Web-Books
im Austria-Forum
Austria-Forum
Web-Books
Biographien
Jacopo Strada and Cultural Patronage at the Imperial Court - The Antique as Innovation, Band 2
Seite - 858 -
  • Benutzer
  • Version
    • Vollversion
    • Textversion
  • Sprache
    • Deutsch
    • English - Englisch

Seite - 858 - in Jacopo Strada and Cultural Patronage at the Imperial Court - The Antique as Innovation, Band 2

Bild der Seite - 858 -

Bild der Seite - 858 - in Jacopo Strada and Cultural Patronage at the Imperial Court - The Antique as Innovation, Band 2

Text der Seite - 858 -

Chapter 16858 marketing, and show that he really thought the new ideas, forms and images he proposed and worked with could, and should benefit his contemporaries, and enrich their mental and artistic world. Such an ambition to be useful to the world was often expressed in texts published at the time, and Strada was no exception: it was repeatedly referred to both in the prefaces to the books he published and in his correspondence. Thus in the preface to his Epitome thesauri antiquitatum he castigated those contemporary numismatist who ‘obstinately keep their labours hidden in their studies, without wishing to share them with anyone’, and presented them his book in order ‘to show the way to imitate it, or to surpass it, with the help of God, their talent (“nature”), and their learning (“doctrine”)’.40 The very first line of Strada’s dedication to Duke Albrecht v of his edition of Caesar’s Commentar- ies referred to its public utility. He then added a two-page paean of the Duke’s library and collections, not forgetting Fugger’s contribution, and ended com- paring the Duke with Caesar as Pater Patriae, implying the utility to his people of the Duke’s new institutions.41 In his introduction to Serlio’s Settimo Libro he likewise stressed its use to the public in general, and to the practitioners of building in particular: Now examining this book, I judged it to be the most beautiful work, and the most useful that he [Serlio] ever made, and I wished to benefit the world with it, because of the facility he maintains in his writing, and teaching the world how to build. For even though there are many and dif- ferent methods [to build], he nevertheless teaches these (whatever their difficulty) with such skill, facility, and good order, that any man, however mediocre in his art, is made competent [in it] and can easily serve him- self of these [methods]. He motivated his adding a Latin translation by a similar wish, not only to make the work accessible, but also to have its precepts applied in ‘all the kingdoms and provinces of the world’.42 The copyright privileges of Strada’s works and 40 Strada 1553(b), fol. Aa 4r.: ‘Car par ce qu’ilz detiennent obstinément tels labeurs cachez en leur maisons sans en vouloir faire part à personne, ie leur presente cest Epitome, pour montrer le chemin, pour le suivre, ou surpasser aydant Dieu, nature et doctrine’. 41 ‘Qui in lucem ad utilitatem publicam opus aliquod suum sunt edituri …’; Caesar 1575, fol. *2r.; fols. *3v.–5r.; partial German translation in Hartig 1917, pp. 286 ff. 42 Serlio 1575, fol. a iii–v.: ‘Hor’ esaminando bene questo libro giudicai che fosse la più bella fatica, e la più utile, ch’egli havesse già mai fatta, et io curioso di giovar al mondo con essa, per la facilità ch’egli tiene nel suo scrivere, et insegnare il mondo di fabricare, le quali se ben sono intante e varie forme (quantunque sono difficili) egli non dimeno le insegna con
zurück zum  Buch Jacopo Strada and Cultural Patronage at the Imperial Court - The Antique as Innovation, Band 2"
Jacopo Strada and Cultural Patronage at the Imperial Court The Antique as Innovation, Band 2
Titel
Jacopo Strada and Cultural Patronage at the Imperial Court
Untertitel
The Antique as Innovation
Band
2
Autor
Dirk Jacob Jansen
Verlag
Brill
Ort
Leiden
Datum
2019
Sprache
englisch
Lizenz
CC BY-NC-ND 4.0
ISBN
978-90-04-35949-9
Abmessungen
15.8 x 24.1 cm
Seiten
542
Kategorien
Biographien
Kunst und Kultur

