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Jacopo Strada and Cultural Patronage at the Imperial Court - The Antique as Innovation, Band 2
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Chapter 14788 nobility who were to attend an impending meeting of the duchy’s Estates, but again this appears not to have met with any success.138 Perhaps for that reason he contemplated selling his smaller house in the suburb of St Ulrich, the house in which he actually lived: that at least seems the most plausible explanation for his request, a few months before his death, to the Chamber of accounts of Lower Austria, to delegate some of the Emperor’s ‘Pauleute’ in Vienna— probably an architect, a master-mason and one or two relevant craftsmen—to provide an estimate of the value of that house.139 It is clear that most or all of Strada’s efforts to obtain funding were in vain, because none of the books mentioned in this last copyright privilege or in the Index sive catalogus had been published under his name or imprint by the time he died in the autumn of 1588.140 In view of the complicated testament, which was certain to lead to litiga- tion, Strada’s studio was put under seal pending the opening of the will.141 The reading of the will took place in the presence of a representative of the Land- marschall only on 28 September 1590: almost two years after Strada’s death! The family was represented by Paolo Strada, also representing his half-brother and -sister who were still under age, and by Ottavio. Even before that, Ottavio had already commenced contesting the will, as is evident from his reference in 138 Doc. 1586-03-12, request presented to the Landmarschall in person. Members of the Austrian nobility were the most obvious potential buyers of the house: as a Freihaus its ownership was nominally restricted to noblemen and to ecclesiastical institutions. 139 Doc. 1588-02-18, request to the Niederösterreichische Kammer, which was conceded. 140 Strada died on or around September 6 of 1588, according to a letter from Ottavio Strada to Alfonso ii d’Este, Duke of Ferrara, dated from Prague, the 26th of that month: ‘Non o anche potuto mancare di avisar V.A.S. come mio padre che era Antiquario di S.M.C. et servidor di V.A. è morto fra 20 giorni, iddio gli dia pace al anima sua’. (Doc 1588-09-26). Contrary to an implication in Straka 1916, p. 21, followed by Lietzmann 1997, p. 394, the letter does not mention the place of Strada’s decease and there is no reason to assume that Strada died elsewhere than in Vienna. Lietzmann’s hypothesis that Strada would have reconciled himself with Ottavio, moved to Prague and made a new testament is not only unlikely, but expressly contradicted by the fact that the 1584 testament was put into execution, by Ottavio’s litigation with his brother Paolo, and by his references to objects kept in his father’s studio in Vienna to which he had no access (cf. below). Ottavio an- nounced his father’s death in a similar letter to Belisario Vinta, secretary of Grand Duke Ferdinando i of Tuscany, Prague 6 December 1588: ‘Questa è sola per salutar la S.V. molto ill.re et offerirgli li mei servicij, con avisarla come sonno alcune settimane che morì il mio padre, che stato Antiquario di questa Augustissima Casa, già 38 anni, el quel è stato af- fectionatissimo servidor di quella, et grand amico’ (asf, Medici del Principato 810, f. 129). 141 Ottavio Strada to Belisario Vinta, secretary of Grand Duke Ferdinando i of Tuscany, Prague 10 April 1590, writing about some books of drawings of his father’s: ‘…et molte volte S.M.C. mi fa domandare de questi libri, dove sempre trovo scusa che sonno in Vienna nel studio serratij…’ (asf, Medici del Principato 814, f. 343).
