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Jacopo Strada and Cultural Patronage at the Imperial Court - The Antique as Innovation, Band 2
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989Illustrations 0.1 Tiziano Vecellio, portrait of Jacopo Strada, 1576–1568; KHM, Gemäldegalerie, inv. nr GG-81    1 0.2 Jacopo Tintoretto, portrait of Ottavio Strada; ARM, inv. nr SK-A-3902    1 0.3 David Teniers the Younger, Archduke Leopold Wilhelm Visiting his Picture Gallery in Brussels, ca 1651; KHM, Gemäldegalerie, inv. nr GG-739    2 0.4 Attributed to Pietro della Vecchia, after Titian, portrait of Jacopo Strada; present location unknown; image from Antologia di maestri antichi    3 0.5 Lucas Vorsterman the Younger, after Titian, portrait of Jacopo Strada, engraving; ARM, inv. nr RP-P-1907-578    3 0.6 Titian, portrait of Jacopo Strada, detail of fig. 0.01    7 0.7 Jan Brouwer, after Wallerant Vaillant, portrait of Emperor Leopold I, engraving; ARM, inv. nr RP-P-1908-1196    12 0.8 Peter Lambeck, the Imperial Librarian, engraving from his Commen- tariorum de augustissima bibliotheca ceasarea Vindobonensis, 2nd ed., vol. 1, Vienna 1766; Lausanne, Bibliothèque cantonale et universitaire, inv.-nr 3 A 2010/1; image Google Books    12 0.9 The French physician and scholar Charles Patin, engraving by C. Le Febure, 1662; image Wellcome Collection, London: https://wellcome collection.org/works (CC BY 4.0)    12 0.10 Engraving after a numismatic drawing by Jacopo Strada; from LAM- BECK 1665–1679, vol. 1, between pp. 76 and 77, Library of the Univer- sity of Amsterdam, sig. OM 59-30; image author    12 0.11 Engraving after a numismatic drawing by Jacopo Strada; engraving from LAMBECK 1665–1679, vol. 2, between pp. 686 and 687; FBG, sig. P 4o 396-ii    13 0.12 The ‘Jüngling vom Magdalensberg’, a lost antique bronze excavated near Klagenfurt, shown in the print included in LAMBECK 1665–1679, vol. 2, between pp. 674 and 675; FBG, sig. P 4o 396-i    13 0.13 Jan Skramlík, Rudolf ii visits the studio of his Antiquary Jacopo Strada; reproduction in Ruch: Obrázkový casopis pro zábavu a pouceni 10 (1888), inserted between pp. 300–301    22 0.14 Václav Brožík, An elderly alchemist (Michael Sendivogius or Sędziwój?) conducting an experiment in front of Emperor Rudolf II, his Queen, and members of the Court, etching by Armand Mathey (1885) after a painting at some time in the Lenox Library, New York, which was used as frontispiece of BOLTON 1904; image Wellcome Collection , London: https://wellcomecollection.org/works (CC BY 4.0)    23
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Jacopo Strada and Cultural Patronage at the Imperial Court The Antique as Innovation, Band 2
Titel
Jacopo Strada and Cultural Patronage at the Imperial Court
Untertitel
The Antique as Innovation
Band
2
Autor
Dirk Jacob Jansen
Verlag
Brill
Ort
Leiden
Datum
2019
Sprache
englisch
Lizenz
CC BY-NC-ND 4.0
ISBN
978-90-04-35949-9
Abmessungen
15.8 x 24.1 cm
Seiten
542
Kategorien
Biographien
Kunst und Kultur

Inhaltsverzeichnis

  1. 11 The Musaeum: Strada’s Circle 547
    1. 11.1 Strada’s House 547
    2. 11.2 High-ranking Visitors: Strada’s Guest Book and Ottavio’s Stammbuch 548
    3. 11.3 ‘Urbanissime Strada’: Accessibility of and Hospitality in the Musaeum 554
    4. 11.4 Intellectual Associates 556
    5. 11.5 Strada’s Confessional Position 566
    6. 11.6 Contacts with Members of the Dynasty 570
  2. 12 The Musaeum: its Contents 576
    1. 12.1 Introduction 576
    2. 12.2 Strada’s own Descriptions of his Musaeum 577
    3. 12.3 Strada’s Acquisitions for Duke Albrecht V of Bavaria 580
    4. 12.4 Strada’s own Cabinet of Antiquities 592
    5. 12.5 Acquisitions of Other Materials in Venice 599
    6. 12.6 Commissions in Mantua 610
    7. 12.7 ‘Gemalte Lustigen Tiecher’: Contemporary Painting in Strada’s Musaeum 615
    8. 12.8 Conclusion 628
  3. 13 Books, Prints and Drawings: The Musaeum as a centre of visualdocumentation 629
    1. 13.1 Introduction 629
    2. 13.2 Strada’s Acquisition of Drawings 630
    3. 13.3 ‘Owls to Athens’: Some Documents Relating to Strada’s GraphicCollection 634
    4. 13.4 The Contents of Strada’s Collection of Prints and Drawings 641
    5. 13.5 Later Fate of Strada’s Prints and Drawings 647
    6. 13.6 Drawings Preserved in a Context Linking Them withStrada 649
    7. 13.7 Strada’s Commissions of Visual Documentation: Antiquity 673
    8. 13.8 Strada’s Commissions of Visual Documentation: Contemporary Architecture and Decoration 692
    9. 13.9 Images as a Source of Knowledge 711
    10. 13.10 Conclusion 717
  4. 14 ‘Ex Musaeo et Impensis Jacobi Stradae, S.C.M. Antiquarius, CivisRomani’: Strada’s Frustrated Ambitions as a Publisher 719
    1. 14.1 Is There Life beyond the Court? 719
    2. 14.2 Strada’s Family 719
    3. 14.3 Ottavio Strada’s Role 725
    4. 14.4 The Publishing Project: Strada Ambitions as a Publisher 728
    5. 14.5 The Musaeum as an Editorial Office? 739
    6. 14.6 Financing the Programme 752
    7. 14.7 The Index Sive Catalogus 760
    8. 14.8 Strada’s Approach of Christophe Plantin 775
    9. 14.9 The Rupture with Ottavio 781
    10. 14.10 Strada’s Testamentary Disposition 783
    11. 14.11 Conclusion: The Aftermath 786
  5. 15 Le Cose dell’antichità: Strada as a Student of Antiquity 799
    1. 15.1 Profession: Antiquarius 799
    2. 15.2 Strada’s Qualities as an Antiquary 807
    3. 15.3 Strada’s Method 813
    4. 15.4 Strada’s Aims 822
  6. 16 Strada & Co.: By Appointment to His Majesty the Emperor 830
    1. 16.1 Strada as an Imperial Antiquary and Architect 830
    2. 16.2 Strada’s Role as an Agent 836
    3. 16.3 Strada as an Independent Agent 840
    4. 16.4 ‘Ex Musaeo Iacobi de Strada’: Study, Studio, Workshop, Office, Showroom 843
    5. 16.5 Strada’s Influence: An Agent of Change 849
    6. 16.6 Conclusion: Strada’s Personality 863
    7. 16.7 Epilogue: Back to the Portrait 868
  7. Appendices 877
    1. A Some Unpublished Letters 877
    2. B Strada’s Will 894
    3. C Strada’s Musaeum: Pleasant paintings 900
    4. D Strada’s Musaeum: The Index Sive Catalogus 902
  8. Chronological List of Sources 915
  9. Bibliography 932
  10. List of Illustrations 986
  11. Index 1038
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Jacopo Strada and Cultural Patronage at the Imperial Court