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Jacopo Strada and Cultural Patronage at the Imperial Court - The Antique as Innovation, Band 2
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980 Bibliography Strobach, Wolfgang, Liebe zum Wissen: Das Antlitz der Zeit im Antlitz des Menschen, Abteilung Denker (Munich, 1959). Struve, Burckhard Gotthelf, Introductio ad notitiam rei litterariae et usum bibliothecar- um. Accessit dissertatio De Doctis Impostoribus (Jena, 1704). Stummvoll, Josef Leopold, Geschichte der Österreichischen Nationalbibliothek, vol. 1: Die Hofbibliothek (1368–1922) (Vienna, 1968). Sutter Fichtner, Paula: see FICHTNER, Paula Sutter. Svátek, Josef, Culturhistorische Bilder aus Böhmen (Vienna, 1879), 232–236, 239, 244. Svátek, Josef, ‘Stradové z Rosbergu: Studie z dějin umění’, in Sborník Historický 1 (1883), 328–346; reprinted in his Obrazy z kulturních dějin českých, vol. 1 (Prague, 1891), 102–131. Svátek, Josef, Astrolog (Prague, 1891–1892). Symeoni, Gabriele, Description de la Limagne d’Auvergne en forme de dialogue, avec plu- sieurs medailles, statues, oracles, epitaphes, sentences, et autres choses memorables, et p̱rofitables aux amateurs de l’antiquité, traduit du livre italien de Gabriel Symeon en langue françoyse par Ant. Chappuys du Dauphine (Lyon, 1561). Symeoni, Gabriele, Le Imprese heroiche et morali ritrovate da M. Gabriello Symeoni Fio- rentino, al Gran Conestabile di Francia (Lyon, 1559). Szalay, László, see VERANCSICS, Antal. Szűcs, Veronika, ‘Das Wiener Neugebäude und die Kunst der Irenik am Hofe Maximil- ians II’, in Acta Historiae Artium 53 (2012), nr 1, 45–136. Tafuri, Manfredo, Venezia e il Rinascimento: Religione, scienza, architettura (Turin, 1985) Tafuri, Manfredo, ‘Ipotesi sulla religiosità di Sebastiano Serlio’, in SEBASTIANO SERLIO 1989, 57–66. Talvacchia, Bette L., ‘Homer, Greek Heroes and Hellenism in Giulio Romano’s Hall of Troy’, in JWCI 51 (1988), 235–242. Tanner, Marie, The Last Descendant of Aeneas: The Hapsburgs and the Mythic Image of the Emperor (New Haven, 1993). Taylor, Valerie, ‘Banquet Plate and Renaissance Culture: A Day in the Life’, in Renais- sance Studies 19 (2005), 41–53. Taylor, Valerie, ‘Art and the Table in Sixteenth-century Mantua: Feeding the Demand for Innovative Designs’, in Michelle O’Malley, and Evelyn Welch, eds., The Material Renaissance: Costs and Consumption in Italy, 1400–1600 (Manchester, 2007), 174–196. Taylor, Valerie, ‘Silver and Gold: A Case Study of Material Culture in Renaissance Man- tua’, in Comitatus: A Journal of Medieval and Renaissance Studies 39 (2008), 155–198. Taylor, Valerie, ‘From Sketchbook to Princely Table: Giulio Romano’s Silverware De- signs’, in GIULIO ROMANO E l’ARTE DEL CINQUECENTO 2014, 138–153, ill. 73–80. Tebbe, Karin, see NÜRNBERGER GOLDSCHMIEDEKUNST (2007). Tedeschi-Grisanti, Giovanna, “‘Dis Manibus, Pili, Epitaffi ed altre cose antiche”: Un codice inedito di disegni di Giovannantonio Dosio’, in Bolletino d’Arte 18 (1983), 70–76.
