Seite - 907 - in Jacopo Strada and Cultural Patronage at the Imperial Court - The Antique as Innovation, Band 2
Bild der Seite - 907 -
Text der Seite - 907 -
907Appendices
Mantuani, quea eo tempore cum Vienna obsideretur fuit picta. Ac visuntur in ea horti
amaenissimi, quorum aliqui habent labyrinthos; item palatia, ac pagi, villaeque extra
civitatem. Denique sub montanis cernuntur vici, utpote Berchtoldi pagus, vulgo Peters-
dorf, Medlinga, Prun, Liechtenstein, et alii quorum quidam muris exiguis tum temporis
fuerunt munita. Oculis item cernere datur strages Christianorum quae a Turcis perpet-
rantur, et quomodo vicissim Christiani tam viri quam mulieres sese fortiter defendunt.
[ 9 ]
Altera castrametationis tabula est quoque Solimani imperatori in Asia contra Persas,
sed non tamen magnifica sicuti prior. Quia in hac non est tantus diversorum populo-
rum et gentium numerus; nec est idem ordo et convenientia in positione tentoriorum,
utpote in locis montanis et collibus. Et hoc castrametationis genus fuit delineatum
in tabula magna, quam Antonius Verantius, Quinqueecclesiensium episcopus, romani
imperatori apud Byzantium legatus, secum inde rediens asportavit; eam autem pinx-
erat Gallus quidam qui fidem Christianam apud Turcos eiuraverat.
[ 10 ]
Tabula oblonga, quae fuit reducta in librum, ostendens, quomodo acie instructa Turca
proficiscatur ad bellum cum universo exercitu. Item continens ordinem profectionis
domesticorum sive aulicorum ipsius cum praefectis singulis, ac cum eorum diverso
vestitu, armaturaque, omnia iucundissima visu. Et hac delineata sunt ex tabula capi-
tanei Pollini, admiraldis regis christianissimi Galliarum, qui eam Constantinopoli al-
latam regi suo dono obtulit.
[ 11 ]
Eiusdem argumenti tabulam, quomodo Turcarum imperator proficiscatur ad bellum,
attulit Viennam ex Constantinopoli magnificus dominus Augerius a Busbeck, legatus
imperatori Ferdinandi et Maximiliani ii. Sed haec multo melius est designata et de-
lineata; plures gentes aliasque res in se habet, quam illa Pollini capitanei. Et praefatus
dominus Augerius, ut ea ex ipso originali delinearem, sicuti et infinita eius antiqua
numismata mihi concessit.
[ 12 ]
Duae tabulae, novem pedum in quadratura quaelibet. In harum una visuntur, quomo-
do Romani sua tentoria in campis posuerint ad similitudinem prorsus castrametatio-
nis a Polybio descriptae, tam concine et apte ordinata et distincta, ut in ea ex via sive
platea castrensi commode quis in aliam possit transgredi, cum aliis castrorum locis.
Et hanc fecit in Gallia Sebastianus Serlius bononiensis architectus, ad christianissimi
regis instantiam et mandatum.
zurück zum
Buch Jacopo Strada and Cultural Patronage at the Imperial Court - The Antique as Innovation, Band 2"
Jacopo Strada and Cultural Patronage at the Imperial Court
The Antique as Innovation, Band 2
- Titel
- Jacopo Strada and Cultural Patronage at the Imperial Court
- Untertitel
- The Antique as Innovation
- Band
- 2
- Autor
- Dirk Jacob Jansen
- Verlag
- Brill
- Ort
- Leiden
- Datum
- 2019
- Sprache
- englisch
- Lizenz
- CC BY-NC-ND 4.0
- ISBN
- 978-90-04-35949-9
- Abmessungen
- 15.8 x 24.1 cm
- Seiten
- 542
- Kategorien
- Biographien
- Kunst und Kultur
Inhaltsverzeichnis
- 11 The Musaeum: Strada’s Circle 547
- 12 The Musaeum: its Contents 576
- 12.1 Introduction 576
- 12.2 Strada’s own Descriptions of his Musaeum 577
- 12.3 Strada’s Acquisitions for Duke Albrecht V of Bavaria 580
- 12.4 Strada’s own Cabinet of Antiquities 592
- 12.5 Acquisitions of Other Materials in Venice 599
- 12.6 Commissions in Mantua 610
- 12.7 ‘Gemalte Lustigen Tiecher’: Contemporary Painting in Strada’s Musaeum 615
- 12.8 Conclusion 628
- 13 Books, Prints and Drawings: The Musaeum as a centre of visualdocumentation 629
- 13.1 Introduction 629
- 13.2 Strada’s Acquisition of Drawings 630
- 13.3 ‘Owls to Athens’: Some Documents Relating to Strada’s GraphicCollection 634
- 13.4 The Contents of Strada’s Collection of Prints and Drawings 641
- 13.5 Later Fate of Strada’s Prints and Drawings 647
- 13.6 Drawings Preserved in a Context Linking Them withStrada 649
- 13.7 Strada’s Commissions of Visual Documentation: Antiquity 673
- 13.8 Strada’s Commissions of Visual Documentation: Contemporary Architecture and Decoration 692
- 13.9 Images as a Source of Knowledge 711
- 13.10 Conclusion 717
- 14 ‘Ex Musaeo et Impensis Jacobi Stradae, S.C.M. Antiquarius, CivisRomani’: Strada’s Frustrated Ambitions as a Publisher 719
- 14.1 Is There Life beyond the Court? 719
- 14.2 Strada’s Family 719
- 14.3 Ottavio Strada’s Role 725
- 14.4 The Publishing Project: Strada Ambitions as a Publisher 728
- 14.5 The Musaeum as an Editorial Office? 739
- 14.6 Financing the Programme 752
- 14.7 The Index Sive Catalogus 760
- 14.8 Strada’s Approach of Christophe Plantin 775
- 14.9 The Rupture with Ottavio 781
- 14.10 Strada’s Testamentary Disposition 783
- 14.11 Conclusion: The Aftermath 786
- 15 Le Cose dell’antichità: Strada as a Student of Antiquity 799
- 16 Strada & Co.: By Appointment to His Majesty the Emperor 830
- 16.1 Strada as an Imperial Antiquary and Architect 830
- 16.2 Strada’s Role as an Agent 836
- 16.3 Strada as an Independent Agent 840
- 16.4 ‘Ex Musaeo Iacobi de Strada’: Study, Studio, Workshop, Office, Showroom 843
- 16.5 Strada’s Influence: An Agent of Change 849
- 16.6 Conclusion: Strada’s Personality 863
- 16.7 Epilogue: Back to the Portrait 868
- Appendices 877
- Chronological List of Sources 915
- Bibliography 932
- List of Illustrations 986
- Index 1038