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Jacopo Strada and Cultural Patronage at the Imperial Court - The Antique as Innovation, Band 2
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935Bibliography Bažant, Jan, Pražský Belvedér a severská renesance (Prague, 2006). Bazzotti, Ugo, see GIULIO ROMANO E L’ARTE DEL CINQUECENTO 2014. Becatii, G., La colonna coclide istoriata: Problemi storici, iconografici, stilistici (Rome, 1960). Bellini, Paolo and Claudio Salsi, L’opera incisa di Adamo e Diana Scultori (Vicenza, 1991). Belluzzi, Amedeo, ‘Giulio Romano “superiore delle strade” di Mantova’, in GIULIO ROMANO 1989/1991, 327–344. Belluzzi, Amedeo, Palazzo Te a Mantova, 1: Testi; 2: Atlante (Modena, 1998). Belsiger, B.J., The ‘Kunst- und Wunderkammer’: A Catalogue Raisonné of Collecting in Germany, France and England, 1565–1750, 2 vols (Ann Arbor, 1971). Bénézit, E., ed., ‘Strada, Jacopo’, s.v. in Dictionnaire critique et documentaire des peintres 8 (1955). Bennekom, Joosje van, and Quentin Lemasson, et al., ‘The Merkel Centrepiece by Wenzel Jamnitzer: Proving the Existence of a Previously Unknown Inscription Using the Aglae Pixe Mapping System’, in Art Matters: International Journal for Tech- nical Art History 6 (2014), 1–10. Benzoni, Gino, ‘Dolfin, Zaccaria’, s.v. in in dbi 40 (1991), 571–576. Berger, Robert W., The Palace of the Sun: The Louvre of Louis xiv (University Park, 1993). Bergvelt, Ellinoor, Debora J. Meijers, and Mieke Rijnders, eds., Verzamelen: Van rariteit- enkabinet tot kunstmuseum (Heerlen and Houten, 1993). Bergvelt, Ellinoor, Debora J. Meijers, and Mieke Rijnders, Kabinetten, galerijen en mu- sea: Het verzamelen en presenteren van naturalia en kunst van 1500 tot heden (Heer- len and Zwolle, 2005; reprinted 2009, 2013). Berliner, Rudolf, ‘Zur älteren Geschichte der allgemeinen Museumslehre in Deutsch- land’, in Rudolf Lang, ed., Beiträge aus der deutschen Museologie und Museumsge- schichtsschreibung 1 (1875–1931) (Berlin, 1988), 1–49. Bernardo Cles e l’arte del Rinascimento nel Trentino (exh. cat. Trent 1985, Milan, 1985). Bernheimer, Rudolf, ‘Theatrum Mundi’, in Art Bulletin 47 (1956), 225–247. Bers, Günter, and Conrad Doose, eds., ‘Italienische’ Renaissancebaukunst an Schelde, Maas und Niederrhein Stadtanlagen–Zivilbauten–Wehranlagen (Jülich, 1999). Bertolotti, A., Le arti minori alla corte di Mantova nei secoli xv, xvi e xvii: Ricerche storiche negli Archivi Mantovani (Milan, 1889; reprint Sala Bolognese, 1974). Besterman, Theodore, The Beginnings of Systematic Bibliography (Oxford, 1936). Bettinelli, Saverio, Delle lettere e delle arti Mantovane: Discorsi due accademici ed an- notazioni (Mantova, 1774). Bibl, Viktor, Die Korrespondenz Maximilians ii., 2 vols (Vienna, 1916–1921). Bibl, Viktor, ‘Die Kulturblüte Wiens und seiner Umgebung unter Maximilian ii.’, in Monatsblatt des Vereins für Landeskunde von Niederösterreich 17 (1918) 139–153. Bibl, Viktor, Maximilian ii., der rätselhafte Kaiser: Ein Zeitbild (Hellerau bei Dresden, 1929).
