Seite - 981 - in Jacopo Strada and Cultural Patronage at the Imperial Court - The Antique as Innovation, Band 2
Bild der Seite - 981 -
Text der Seite - 981 -
981Bibliography
Thieme, Ulrich, and Felix Becker, eds., Allgemeines Lexikon der bildenden Künstler von
der Antike bis zur Gegenwart, 37 vols (Leipzig, 1907–1950).
Thimann, Michael, ‘Erinnerung an das Fremde: Jean Jacques Boissards Trachtenbuch
für Johann Jakob Fugger. Zu Provenienz und Zuschreibung der Bildhandschrift Cod.
Oct. 193 in der Herzogin Anna Amalia Bibliothek in Weimar’, in Marburger Jahrbuch
für Kunstwissenschaft 32 (2005), 117–148.
Thoenes, Christof, see SEBASTIANO SERLIO 1989.
Thoma, Hans, Herbert Brunner, and Theo Herzog, Stadtresidenz Landshut: Stadt-und
Kreismuseum. Amtliche Führer (4th ed., Munich, 1980).
Thomas, Christiane, ‘Wien als Residenz unter Kaiser Ferdinand i’, in Studien zur Wie-
ner Geschichte: Jahrbuch des Vereins für Geschichte der Stadt Wien 49 (1993), 101–117.
Thomson, David, Renaissance Architecture: Critics, Patrons, Luxury (Manchester and
New York, 1993).
Tiraboschi, Girolamo, Storia della letteratura italiana, 7 vols (Modena, 1772–1778).
Tiraboschi, Girolamo, Storia della letteratura italiana, Tomo VII: Dall’anno MD fino
all’Anno MDC (= vol. 12) (Milan, 1824).
Titien, Tintoret, Veronese: Rivalités à Venise (exh. cat. Musée du Louvre Paris, Paris
2009).
Tolomei, Caudio, De le lettere di M. Claudio Tolomei libri sette (Venice, 1547).
Truhlář, Antonín, ‘Ke genealogii Stradů z Rosberga’, in Sborník Historický 1 (1883), 421.
Typotius, see STRADA DA ROSBERG, Ottavio [i] (1601–1603).
Vacková, Jarmila, ‘The Imperial Room in the Castle at Bučovice in Moravia: Some Re-
marks to the Origin and the Meaning of its Decorations’, in Jaarboek Koninklijk Mu-
seum voor Schone Kunsten Antwerpen (1979), 227–245.
Van De Put, Albert, ‘Two Drawings of the Fêtes at Binches for Charles V and Philip (II)
1549’, in JCWI 3 (1939–1940), 49–55.
Varille, M., Les antiquaires lyonnais de la Renaissance (Lyon, 1924).
Vasari, Giorgio, Le vite de’ più eccellenti pittori, scultori ed architettori, ed. Gaetano Mila-
nesi, 9 vols (Florence, 1878–1885).
Venturini, Elena, Le collezioni Gonzaga: Il Carteggio tra la Corte Cesarea e Mantova
(1559–1636) (Cinisello Balsamo and Mantua, 2002).
Verancsics, Antal, Verancsics Antal M. kir. helytartó, esztergomi érsek Összes munkái 7:
Vegyes levelek 1549–1559, ed. László Szalay (Pest, 1865).
Verancsics, Antal, Verancsics Antal M. kir. helytartó, esztergomi érsek Összes munkái,
vol. 8: Vegyes levelek 1559–1562 (Pest, 1868).
Verantius, Antonius, see VERANCSICS, Antal.
Verheyen, Egon, ‘Correggio’s Amori di Giove’, in JWCI, 29 (1966 (a)), 160–192.
Verheyen, Egon, ‘Athena und Arachne’, in Zeitschrift für Kunstwissenschaft 20
(1966 (b)), 85–96.
Verheyen, Egon, ‘Jacopo Strada’s Mantuan Drawings of 1567–1568’, in Art Bulletin 49
(1967), 62–70.
zurück zum
Buch Jacopo Strada and Cultural Patronage at the Imperial Court - The Antique as Innovation, Band 2"
Jacopo Strada and Cultural Patronage at the Imperial Court
The Antique as Innovation, Band 2
- Titel
- Jacopo Strada and Cultural Patronage at the Imperial Court
- Untertitel
- The Antique as Innovation
- Band
- 2
- Autor
- Dirk Jacob Jansen
- Verlag
- Brill
- Ort
- Leiden
- Datum
- 2019
- Sprache
- englisch
- Lizenz
- CC BY-NC-ND 4.0
- ISBN
- 978-90-04-35949-9
- Abmessungen
- 15.8 x 24.1 cm
- Seiten
- 542
- Kategorien
- Biographien
- Kunst und Kultur
Inhaltsverzeichnis
- 11 The Musaeum: Strada’s Circle 547
- 12 The Musaeum: its Contents 576
- 12.1 Introduction 576
- 12.2 Strada’s own Descriptions of his Musaeum 577
- 12.3 Strada’s Acquisitions for Duke Albrecht V of Bavaria 580
- 12.4 Strada’s own Cabinet of Antiquities 592
- 12.5 Acquisitions of Other Materials in Venice 599
- 12.6 Commissions in Mantua 610
- 12.7 ‘Gemalte Lustigen Tiecher’: Contemporary Painting in Strada’s Musaeum 615
- 12.8 Conclusion 628
- 13 Books, Prints and Drawings: The Musaeum as a centre of visualdocumentation 629
- 13.1 Introduction 629
- 13.2 Strada’s Acquisition of Drawings 630
- 13.3 ‘Owls to Athens’: Some Documents Relating to Strada’s GraphicCollection 634
- 13.4 The Contents of Strada’s Collection of Prints and Drawings 641
- 13.5 Later Fate of Strada’s Prints and Drawings 647
- 13.6 Drawings Preserved in a Context Linking Them withStrada 649
- 13.7 Strada’s Commissions of Visual Documentation: Antiquity 673
- 13.8 Strada’s Commissions of Visual Documentation: Contemporary Architecture and Decoration 692
- 13.9 Images as a Source of Knowledge 711
- 13.10 Conclusion 717
- 14 ‘Ex Musaeo et Impensis Jacobi Stradae, S.C.M. Antiquarius, CivisRomani’: Strada’s Frustrated Ambitions as a Publisher 719
- 14.1 Is There Life beyond the Court? 719
- 14.2 Strada’s Family 719
- 14.3 Ottavio Strada’s Role 725
- 14.4 The Publishing Project: Strada Ambitions as a Publisher 728
- 14.5 The Musaeum as an Editorial Office? 739
- 14.6 Financing the Programme 752
- 14.7 The Index Sive Catalogus 760
- 14.8 Strada’s Approach of Christophe Plantin 775
- 14.9 The Rupture with Ottavio 781
- 14.10 Strada’s Testamentary Disposition 783
- 14.11 Conclusion: The Aftermath 786
- 15 Le Cose dell’antichità: Strada as a Student of Antiquity 799
- 16 Strada & Co.: By Appointment to His Majesty the Emperor 830
- 16.1 Strada as an Imperial Antiquary and Architect 830
- 16.2 Strada’s Role as an Agent 836
- 16.3 Strada as an Independent Agent 840
- 16.4 ‘Ex Musaeo Iacobi de Strada’: Study, Studio, Workshop, Office, Showroom 843
- 16.5 Strada’s Influence: An Agent of Change 849
- 16.6 Conclusion: Strada’s Personality 863
- 16.7 Epilogue: Back to the Portrait 868
- Appendices 877
- Chronological List of Sources 915
- Bibliography 932
- List of Illustrations 986
- Index 1038