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Jacopo Strada and Cultural Patronage at the Imperial Court The Antique as Innovation, Band 2
Titel
Jacopo Strada and Cultural Patronage at the Imperial Court
Untertitel
The Antique as Innovation
Band
2
Autor
Dirk Jacob Jansen
Verlag
Brill
Ort
Leiden
Datum
2019
Sprache
englisch
Lizenz
CC BY-NC-ND 4.0
ISBN
978-90-04-35949-9
Abmessungen
15.8 x 24.1 cm
Seiten
542
Kategorien
Biographien
Kunst und Kultur

Inhaltsverzeichnis

  1. 11 The Musaeum: Strada’s Circle 547
    1. 11.1 Strada’s House 547
    2. 11.2 High-ranking Visitors: Strada’s Guest Book and Ottavio’s Stammbuch 548
    3. 11.3 ‘Urbanissime Strada’: Accessibility of and Hospitality in the Musaeum 554
    4. 11.4 Intellectual Associates 556
    5. 11.5 Strada’s Confessional Position 566
    6. 11.6 Contacts with Members of the Dynasty 570
  2. 12 The Musaeum: its Contents 576
    1. 12.1 Introduction 576
    2. 12.2 Strada’s own Descriptions of his Musaeum 577
    3. 12.3 Strada’s Acquisitions for Duke Albrecht V of Bavaria 580
    4. 12.4 Strada’s own Cabinet of Antiquities 592
    5. 12.5 Acquisitions of Other Materials in Venice 599
    6. 12.6 Commissions in Mantua 610
    7. 12.7 ‘Gemalte Lustigen Tiecher’: Contemporary Painting in Strada’s Musaeum 615
    8. 12.8 Conclusion 628
  3. 13 Books, Prints and Drawings: The Musaeum as a centre of visualdocumentation 629
    1. 13.1 Introduction 629
    2. 13.2 Strada’s Acquisition of Drawings 630
    3. 13.3 ‘Owls to Athens’: Some Documents Relating to Strada’s GraphicCollection 634
    4. 13.4 The Contents of Strada’s Collection of Prints and Drawings 641
    5. 13.5 Later Fate of Strada’s Prints and Drawings 647
    6. 13.6 Drawings Preserved in a Context Linking Them withStrada 649
    7. 13.7 Strada’s Commissions of Visual Documentation: Antiquity 673
    8. 13.8 Strada’s Commissions of Visual Documentation: Contemporary Architecture and Decoration 692
    9. 13.9 Images as a Source of Knowledge 711
    10. 13.10 Conclusion 717
  4. 14 ‘Ex Musaeo et Impensis Jacobi Stradae, S.C.M. Antiquarius, CivisRomani’: Strada’s Frustrated Ambitions as a Publisher 719
    1. 14.1 Is There Life beyond the Court? 719
    2. 14.2 Strada’s Family 719
    3. 14.3 Ottavio Strada’s Role 725
    4. 14.4 The Publishing Project: Strada Ambitions as a Publisher 728
    5. 14.5 The Musaeum as an Editorial Office? 739
    6. 14.6 Financing the Programme 752
    7. 14.7 The Index Sive Catalogus 760
    8. 14.8 Strada’s Approach of Christophe Plantin 775
    9. 14.9 The Rupture with Ottavio 781
    10. 14.10 Strada’s Testamentary Disposition 783
    11. 14.11 Conclusion: The Aftermath 786
  5. 15 Le Cose dell’antichità: Strada as a Student of Antiquity 799
    1. 15.1 Profession: Antiquarius 799
    2. 15.2 Strada’s Qualities as an Antiquary 807
    3. 15.3 Strada’s Method 813
    4. 15.4 Strada’s Aims 822
  6. 16 Strada & Co.: By Appointment to His Majesty the Emperor 830
    1. 16.1 Strada as an Imperial Antiquary and Architect 830
    2. 16.2 Strada’s Role as an Agent 836
    3. 16.3 Strada as an Independent Agent 840
    4. 16.4 ‘Ex Musaeo Iacobi de Strada’: Study, Studio, Workshop, Office, Showroom 843
    5. 16.5 Strada’s Influence: An Agent of Change 849
    6. 16.6 Conclusion: Strada’s Personality 863
    7. 16.7 Epilogue: Back to the Portrait 868
  7. Appendices 877
    1. A Some Unpublished Letters 877
    2. B Strada’s Will 894
    3. C Strada’s Musaeum: Pleasant paintings 900
    4. D Strada’s Musaeum: The Index Sive Catalogus 902
  8. Chronological List of Sources 915
  9. Bibliography 932
  10. List of Illustrations 986
  11. Index 1038
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Jacopo Strada and Cultural Patronage at the Imperial Court