Seite - 957 - in Jacopo Strada and Cultural Patronage at the Imperial Court - The Antique as Innovation, Band 2
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957Bibliography
Jansen, Dirk Jacob, ‘Antonio Agustín and Jacopo Strada’, in Crawford 1993 (a), 211–245.
Jansen, Dirk Jacob, ‘Samuel Quicchebergs “Inscriptiones”: De encyclopedische verza-
meling als hulpmiddel voor de wetenschap’, in Bergvelt/Meijers/Rijnders 1993 (b),
56–76.
Jansen, Dirk Jacob, ‘Jacopo Strada’, s.v. in The Dictionary of Art 29 (London, 1996),
737–740.
Jansen, Dirk Jacob, ‘The Case for Strada as an Imperial Architect’, in Lubomír Konečný,
Beket Bukovinská, and Ivan Muchka, eds., Rudolf ii, Prague and the World: Pa-
pers from the International Conference, Prague, 2–4 September 1997 (Prague, 1998),
229–235.
Jansen, Dirk Jacob, ‘La famiglia Strada e il suo ruolo nella difffusione delle invenzioni
meccaniche nel Rinascimento / The Strada Family and its Role in the Dissemina-
tion of Renaissance Mechanical Inventions’, in MARCHIS/DOLZA 2002, 37–70 and
216–233.
Jansen, Dirk Jacob, ‘Le rôle de Strada comme éditeur du Settimo Libro de Serlio’; ‘Le
catalogue d’éditeur de Jacopo Strada’; L’édition des Commentaires de César par Ja-
copo Strada’; and ‘La lettre d’Ottavio Strada à son père’, in SEBASTIANO SERLIO À
LYON 2004, 176–193.
Jansen, Dirk Jacob, ‘Samuel Quicchebergs Inscriptiones vel tituli theatri amplissi-
mis: uitgangspunten en achtergronden van de encyclopedische verzameling in de
zestiende eeuw’, in Bergvelt/Meijers/Rijnders 2005, 43–68.
Jansen, Dirk Jacob, ‘Taste and Thought: Jacopo Strada and the Development of a Cos-
mopolitan Court’, in Lubomír Konečný, Štěpán Vácha, and Beket Bukovinská, eds.,
Hans von Aachen in Context: Proceedings of the International Conference, Prague
22–25 September 2010 (Prague, 2012), 171–178.
Jansen, Dirk Jacob, “‘Et anchora mi truova di molte belle cose …”: l’uso dei disegni giuli-
eschi raccolti da Jacopo Strada’, in GIULIO ROMANO E L’ARTE DEL CINQUECEN-
TO 2014, 155–172, ills. 81–104.
Jansen, Dirk Jacob, ‘Emperor Ferdinand i and the Antique: The Antique as Innovation’,
in Historie–Otázky–Problémy (2015/2), 202–218.
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Emperor Maximilian ii’s Lustschloß Neugebäude’, in Dobalová/Muchka 2017,
164–180.
Jansen, Dirk Jacob, Duncan Bull and Willem de Ridder, ‘Les portraits de Jacopo et Ot-
tavio Strada par Titien et Tintoret’, in Titien, Tintoret, Véronèse: Rivalités à Venise (ex.
cat. Musée du Louvre, Paris, 2009–2010), 200–213.
Jansen, Dirk, and Gudula Metze, ‘After the Antique and “all’antica”: Newly discovered
drawings from Jacopo Strada’s workshop’, in Roberta Piccinelli, Deanna Shemek
(eds.), Itinera chartarum. Per i 150 anni dell’Archvio di Stato di Mantova. Saggi in
onore di Daniela Ferrari (Milan, 2018), forthcoming.
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Buch Jacopo Strada and Cultural Patronage at the Imperial Court - The Antique as Innovation, Band 2"
Jacopo Strada and Cultural Patronage at the Imperial Court
The Antique as Innovation, Band 2
- Titel
- Jacopo Strada and Cultural Patronage at the Imperial Court
- Untertitel
- The Antique as Innovation
- Band
- 2
- Autor
- Dirk Jacob Jansen
- Verlag
- Brill
- Ort
- Leiden
- Datum
- 2019
- Sprache
- englisch
- Lizenz
- CC BY-NC-ND 4.0
- ISBN
- 978-90-04-35949-9
- Abmessungen
- 15.8 x 24.1 cm
- Seiten
- 542
- Kategorien
- Biographien
- Kunst und Kultur
Inhaltsverzeichnis
- 11 The Musaeum: Strada’s Circle 547
- 12 The Musaeum: its Contents 576
- 12.1 Introduction 576
- 12.2 Strada’s own Descriptions of his Musaeum 577
- 12.3 Strada’s Acquisitions for Duke Albrecht V of Bavaria 580
- 12.4 Strada’s own Cabinet of Antiquities 592
- 12.5 Acquisitions of Other Materials in Venice 599
- 12.6 Commissions in Mantua 610
- 12.7 ‘Gemalte Lustigen Tiecher’: Contemporary Painting in Strada’s Musaeum 615
- 12.8 Conclusion 628
- 13 Books, Prints and Drawings: The Musaeum as a centre of visualdocumentation 629
- 13.1 Introduction 629
- 13.2 Strada’s Acquisition of Drawings 630
- 13.3 ‘Owls to Athens’: Some Documents Relating to Strada’s GraphicCollection 634
- 13.4 The Contents of Strada’s Collection of Prints and Drawings 641
- 13.5 Later Fate of Strada’s Prints and Drawings 647
- 13.6 Drawings Preserved in a Context Linking Them withStrada 649
- 13.7 Strada’s Commissions of Visual Documentation: Antiquity 673
- 13.8 Strada’s Commissions of Visual Documentation: Contemporary Architecture and Decoration 692
- 13.9 Images as a Source of Knowledge 711
- 13.10 Conclusion 717
- 14 ‘Ex Musaeo et Impensis Jacobi Stradae, S.C.M. Antiquarius, CivisRomani’: Strada’s Frustrated Ambitions as a Publisher 719
- 14.1 Is There Life beyond the Court? 719
- 14.2 Strada’s Family 719
- 14.3 Ottavio Strada’s Role 725
- 14.4 The Publishing Project: Strada Ambitions as a Publisher 728
- 14.5 The Musaeum as an Editorial Office? 739
- 14.6 Financing the Programme 752
- 14.7 The Index Sive Catalogus 760
- 14.8 Strada’s Approach of Christophe Plantin 775
- 14.9 The Rupture with Ottavio 781
- 14.10 Strada’s Testamentary Disposition 783
- 14.11 Conclusion: The Aftermath 786
- 15 Le Cose dell’antichità: Strada as a Student of Antiquity 799
- 16 Strada & Co.: By Appointment to His Majesty the Emperor 830
- 16.1 Strada as an Imperial Antiquary and Architect 830
- 16.2 Strada’s Role as an Agent 836
- 16.3 Strada as an Independent Agent 840
- 16.4 ‘Ex Musaeo Iacobi de Strada’: Study, Studio, Workshop, Office, Showroom 843
- 16.5 Strada’s Influence: An Agent of Change 849
- 16.6 Conclusion: Strada’s Personality 863
- 16.7 Epilogue: Back to the Portrait 868
- Appendices 877
- Chronological List of Sources 915
- Bibliography 932
- List of Illustrations 986
- Index 1038