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913Appendices
addita librorum serie et enumeratione; ac ubi et quando excusi sint. Et istum ordinem
observavi in isto integro opere, seu libro. Ad hoc opus seu volumen inprimendum iam
plures figurae civitatum incisae et sculptae sunt in ligneis tabulis, seu formis; plurimae
vero ad incidendum in ligno iam depictae, suntque omnes ferme eiusdem magnitudi-
nis universales; tamen regionum et provinciarum, Italiae formae reliquis sunt maiores,
instar vulgarium cosmographicarum tabularum.
...
Habeo praeterea ad huc in mea bibliotheca et museo multas alias pulcherrimas res, de
numismatibus antiquis ethnicis, et aliis perveteribus operibus, quas omnes et singulas
nominare et recensere non solum dificilium et laboriosissimum, sed et per molestum
est. Has quoque res maxima cum industria et labore, nullis parcens hac in re sumpti-
bus in diversis terrarum orbis partibus conquisivi et comparavi.
[ 46 ]
Sunt praeterea apud me commentariorum reipublicae romanae libri duodecim secun-
do edendi, quos olim clarissimus vir, dominus VVulfgangus Lazius, medicin[ae] doc-
tor, et Ferdinandi imperatoribus romanis historicus, conscripsit et evulgavit; in quibus
limitum imperii romani omnium restitutiones, praetoriae, magistratus, muniae, tam
militaria quam civilia, exercitus, militum genera universa, legiones cuncte romanae,
cohortes, diversae alae equitum, classes, navaliae, stativae, coloniae, municipiae, or-
namentae, signae belli pacisque expressae, vestimenta omnis generis et arma, ritus
varii, ludi, sacri et sacrifitia; non solum explicantur, et partim iconibus representan-
tur, verum etiam comparatione utriusque imperii, tam florescentis et crescentis quam
declinantis; utriusque etiam urbis: veteris seu aeternae, et novae Romae, et nostra
etiam aetatis, quantum eius vestigia supersunt, referuntur. In hac tamen secunda
editione plurima a nobis sunt addita et locupletata, in omnibus libris et capitalibus
ferme; quae aut a Lazio omissa, aut eidem incognita fuerunt. Adiecimus enim innu-
meras antiquas inscriptiones, cum latinas, tum graecas et hetruscas; nec praetermisi-
mus locum aliquem in quo non citaverimus aut inscriptiones vetustas, aut monetas,
aut figuras de variis antiquis statuis, tabulis historicis, sepulchralibus monumentis;
item eadificiis publicis et aliis rebus. Et omnia quidem a nobis diligentissime explicata
et exposita sunt, labore maximo et dexteritate summa. Res profecti cunctis, non solum
antiquitatum, verum etiam cunctarum aliarum liberalium artium et facultatum stu-
diosis cum maxime necessaria et utilissima, tum etiam laude sempiterna dignissima.
[ 48 ]
Habeo itidem penes me genealogiam continuatam Mariae virginis, et salvationis nos-
tri Jesu Christi ab Adamo primo patre deductam; graeci cuiusdam auctoris cuius no-
men tamen non expressum est.
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Buch Jacopo Strada and Cultural Patronage at the Imperial Court - The Antique as Innovation, Band 2"
Jacopo Strada and Cultural Patronage at the Imperial Court
The Antique as Innovation, Band 2
- Titel
- Jacopo Strada and Cultural Patronage at the Imperial Court
- Untertitel
- The Antique as Innovation
- Band
- 2
- Autor
- Dirk Jacob Jansen
- Verlag
- Brill
- Ort
- Leiden
- Datum
- 2019
- Sprache
- englisch
- Lizenz
- CC BY-NC-ND 4.0
- ISBN
- 978-90-04-35949-9
- Abmessungen
- 15.8 x 24.1 cm
- Seiten
- 542
- Kategorien
- Biographien
- Kunst und Kultur
Inhaltsverzeichnis
- 11 The Musaeum: Strada’s Circle 547
- 12 The Musaeum: its Contents 576
- 12.1 Introduction 576
- 12.2 Strada’s own Descriptions of his Musaeum 577
- 12.3 Strada’s Acquisitions for Duke Albrecht V of Bavaria 580
- 12.4 Strada’s own Cabinet of Antiquities 592
- 12.5 Acquisitions of Other Materials in Venice 599
- 12.6 Commissions in Mantua 610
- 12.7 ‘Gemalte Lustigen Tiecher’: Contemporary Painting in Strada’s Musaeum 615
- 12.8 Conclusion 628
- 13 Books, Prints and Drawings: The Musaeum as a centre of visualdocumentation 629
- 13.1 Introduction 629
- 13.2 Strada’s Acquisition of Drawings 630
- 13.3 ‘Owls to Athens’: Some Documents Relating to Strada’s GraphicCollection 634
- 13.4 The Contents of Strada’s Collection of Prints and Drawings 641
- 13.5 Later Fate of Strada’s Prints and Drawings 647
- 13.6 Drawings Preserved in a Context Linking Them withStrada 649
- 13.7 Strada’s Commissions of Visual Documentation: Antiquity 673
- 13.8 Strada’s Commissions of Visual Documentation: Contemporary Architecture and Decoration 692
- 13.9 Images as a Source of Knowledge 711
- 13.10 Conclusion 717
- 14 ‘Ex Musaeo et Impensis Jacobi Stradae, S.C.M. Antiquarius, CivisRomani’: Strada’s Frustrated Ambitions as a Publisher 719
- 14.1 Is There Life beyond the Court? 719
- 14.2 Strada’s Family 719
- 14.3 Ottavio Strada’s Role 725
- 14.4 The Publishing Project: Strada Ambitions as a Publisher 728
- 14.5 The Musaeum as an Editorial Office? 739
- 14.6 Financing the Programme 752
- 14.7 The Index Sive Catalogus 760
- 14.8 Strada’s Approach of Christophe Plantin 775
- 14.9 The Rupture with Ottavio 781
- 14.10 Strada’s Testamentary Disposition 783
- 14.11 Conclusion: The Aftermath 786
- 15 Le Cose dell’antichità: Strada as a Student of Antiquity 799
- 16 Strada & Co.: By Appointment to His Majesty the Emperor 830
- 16.1 Strada as an Imperial Antiquary and Architect 830
- 16.2 Strada’s Role as an Agent 836
- 16.3 Strada as an Independent Agent 840
- 16.4 ‘Ex Musaeo Iacobi de Strada’: Study, Studio, Workshop, Office, Showroom 843
- 16.5 Strada’s Influence: An Agent of Change 849
- 16.6 Conclusion: Strada’s Personality 863
- 16.7 Epilogue: Back to the Portrait 868
- Appendices 877
- Chronological List of Sources 915
- Bibliography 932
- List of Illustrations 986
- Index 1038