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Jacopo Strada and Cultural Patronage at the Imperial Court - The Antique as Innovation, Band 2
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851Agent of Change: Imperial Antiquary and Architect 16.5.3 Connecting Concepts: The ‘imperial theme’ and the Encyclopaedic Mentality These themes are closely connected: they can be considered as a coherent complex or, as Rogers calls it, a ‘cluster’ of related ideas or ‘innovations’. The first two both relate to the fascination Strada felt for the history and more in general for the accomplishments of the Roman Empire, as evident in his nu- mismatic researches and his Epitome thesauri antiquitatum. This included an adherence to the version of the idea of the Translatio imperii that held that the Holy Roman Empire and its current ruler were the natural successors of the Roman Empire and its Emperors. As a vassal of the Gonzaga Duke of Mantua—a Prince of the Holy Roman Empire who was closely tied to its rul- ing dynasty—this would have come natural to Strada, and it would have been stimulated by his contacts with Hans Jakob Fugger, whose fascination with the Roman as well as the Holy Roman Empire did not preclude a very lively inter- est and active role in the politics of the Empire of his own day. Needless to say, this idea was shared by the Emperor and his court. The Imperial theme can be considered the Leitmotiv of Strada’s career, as it is the basso continuo of much of the intellectual and political endeavour in the Empire.31 All these themes are interconnected by Strada’s efforts to document and to collect and organise information—especially the information from Antiquity, which was accorded authoritative status. Such encyclopaedic ambition is typi- cal of the sixteenth and early seventeenth centuries, and was expressed in the editions of Opera Omnia of classical authors, the publication of voluminous, often polyglot dictionaries, universal atlases and natural histories, the compil- ing of bibliographies, and the creation of collections or Kunstkammern with an erudite and scientific purpose. The activities of Hans Jakob Fugger, both be- fore and after he moved to Duke Albrecht V’s court at Munich, and of Fugger’s circle, provide an important example of this encyclopaedic mentality, to many elements of which Strada, an early and active member of this circle, amply contributed.32 16.5.4 Innovators, External Agents and Early Adopters: Key Roles in the Diffusion of Innovation Note that Strada was by no means the first, let alone the only innovator or agent of change in any of the several developments listed above. Their introduction 31 Cf. above, Ch. 9.8. 32 Somewhat later Francis Bacon would include such activities among the opera basilica, ‘acts of merit truly fit for a king’, he considered conducive to the advancement of learning (Bacon/ Johnston 1974, pp. 70–67); cf. Jansen 1993, pp. 74–75.
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Jacopo Strada and Cultural Patronage at the Imperial Court The Antique as Innovation, Band 2
Titel
Jacopo Strada and Cultural Patronage at the Imperial Court
Untertitel
The Antique as Innovation
Band
2
Autor
Dirk Jacob Jansen
Verlag
Brill
Ort
Leiden
Datum
2019
Sprache
englisch
Lizenz
CC BY-NC-ND 4.0
ISBN
978-90-04-35949-9
Abmessungen
15.8 x 24.1 cm
Seiten
542
Kategorien
Biographien
Kunst und Kultur

Inhaltsverzeichnis

  1. 11 The Musaeum: Strada’s Circle 547
    1. 11.1 Strada’s House 547
    2. 11.2 High-ranking Visitors: Strada’s Guest Book and Ottavio’s Stammbuch 548
    3. 11.3 ‘Urbanissime Strada’: Accessibility of and Hospitality in the Musaeum 554
    4. 11.4 Intellectual Associates 556
    5. 11.5 Strada’s Confessional Position 566
    6. 11.6 Contacts with Members of the Dynasty 570
  2. 12 The Musaeum: its Contents 576
    1. 12.1 Introduction 576
    2. 12.2 Strada’s own Descriptions of his Musaeum 577
    3. 12.3 Strada’s Acquisitions for Duke Albrecht V of Bavaria 580
    4. 12.4 Strada’s own Cabinet of Antiquities 592
    5. 12.5 Acquisitions of Other Materials in Venice 599
    6. 12.6 Commissions in Mantua 610
    7. 12.7 ‘Gemalte Lustigen Tiecher’: Contemporary Painting in Strada’s Musaeum 615
    8. 12.8 Conclusion 628
  3. 13 Books, Prints and Drawings: The Musaeum as a centre of visualdocumentation 629
    1. 13.1 Introduction 629
    2. 13.2 Strada’s Acquisition of Drawings 630
    3. 13.3 ‘Owls to Athens’: Some Documents Relating to Strada’s GraphicCollection 634
    4. 13.4 The Contents of Strada’s Collection of Prints and Drawings 641
    5. 13.5 Later Fate of Strada’s Prints and Drawings 647
    6. 13.6 Drawings Preserved in a Context Linking Them withStrada 649
    7. 13.7 Strada’s Commissions of Visual Documentation: Antiquity 673
    8. 13.8 Strada’s Commissions of Visual Documentation: Contemporary Architecture and Decoration 692
    9. 13.9 Images as a Source of Knowledge 711
    10. 13.10 Conclusion 717
  4. 14 ‘Ex Musaeo et Impensis Jacobi Stradae, S.C.M. Antiquarius, CivisRomani’: Strada’s Frustrated Ambitions as a Publisher 719
    1. 14.1 Is There Life beyond the Court? 719
    2. 14.2 Strada’s Family 719
    3. 14.3 Ottavio Strada’s Role 725
    4. 14.4 The Publishing Project: Strada Ambitions as a Publisher 728
    5. 14.5 The Musaeum as an Editorial Office? 739
    6. 14.6 Financing the Programme 752
    7. 14.7 The Index Sive Catalogus 760
    8. 14.8 Strada’s Approach of Christophe Plantin 775
    9. 14.9 The Rupture with Ottavio 781
    10. 14.10 Strada’s Testamentary Disposition 783
    11. 14.11 Conclusion: The Aftermath 786
  5. 15 Le Cose dell’antichità: Strada as a Student of Antiquity 799
    1. 15.1 Profession: Antiquarius 799
    2. 15.2 Strada’s Qualities as an Antiquary 807
    3. 15.3 Strada’s Method 813
    4. 15.4 Strada’s Aims 822
  6. 16 Strada & Co.: By Appointment to His Majesty the Emperor 830
    1. 16.1 Strada as an Imperial Antiquary and Architect 830
    2. 16.2 Strada’s Role as an Agent 836
    3. 16.3 Strada as an Independent Agent 840
    4. 16.4 ‘Ex Musaeo Iacobi de Strada’: Study, Studio, Workshop, Office, Showroom 843
    5. 16.5 Strada’s Influence: An Agent of Change 849
    6. 16.6 Conclusion: Strada’s Personality 863
    7. 16.7 Epilogue: Back to the Portrait 868
  7. Appendices 877
    1. A Some Unpublished Letters 877
    2. B Strada’s Will 894
    3. C Strada’s Musaeum: Pleasant paintings 900
    4. D Strada’s Musaeum: The Index Sive Catalogus 902
  8. Chronological List of Sources 915
  9. Bibliography 932
  10. List of Illustrations 986
  11. Index 1038
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Jacopo Strada and Cultural Patronage at the Imperial Court