibus circensibusque usi sunt, iuxtaque ipsos satellitum precedentium quoque
eiusmodi vestibus indutorum formae; his quoque larvarum atque vestimentorum histri-
onicorum, quibus antiquitus in tripudiis et saltationibus noctu utebantur, varia genera
adiuncta sunt’.
56 Discussed above, Ch. 4.3.5.
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Buch Jacopo Strada and Cultural Patronage at the Imperial Court - The Antique as Innovation, Band 2"
Jacopo Strada and Cultural Patronage at the Imperial Court
The Antique as Innovation, Band 2
- Titel
- Jacopo Strada and Cultural Patronage at the Imperial Court
- Untertitel
- The Antique as Innovation
- Band
- 2
- Autor
- Dirk Jacob Jansen
- Verlag
- Brill
- Ort
- Leiden
- Datum
- 2019
- Sprache
- englisch
- Lizenz
- CC BY-NC-ND 4.0
- ISBN
- 978-90-04-35949-9
- Abmessungen
- 15.8 x 24.1 cm
- Seiten
- 542
- Kategorien
- Biographien
- Kunst und Kultur
Inhaltsverzeichnis
- 11 The Musaeum: Strada’s Circle 547
- 11.1 Strada’s House 547
- 11.2 High-ranking Visitors: Strada’s Guest Book and Ottavio’s Stammbuch 548
- 11.3 ‘Urbanissime Strada’: Accessibility of and Hospitality in the Musaeum 554
- 11.4 Intellectual Associates 556
- 11.5 Strada’s Confessional Position 566
- 11.6 Contacts with Members of the Dynasty 570
- 12 The Musaeum: its Contents 576
- 12.1 Introduction 576
- 12.2 Strada’s own Descriptions of his Musaeum 577
- 12.3 Strada’s Acquisitions for Duke Albrecht V of Bavaria 580
- 12.4 Strada’s own Cabinet of Antiquities 592
- 12.5 Acquisitions of Other Materials in Venice 599
- 12.6 Commissions in Mantua 610
- 12.7 ‘Gemalte Lustigen Tiecher’: Contemporary Painting in Strada’s Musaeum 615
- 12.8 Conclusion 628
- 13 Books, Prints and Drawings: The Musaeum as a centre of visualdocumentation 629
- 13.1 Introduction 629
- 13.2 Strada’s Acquisition of Drawings 630
- 13.3 ‘Owls to Athens’: Some Documents Relating to Strada’s GraphicCollection 634
- 13.4 The Contents of Strada’s Collection of Prints and Drawings 641
- 13.5 Later Fate of Strada’s Prints and Drawings 647
- 13.6 Drawings Preserved in a Context Linking Them withStrada 649
- 13.7 Strada’s Commissions of Visual Documentation: Antiquity 673
- 13.8 Strada’s Commissions of Visual Documentation: Contemporary Architecture and Decoration 692
- 13.9 Images as a Source of Knowledge 711
- 13.10 Conclusion 717
- 14 ‘Ex Musaeo et Impensis Jacobi Stradae, S.C.M. Antiquarius, CivisRomani’: Strada’s Frustrated Ambitions as a Publisher 719
- 14.1 Is There Life beyond the Court? 719
- 14.2 Strada’s Family 719
- 14.3 Ottavio Strada’s Role 725
- 14.4 The Publishing Project: Strada Ambitions as a Publisher 728
- 14.5 The Musaeum as an Editorial Office? 739
- 14.6 Financing the Programme 752
- 14.7 The Index Sive Catalogus 760
- 14.8 Strada’s Approach of Christophe Plantin 775
- 14.9 The Rupture with Ottavio 781
- 14.10 Strada’s Testamentary Disposition 783
- 14.11 Conclusion: The Aftermath 786
- 15 Le Cose dell’antichità : Strada as a Student of Antiquity 799
- 16 Strada & Co.: By Appointment to His Majesty the Emperor 830
- 16.1 Strada as an Imperial Antiquary and Architect 830
- 16.2 Strada’s Role as an Agent 836
- 16.3 Strada as an Independent Agent 840
- 16.4 ‘Ex Musaeo Iacobi de Strada’: Study, Studio, Workshop, Office, Showroom 843
- 16.5 Strada’s Influence: An Agent of Change 849
- 16.6 Conclusion: Strada’s Personality 863
- 16.7 Epilogue: Back to the Portrait 868
- Appendices 877
- Chronological List of Sources 915
- Bibliography 932
- List of Illustrations 986
- Index 1038