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759Ambitions
as a Publisher
both published in 1575, he began to look for other means. Doubtless he had
tried to interest professional publishers and printing houses to go shares in
the investment needed, but it is not clear whether he was successful in this.
The Caesar edition, printed by Sigmund Feyerabend’s business partner Georg
Rab (Corvinus), mentions the latter’s name only in the colophon, which may
indicate that he was not financially involved: its title page and its colophon
present Strada’s two printer’s marks and both state that he had borne the
printing costs: ‘Ex Musaeo et impensis Jacobi Stradae Mantuanae, S[acrae].
C[aesareae]. M[aiestatis]. Antiquarij, et civis Romani’ [Fig. 14.28–14.29].
On the other hand the printer of Serlio’s Settimo Libro, Andreas Wechel,
probably invested in it, since it is his name that is given in the impressum,
though again title page and colophon are decorated with two versions of Stra-
da’s printer’s mark [Fig. 14.30].88
It can be concluded that Strada’s projects were not commercially viable and
could not be printed without subventions from wealthy patrons. Though there
is no evidence that Maximilian contributed, Strada later claimed that he had
intended to do so and had actually commanded Strada to discuss his project
with the Hofkammer, but that his sudden death in October 1576 interrupted
these negotiations. Be that as it may, it is certain that Maximilian’s protection
and his recommendation were of great value and that his death was a huge
setback for Strada’s projects.89 In consequence Strada attempted to interest
other Princes to take his projects under their wing, more often implicitly, but
sometimes explicitly, such as when he offered Grand Duke Francesco of Tus-
cany some of his works to be printed at a press he had heard the Grand Duke
intended to set up. Dani’s notes indicated that the formal reply informed Stra-
da that there was at the time no press operated on behalf of the Medici Grand
Dukes, but that he was free to have his books printed at his own expense by
one of the printers active in Florence, such as the Giunti or ‘Maestro Giorgio
88 On Corvinus, who had come to Frankfurt recently and worked in partnership with the
Frankfurt printers Sigmund Feyerabend and Weygand Han, see Klöss 1960; on Wechel, see
Evans 1975.
89 Doc. 1577-10-04(c), Strada to Jacopo Dani: ‘Si che Vostra Signoria vede la morte del mio pa-
drone à fatto si che tutte le mie fattiche anch’elle son morte; et staranno morte per insino
che qualche Principe le farra resussitare et stampare’; Doc 1581-01-04, Strada to August,
Elector of Saxony: ‘La M.C. mio padrone, che in Gloria, Max[imilia]no ne provisse più
volte, che quando io volevo cominciar a far stampare, che S.M.C. mi voleva provedere alla
spesa di quello facevo di bisogno, et di questo io ne dovvevo trattare con la camera, che di
tutto ne haveria provisto al bisogno. Hora, Exc. Sign., quand’io volsi<…>cominciare a met-
tere ad esecutione questo negotio per stampare; io in stesso andai a Ratisbona a trovare
S.M.C. la quale M. mi comandò che dovesse de l’tutto dar informatione alla Camera; et
mentre si trattava questo negotio, S.M.C. morse’.
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Buch Jacopo Strada and Cultural Patronage at the Imperial Court - The Antique as Innovation, Band 2"
Jacopo Strada and Cultural Patronage at the Imperial Court
The Antique as Innovation, Band 2
- Titel
- Jacopo Strada and Cultural Patronage at the Imperial Court
- Untertitel
- The Antique as Innovation
- Band
- 2
- Autor
- Dirk Jacob Jansen
- Verlag
- Brill
- Ort
- Leiden
- Datum
- 2019
- Sprache
- englisch
- Lizenz
- CC BY-NC-ND 4.0
- ISBN
- 978-90-04-35949-9
- Abmessungen
- 15.8 x 24.1 cm
- Seiten
- 542
- Kategorien
- Biographien
- Kunst und Kultur
Inhaltsverzeichnis
- 11 The Musaeum: Strada’s Circle 547
- 11.1 Strada’s House 547
- 11.2 High-ranking Visitors: Strada’s Guest Book and Ottavio’s Stammbuch 548
- 11.3 ‘Urbanissime Strada’: Accessibility of and Hospitality in the Musaeum 554
- 11.4 Intellectual Associates 556
- 11.5 Strada’s Confessional Position 566
- 11.6 Contacts with Members of the Dynasty 570
- 12 The Musaeum: its Contents 576
- 12.1 Introduction 576
- 12.2 Strada’s own Descriptions of his Musaeum 577
- 12.3 Strada’s Acquisitions for Duke Albrecht V of Bavaria 580
- 12.4 Strada’s own Cabinet of Antiquities 592
- 12.5 Acquisitions of Other Materials in Venice 599
- 12.6 Commissions in Mantua 610
- 12.7 ‘Gemalte Lustigen Tiecher’: Contemporary Painting in Strada’s Musaeum 615
- 12.8 Conclusion 628
- 13 Books, Prints and Drawings: The Musaeum as a centre of visualdocumentation 629
- 13.1 Introduction 629
- 13.2 Strada’s Acquisition of Drawings 630
- 13.3 ‘Owls to Athens’: Some Documents Relating to Strada’s GraphicCollection 634
- 13.4 The Contents of Strada’s Collection of Prints and Drawings 641
- 13.5 Later Fate of Strada’s Prints and Drawings 647
- 13.6 Drawings Preserved in a Context Linking Them withStrada 649
- 13.7 Strada’s Commissions of Visual Documentation: Antiquity 673
- 13.8 Strada’s Commissions of Visual Documentation: Contemporary Architecture and Decoration 692
- 13.9 Images as a Source of Knowledge 711
- 13.10 Conclusion 717
- 14 ‘Ex Musaeo et Impensis Jacobi Stradae, S.C.M. Antiquarius, CivisRomani’: Strada’s Frustrated Ambitions as a Publisher 719
- 14.1 Is There Life beyond the Court? 719
- 14.2 Strada’s Family 719
- 14.3 Ottavio Strada’s Role 725
- 14.4 The Publishing Project: Strada Ambitions as a Publisher 728
- 14.5 The Musaeum as an Editorial Office? 739
- 14.6 Financing the Programme 752
- 14.7 The Index Sive Catalogus 760
- 14.8 Strada’s Approach of Christophe Plantin 775
- 14.9 The Rupture with Ottavio 781
- 14.10 Strada’s Testamentary Disposition 783
- 14.11 Conclusion: The Aftermath 786
- 15 Le Cose dell’antichità : Strada as a Student of Antiquity 799
- 16 Strada & Co.: By Appointment to His Majesty the Emperor 830
- 16.1 Strada as an Imperial Antiquary and Architect 830
- 16.2 Strada’s Role as an Agent 836
- 16.3 Strada as an Independent Agent 840
- 16.4 ‘Ex Musaeo Iacobi de Strada’: Study, Studio, Workshop, Office, Showroom 843
- 16.5 Strada’s Influence: An Agent of Change 849
- 16.6 Conclusion: Strada’s Personality 863
- 16.7 Epilogue: Back to the Portrait 868
- Appendices 877
- Chronological List of Sources 915
- Bibliography 932
- List of Illustrations 986
- Index 1038