Seite - 990 - in Jacopo Strada and Cultural Patronage at the Imperial Court - The Antique as Innovation, Band 2
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990 Illustrations
1.1 The former Strada house at 25 Via Mazzini, Mantua: courtyard; image
author    46
1.2 The former Strada house at 25 Via Mazzini, Mantua: a capital with the
Strada arms; image author    46
1.3 The former Strada house at 25 Via Mazzini, Mantua: the painted frieze
in the salone; images author    47
1.4–1.5 The former Strada house at 25 Via Mazzini, Mantua: the painted frieze
in the salone: details showing images derived from imperial portrait
medallions; image author    47
1.6 Andrea Mantegna, two scenes from The Triumphs of Caesar, 1485–1505,
Hampton Court; image Royal Collection Trust / © Her Majesty Queen
Elizabeth II 2017 
  52
1.7 Andrea Mantegna, two scenes from The Triumphs of Caesar, 1485–1505,
Hampton Court; image Royal Collection Trust / © Her Majesty Queen
Elizabeth II 2017 
  52
1.8 Leon Battista Alberti, Mantua, Sant’Andrea (begun 1472), façade; im-
age Paolo Monti, 1972; Milan, Fondazione BEIC: Biblioteca Europea
di Informazione e Cultura / Civico Archivio Fotografico (Castello
Sforzesco), image nr 6346687 (CC BY-SA 4.0)    53
1.9 Giulio Romano, Palazzo del Te, Mantua, courtyard; image Wikimedia/
Marcok (CC BY-SA 3.0)    53
1.10 Giulio Romano, The Wedding of Cupid and Psiche (1526–1528), fresco
in the Camera di Psiche. Palazzo del Te, Mantova (1526–1528); image
SPCM 
  53
1.11 Example of Strada’s handwriting: his letter to Ferdinand I, King of the
Romans, 21-02-1558, DOC. 1558-02-21(a), ÖNB-HS, Ms. 5770, f. 3r.–v.; im-
age author    55
1.12 Example of Strada’s handwriting: draft of an unsent letter to an anony-
mous correspondent (DOC. 1568-10-00), ÖNB-HS, Ms. 9039, f. 3r.–v.;
image author 
  55
1.13 Theodor de Bry, portrait of Andrea Alciati, engraving from Jean
Jacques Boissard, Icones Quinquaginta Virorum illustrium doctrina &
eruditione praestantium ad vivum effictae, cum eorum vitis descriptis, 4
vols, Frankfurt on the Main 1597–1599,vol. 2 (1598), R3v., Vienna Uni-
versity Library, sig. I-231.994 A; image Phaidra    56
1.14 Antonio Moro, portrait of Antoine Perrenot de Granvelle, KHM,
Gemäldegalerie, inv. nr GG_1035    56
1.15 Lambert Sustris, portrait of Otto Truchsess von Waldburg,
Leutkirch im Allgäu, Schloss Zeil, from Schloss Zeil 1953; image
Wikimedia/pd    56
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Buch Jacopo Strada and Cultural Patronage at the Imperial Court - The Antique as Innovation, Band 2"
Jacopo Strada and Cultural Patronage at the Imperial Court
The Antique as Innovation, Band 2
- Titel
- Jacopo Strada and Cultural Patronage at the Imperial Court
- Untertitel
- The Antique as Innovation
- Band
- 2
- Autor
- Dirk Jacob Jansen
- Verlag
- Brill
- Ort
- Leiden
- Datum
- 2019
- Sprache
- englisch
- Lizenz
- CC BY-NC-ND 4.0
- ISBN
- 978-90-04-35949-9
- Abmessungen
- 15.8 x 24.1 cm
- Seiten
- 542
- Kategorien
- Biographien
- Kunst und Kultur
Inhaltsverzeichnis
- 11 The Musaeum: Strada’s Circle 547
- 11.1 Strada’s House 547
- 11.2 High-ranking Visitors: Strada’s Guest Book and Ottavio’s Stammbuch 548
- 11.3 ‘Urbanissime Strada’: Accessibility of and Hospitality in the Musaeum 554
- 11.4 Intellectual Associates 556
- 11.5 Strada’s Confessional Position 566
- 11.6 Contacts with Members of the Dynasty 570
- 12 The Musaeum: its Contents 576
- 12.1 Introduction 576
- 12.2 Strada’s own Descriptions of his Musaeum 577
- 12.3 Strada’s Acquisitions for Duke Albrecht V of Bavaria 580
- 12.4 Strada’s own Cabinet of Antiquities 592
- 12.5 Acquisitions of Other Materials in Venice 599
- 12.6 Commissions in Mantua 610
- 12.7 ‘Gemalte Lustigen Tiecher’: Contemporary Painting in Strada’s Musaeum 615
- 12.8 Conclusion 628
- 13 Books, Prints and Drawings: The Musaeum as a centre of visualdocumentation 629
- 13.1 Introduction 629
- 13.2 Strada’s Acquisition of Drawings 630
- 13.3 ‘Owls to Athens’: Some Documents Relating to Strada’s GraphicCollection 634
- 13.4 The Contents of Strada’s Collection of Prints and Drawings 641
- 13.5 Later Fate of Strada’s Prints and Drawings 647
- 13.6 Drawings Preserved in a Context Linking Them withStrada 649
- 13.7 Strada’s Commissions of Visual Documentation: Antiquity 673
- 13.8 Strada’s Commissions of Visual Documentation: Contemporary Architecture and Decoration 692
- 13.9 Images as a Source of Knowledge 711
- 13.10 Conclusion 717
- 14 ‘Ex Musaeo et Impensis Jacobi Stradae, S.C.M. Antiquarius, CivisRomani’: Strada’s Frustrated Ambitions as a Publisher 719
- 14.1 Is There Life beyond the Court? 719
- 14.2 Strada’s Family 719
- 14.3 Ottavio Strada’s Role 725
- 14.4 The Publishing Project: Strada Ambitions as a Publisher 728
- 14.5 The Musaeum as an Editorial Office? 739
- 14.6 Financing the Programme 752
- 14.7 The Index Sive Catalogus 760
- 14.8 Strada’s Approach of Christophe Plantin 775
- 14.9 The Rupture with Ottavio 781
- 14.10 Strada’s Testamentary Disposition 783
- 14.11 Conclusion: The Aftermath 786
- 15 Le Cose dell’antichità : Strada as a Student of Antiquity 799
- 16 Strada & Co.: By Appointment to His Majesty the Emperor 830
- 16.1 Strada as an Imperial Antiquary and Architect 830
- 16.2 Strada’s Role as an Agent 836
- 16.3 Strada as an Independent Agent 840
- 16.4 ‘Ex Musaeo Iacobi de Strada’: Study, Studio, Workshop, Office, Showroom 843
- 16.5 Strada’s Influence: An Agent of Change 849
- 16.6 Conclusion: Strada’s Personality 863
- 16.7 Epilogue: Back to the Portrait 868
- Appendices 877
- Chronological List of Sources 915
- Bibliography 932
- List of Illustrations 986
- Index 1038