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Jacopo Strada and Cultural Patronage at the Imperial Court The Antique as Innovation, Band 2
Titel
Jacopo Strada and Cultural Patronage at the Imperial Court
Untertitel
The Antique as Innovation
Band
2
Autor
Dirk Jacob Jansen
Verlag
Brill
Ort
Leiden
Datum
2019
Sprache
englisch
Lizenz
CC BY-NC-ND 4.0
ISBN
978-90-04-35949-9
Abmessungen
15.8 x 24.1 cm
Seiten
542
Kategorien
Biographien
Kunst und Kultur

Inhaltsverzeichnis

  1. 11 The Musaeum: Strada’s Circle 547
    1. 11.1 Strada’s House 547
    2. 11.2 High-ranking Visitors: Strada’s Guest Book and Ottavio’s Stammbuch 548
    3. 11.3 ‘Urbanissime Strada’: Accessibility of and Hospitality in the Musaeum 554
    4. 11.4 Intellectual Associates 556
    5. 11.5 Strada’s Confessional Position 566
    6. 11.6 Contacts with Members of the Dynasty 570
  2. 12 The Musaeum: its Contents 576
    1. 12.1 Introduction 576
    2. 12.2 Strada’s own Descriptions of his Musaeum 577
    3. 12.3 Strada’s Acquisitions for Duke Albrecht V of Bavaria 580
    4. 12.4 Strada’s own Cabinet of Antiquities 592
    5. 12.5 Acquisitions of Other Materials in Venice 599
    6. 12.6 Commissions in Mantua 610
    7. 12.7 ‘Gemalte Lustigen Tiecher’: Contemporary Painting in Strada’s Musaeum 615
    8. 12.8 Conclusion 628
  3. 13 Books, Prints and Drawings: The Musaeum as a centre of visualdocumentation 629
    1. 13.1 Introduction 629
    2. 13.2 Strada’s Acquisition of Drawings 630
    3. 13.3 ‘Owls to Athens’: Some Documents Relating to Strada’s GraphicCollection 634
    4. 13.4 The Contents of Strada’s Collection of Prints and Drawings 641
    5. 13.5 Later Fate of Strada’s Prints and Drawings 647
    6. 13.6 Drawings Preserved in a Context Linking Them withStrada 649
    7. 13.7 Strada’s Commissions of Visual Documentation: Antiquity 673
    8. 13.8 Strada’s Commissions of Visual Documentation: Contemporary Architecture and Decoration 692
    9. 13.9 Images as a Source of Knowledge 711
    10. 13.10 Conclusion 717
  4. 14 ‘Ex Musaeo et Impensis Jacobi Stradae, S.C.M. Antiquarius, CivisRomani’: Strada’s Frustrated Ambitions as a Publisher 719
    1. 14.1 Is There Life beyond the Court? 719
    2. 14.2 Strada’s Family 719
    3. 14.3 Ottavio Strada’s Role 725
    4. 14.4 The Publishing Project: Strada Ambitions as a Publisher 728
    5. 14.5 The Musaeum as an Editorial Office? 739
    6. 14.6 Financing the Programme 752
    7. 14.7 The Index Sive Catalogus 760
    8. 14.8 Strada’s Approach of Christophe Plantin 775
    9. 14.9 The Rupture with Ottavio 781
    10. 14.10 Strada’s Testamentary Disposition 783
    11. 14.11 Conclusion: The Aftermath 786
  5. 15 Le Cose dell’antichità: Strada as a Student of Antiquity 799
    1. 15.1 Profession: Antiquarius 799
    2. 15.2 Strada’s Qualities as an Antiquary 807
    3. 15.3 Strada’s Method 813
    4. 15.4 Strada’s Aims 822
  6. 16 Strada & Co.: By Appointment to His Majesty the Emperor 830
    1. 16.1 Strada as an Imperial Antiquary and Architect 830
    2. 16.2 Strada’s Role as an Agent 836
    3. 16.3 Strada as an Independent Agent 840
    4. 16.4 ‘Ex Musaeo Iacobi de Strada’: Study, Studio, Workshop, Office, Showroom 843
    5. 16.5 Strada’s Influence: An Agent of Change 849
    6. 16.6 Conclusion: Strada’s Personality 863
    7. 16.7 Epilogue: Back to the Portrait 868
  7. Appendices 877
    1. A Some Unpublished Letters 877
    2. B Strada’s Will 894
    3. C Strada’s Musaeum: Pleasant paintings 900
    4. D Strada’s Musaeum: The Index Sive Catalogus 902
  8. Chronological List of Sources 915
  9. Bibliography 932
  10. List of Illustrations 986
  11. Index 1038
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Jacopo Strada and Cultural Patronage at the Imperial Court