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Jacopo Strada and Cultural Patronage at the Imperial Court The Antique as Innovation, Band 2
Titel
Jacopo Strada and Cultural Patronage at the Imperial Court
Untertitel
The Antique as Innovation
Band
2
Autor
Dirk Jacob Jansen
Verlag
Brill
Ort
Leiden
Datum
2019
Sprache
englisch
Lizenz
CC BY-NC-ND 4.0
ISBN
978-90-04-35949-9
Abmessungen
15.8 x 24.1 cm
Seiten
542
Kategorien
Biographien
Kunst und Kultur

Inhaltsverzeichnis

  1. 11 The Musaeum: Strada’s Circle 547
    1. 11.1 Strada’s House 547
    2. 11.2 High-ranking Visitors: Strada’s Guest Book and Ottavio’s Stammbuch 548
    3. 11.3 ‘Urbanissime Strada’: Accessibility of and Hospitality in the Musaeum 554
    4. 11.4 Intellectual Associates 556
    5. 11.5 Strada’s Confessional Position 566
    6. 11.6 Contacts with Members of the Dynasty 570
  2. 12 The Musaeum: its Contents 576
    1. 12.1 Introduction 576
    2. 12.2 Strada’s own Descriptions of his Musaeum 577
    3. 12.3 Strada’s Acquisitions for Duke Albrecht V of Bavaria 580
    4. 12.4 Strada’s own Cabinet of Antiquities 592
    5. 12.5 Acquisitions of Other Materials in Venice 599
    6. 12.6 Commissions in Mantua 610
    7. 12.7 ‘Gemalte Lustigen Tiecher’: Contemporary Painting in Strada’s Musaeum 615
    8. 12.8 Conclusion 628
  3. 13 Books, Prints and Drawings: The Musaeum as a centre of visualdocumentation 629
    1. 13.1 Introduction 629
    2. 13.2 Strada’s Acquisition of Drawings 630
    3. 13.3 ‘Owls to Athens’: Some Documents Relating to Strada’s GraphicCollection 634
    4. 13.4 The Contents of Strada’s Collection of Prints and Drawings 641
    5. 13.5 Later Fate of Strada’s Prints and Drawings 647
    6. 13.6 Drawings Preserved in a Context Linking Them withStrada 649
    7. 13.7 Strada’s Commissions of Visual Documentation: Antiquity 673
    8. 13.8 Strada’s Commissions of Visual Documentation: Contemporary Architecture and Decoration 692
    9. 13.9 Images as a Source of Knowledge 711
    10. 13.10 Conclusion 717
  4. 14 ‘Ex Musaeo et Impensis Jacobi Stradae, S.C.M. Antiquarius, CivisRomani’: Strada’s Frustrated Ambitions as a Publisher 719
    1. 14.1 Is There Life beyond the Court? 719
    2. 14.2 Strada’s Family 719
    3. 14.3 Ottavio Strada’s Role 725
    4. 14.4 The Publishing Project: Strada Ambitions as a Publisher 728
    5. 14.5 The Musaeum as an Editorial Office? 739
    6. 14.6 Financing the Programme 752
    7. 14.7 The Index Sive Catalogus 760
    8. 14.8 Strada’s Approach of Christophe Plantin 775
    9. 14.9 The Rupture with Ottavio 781
    10. 14.10 Strada’s Testamentary Disposition 783
    11. 14.11 Conclusion: The Aftermath 786
  5. 15 Le Cose dell’antichità: Strada as a Student of Antiquity 799
    1. 15.1 Profession: Antiquarius 799
    2. 15.2 Strada’s Qualities as an Antiquary 807
    3. 15.3 Strada’s Method 813
    4. 15.4 Strada’s Aims 822
  6. 16 Strada & Co.: By Appointment to His Majesty the Emperor 830
    1. 16.1 Strada as an Imperial Antiquary and Architect 830
    2. 16.2 Strada’s Role as an Agent 836
    3. 16.3 Strada as an Independent Agent 840
    4. 16.4 ‘Ex Musaeo Iacobi de Strada’: Study, Studio, Workshop, Office, Showroom 843
    5. 16.5 Strada’s Influence: An Agent of Change 849
    6. 16.6 Conclusion: Strada’s Personality 863
    7. 16.7 Epilogue: Back to the Portrait 868
  7. Appendices 877
    1. A Some Unpublished Letters 877
    2. B Strada’s Will 894
    3. C Strada’s Musaeum: Pleasant paintings 900
    4. D Strada’s Musaeum: The Index Sive Catalogus 902
  8. Chronological List of Sources 915
  9. Bibliography 932
  10. List of Illustrations 986
  11. Index 1038
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Jacopo Strada and Cultural Patronage at the Imperial Court