Seite - 995 - in Jacopo Strada and Cultural Patronage at the Imperial Court - The Antique as Innovation, Band 2
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995Illustrations
Straub) 1723 (unnumbered plate); Zurich, ETH Library, sig. Rar 9916: 3;
image e-rara.ch    134
3.38 The Pflegehaus in Donauwörth, rebuilt by the Fugger from 1536 on-
ward, in 1952; image author    134
3.39–3.40 A chimneypiece and a wooden portal still in situ in the Fugger house
at Donauwörth; images author    135
3.41–3.42 Two wooden portals from the Fugger house at Donauwörth, Munich,
Bayerisches Nationalmuseum; images from LIEB 1958, ills. 195 and
198    136
3.43–3.45 The exterior and details of the interior of the Donauwörth Stübchen,
Munich, Bayerisches Nationalmuseum    136
3.46 Strada’s printer’s marks as used on the title page of the Epitome the-
sauri antiquitatum, Lyon 1553; detail of Fig. 2.18    140
3.47 Strada’s printer’s marks as used in the colophon of his edition of
Serlio’s Settimo Libro dell’Architettura, Frankfurt a.M. 1575; SLUB, sig.
Archit 217; image SLUB-DS (CC BY-SA 4.0)    140
3.48–3.49 Printer’s mark of Thomas Guérin, on the title page of his edition
Plutarchi Chaeronensis Moralia, Basel 1570, and detail, Basel, University
Library, inv. nr Bc II 109 a; image e-rara.ch 
  140
3.50 L’Anticaille, Pierre Sala’s villa on the hillside of Fourvière above Lyon,
minature from Pierre Sala, Complainte au dieu d’Amour, ÖNB-HS,
Cod. 2618; image Wikimedia/ patrimoine. rhonealpes.fr (CC BY-SA
3.0)    141
3.51 The Table Claudienne, discovered in Lyon in 1528; image Wikimedia/
Rama (CC-BY-SA-2.0)    141
3.52–3.54 Guillaume Rouillé, Promptuaire des medalles des plus renommées per-
sonnes qui ont esté depuis le commencement du monde, Lyon (Rouillé)
1553: title page and pp. 18–19, biographies and medals of Semiramis,
Zameis and Abraham and Sarah; images BSB-MDZ (CC BY-NC-SA
3.0)    142
3.55–3.57 Guillaume du Choul, Discours de la religion des anciens Romains,
Lyon 1556: title page and illustrations of the temples of Ianus
Quadrifrons (p. 21) and Jupiter Capitolinus (p. 41) in Rome,
supplied by Jacopo Strada, BSB, sig. Res/4 Ant. 226 k; images
BSB-MDZ    144
3.58 ‘Epitaph’ for Gabriele Symeoni, in his Description de la Limagne
d’Auvergne, Lyon (Rouillé) 1561; image BSB-MDZ (CC BY-NC-SA
3.0)    146
3.59 Gabriele Symeoni, Le imprese heroiche et morali, Lyon (Rouillé) 1559,
title page; image BSB-MDZ (CC BY-NC-SA 3.0)    146
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Buch Jacopo Strada and Cultural Patronage at the Imperial Court - The Antique as Innovation, Band 2"
Jacopo Strada and Cultural Patronage at the Imperial Court
The Antique as Innovation, Band 2
- Titel
- Jacopo Strada and Cultural Patronage at the Imperial Court
- Untertitel
- The Antique as Innovation
- Band
- 2
- Autor
- Dirk Jacob Jansen
- Verlag
- Brill
- Ort
- Leiden
- Datum
- 2019
- Sprache
- englisch
- Lizenz
- CC BY-NC-ND 4.0
- ISBN
- 978-90-04-35949-9
- Abmessungen
- 15.8 x 24.1 cm
- Seiten
- 542
- Kategorien
- Biographien
- Kunst und Kultur
Inhaltsverzeichnis
- 11 The Musaeum: Strada’s Circle 547
- 11.1 Strada’s House 547
- 11.2 High-ranking Visitors: Strada’s Guest Book and Ottavio’s Stammbuch 548
- 11.3 ‘Urbanissime Strada’: Accessibility of and Hospitality in the Musaeum 554
- 11.4 Intellectual Associates 556
- 11.5 Strada’s Confessional Position 566
- 11.6 Contacts with Members of the Dynasty 570
- 12 The Musaeum: its Contents 576
- 12.1 Introduction 576
- 12.2 Strada’s own Descriptions of his Musaeum 577
- 12.3 Strada’s Acquisitions for Duke Albrecht V of Bavaria 580
- 12.4 Strada’s own Cabinet of Antiquities 592
- 12.5 Acquisitions of Other Materials in Venice 599
- 12.6 Commissions in Mantua 610
- 12.7 ‘Gemalte Lustigen Tiecher’: Contemporary Painting in Strada’s Musaeum 615
- 12.8 Conclusion 628
- 13 Books, Prints and Drawings: The Musaeum as a centre of visualdocumentation 629
- 13.1 Introduction 629
- 13.2 Strada’s Acquisition of Drawings 630
- 13.3 ‘Owls to Athens’: Some Documents Relating to Strada’s GraphicCollection 634
- 13.4 The Contents of Strada’s Collection of Prints and Drawings 641
- 13.5 Later Fate of Strada’s Prints and Drawings 647
- 13.6 Drawings Preserved in a Context Linking Them withStrada 649
- 13.7 Strada’s Commissions of Visual Documentation: Antiquity 673
- 13.8 Strada’s Commissions of Visual Documentation: Contemporary Architecture and Decoration 692
- 13.9 Images as a Source of Knowledge 711
- 13.10 Conclusion 717
- 14 ‘Ex Musaeo et Impensis Jacobi Stradae, S.C.M. Antiquarius, CivisRomani’: Strada’s Frustrated Ambitions as a Publisher 719
- 14.1 Is There Life beyond the Court? 719
- 14.2 Strada’s Family 719
- 14.3 Ottavio Strada’s Role 725
- 14.4 The Publishing Project: Strada Ambitions as a Publisher 728
- 14.5 The Musaeum as an Editorial Office? 739
- 14.6 Financing the Programme 752
- 14.7 The Index Sive Catalogus 760
- 14.8 Strada’s Approach of Christophe Plantin 775
- 14.9 The Rupture with Ottavio 781
- 14.10 Strada’s Testamentary Disposition 783
- 14.11 Conclusion: The Aftermath 786
- 15 Le Cose dell’antichità : Strada as a Student of Antiquity 799
- 16 Strada & Co.: By Appointment to His Majesty the Emperor 830
- 16.1 Strada as an Imperial Antiquary and Architect 830
- 16.2 Strada’s Role as an Agent 836
- 16.3 Strada as an Independent Agent 840
- 16.4 ‘Ex Musaeo Iacobi de Strada’: Study, Studio, Workshop, Office, Showroom 843
- 16.5 Strada’s Influence: An Agent of Change 849
- 16.6 Conclusion: Strada’s Personality 863
- 16.7 Epilogue: Back to the Portrait 868
- Appendices 877
- Chronological List of Sources 915
- Bibliography 932
- List of Illustrations 986
- Index 1038