Inhaltsverzeichnis

  1. 11 The Musaeum: Strada’s Circle 547
    1. 11.1 Strada’s House 547
    2. 11.2 High-ranking Visitors: Strada’s Guest Book and Ottavio’s Stammbuch 548
    3. 11.3 ‘Urbanissime Strada’: Accessibility of and Hospitality in the Musaeum 554
    4. 11.4 Intellectual Associates 556
    5. 11.5 Strada’s Confessional Position 566
    6. 11.6 Contacts with Members of the Dynasty 570
  2. 12 The Musaeum: its Contents 576
    1. 12.1 Introduction 576
    2. 12.2 Strada’s own Descriptions of his Musaeum 577
    3. 12.3 Strada’s Acquisitions for Duke Albrecht V of Bavaria 580
    4. 12.4 Strada’s own Cabinet of Antiquities 592
    5. 12.5 Acquisitions of Other Materials in Venice 599
    6. 12.6 Commissions in Mantua 610
    7. 12.7 ‘Gemalte Lustigen Tiecher’: Contemporary Painting in Strada’s Musaeum 615
    8. 12.8 Conclusion 628
  3. 13 Books, Prints and Drawings: The Musaeum as a centre of visualdocumentation 629
    1. 13.1 Introduction 629
    2. 13.2 Strada’s Acquisition of Drawings 630
    3. 13.3 ‘Owls to Athens’: Some Documents Relating to Strada’s GraphicCollection 634
    4. 13.4 The Contents of Strada’s Collection of Prints and Drawings 641
    5. 13.5 Later Fate of Strada’s Prints and Drawings 647
    6. 13.6 Drawings Preserved in a Context Linking Them withStrada 649
    7. 13.7 Strada’s Commissions of Visual Documentation: Antiquity 673
    8. 13.8 Strada’s Commissions of Visual Documentation: Contemporary Architecture and Decoration 692
    9. 13.9 Images as a Source of Knowledge 711
    10. 13.10 Conclusion 717
  4. 14 ‘Ex Musaeo et Impensis Jacobi Stradae, S.C.M. Antiquarius, CivisRomani’: Strada’s Frustrated Ambitions as a Publisher 719
    1. 14.1 Is There Life beyond the Court? 719
    2. 14.2 Strada’s Family 719
    3. 14.3 Ottavio Strada’s Role 725
    4. 14.4 The Publishing Project: Strada Ambitions as a Publisher 728
    5. 14.5 The Musaeum as an Editorial Office? 739
    6. 14.6 Financing the Programme 752
    7. 14.7 The Index Sive Catalogus 760
    8. 14.8 Strada’s Approach of Christophe Plantin 775
    9. 14.9 The Rupture with Ottavio 781
    10. 14.10 Strada’s Testamentary Disposition 783
    11. 14.11 Conclusion: The Aftermath 786
  5. 15 Le Cose dell’antichità: Strada as a Student of Antiquity 799
    1. 15.1 Profession: Antiquarius 799
    2. 15.2 Strada’s Qualities as an Antiquary 807
    3. 15.3 Strada’s Method 813
    4. 15.4 Strada’s Aims 822
  6. 16 Strada & Co.: By Appointment to His Majesty the Emperor 830
    1. 16.1 Strada as an Imperial Antiquary and Architect 830
    2. 16.2 Strada’s Role as an Agent 836
    3. 16.3 Strada as an Independent Agent 840
    4. 16.4 ‘Ex Musaeo Iacobi de Strada’: Study, Studio, Workshop, Office, Showroom 843
    5. 16.5 Strada’s Influence: An Agent of Change 849
    6. 16.6 Conclusion: Strada’s Personality 863
    7. 16.7 Epilogue: Back to the Portrait 868
  7. Appendices 877
    1. A Some Unpublished Letters 877
    2. B Strada’s Will 894
    3. C Strada’s Musaeum: Pleasant paintings 900
    4. D Strada’s Musaeum: The Index Sive Catalogus 902
  8. Chronological List of Sources 915
  9. Bibliography 932
  10. List of Illustrations 986
  11. Index 1038
Web-Books
Bibliothek
Datenschutz
Impressum
Austria-Forum
Austria-Forum
Web-Books
Jacopo Strada and Cultural Patronage at the Imperial Court