Seite - 998 - in Jacopo Strada and Cultural Patronage at the Imperial Court - The Antique as Innovation, Band 2
Bild der Seite - 998 -
Text der Seite - 998 -
998 Illustrations
3.95 Jacopo Strada and workshop, Magnum ac novum opus, title page, FBG,
Ms. A 2175-1, ff. v. r., detail of Fig. 3.23 (CC BT-SA 4.0)    178
4.1 Giuseppe Arcimboldo, Portraits of Archduke Maximilian, King of Bohe-
mia, his wife Maria of Spain and their three eldest children, KHM, inv. nr
GG_3448    191
4.2 Francesco Terzio, Portrait of Archduke Ferdinand II of Tirol, KHM, inv.
nr GG 79714    191
4.3 Hans Bocksberger the Elder, Portrait of Emperor Ferdinand I, KHM, inv.
nr GG_4386 
  191
4.4 Jacopo Strada, De consularibus numismata, frontispiece, presented to
Emperor Ferdinand I in 1558, ÖNB-HS, ms. 9411; image author    197
4.5 Strada’s edition of Onofrio Panvinio, Epitome Pontificum, Venice 1557,
dedication to Emperor Ferdinand I, SuStB, inv. nr 2 P.lat 1245#Beibd. 1;
image BSB-MDZ    198
4.6 Strada’s edition of Onofrio Panvinio, Fasti et Triumphi, Venice 1557, title
page, SuStB, inv. nr 2 Bio 78#(Beibd. 2); image BSB-MDZ    198
4.7 Strada’s edition of Onofrio Panvinio, Fasti et Triumphi, Venice 1557,
dedication to King Maximilian II, SuStB, inv. nr 2 Bio 78#(Beibd. 2);
image BSB-MDZ    198
4.8 Portrait of Wolfgang Lazius, 1572, woodcut by Philips Galle; ARM, inv. nr
RP-P-1908-3854 
  205
4.9 Lazius’ house in Vienna, the Lazenhof, as it was in 1820, after a con-
temporary print; image http://www.ruprechtsviertel.alt-wien.eu/html/
lazenhof.html (consulted 15.03.2015)    205
4.10 Giuseppe Arcimboldo, The Librarian, traditionally identified as Wolf-
gang Lazius; Skokloster Castle, Sweden (CC VY-AS 3.0)    205
4.11 Jacopo Strada, reverse of a coin of Mark Antony, sketched in the mar-
gin of his letter to King Maximilian II, DOC 1599-06-00; BSB-HS, Cod.
Monac. Lat. 9216, f. 1r    205
4.12 A hypothetical reconstruction of the earlier version of the lay-out
of the ceiling of the Goldene Saal in the Innsbruck Hofburg; image
author    220
4.13 Jacopo Strada, design for the accoutrement of an elephant used in
the festivities at the wedding of Archduke Charles, 1571; ÖNB-HS, Cod.
min. 21,3, f. 366/74 
  226
4.14–4.15 Jacopo Strada, designs for the costumes of a pedestrian and an eques-
trian representing the goddess Diana, participants in court festivities;
ÖNB-HS, Cod. min. 21,3, ff. 324/41, 325/42    227
4.16–4.17 Jacopo Strada, Ceres and one of her attendants, designs for the cos-
tumes of an entry in the 1572 festival at Pressburg; ÖNB-HS, Cod. min.
21,3, ff. 3128/35 and 319/36    231
zurück zum
Buch Jacopo Strada and Cultural Patronage at the Imperial Court - The Antique as Innovation, Band 2"
Jacopo Strada and Cultural Patronage at the Imperial Court
The Antique as Innovation, Band 2
- Titel
- Jacopo Strada and Cultural Patronage at the Imperial Court
- Untertitel
- The Antique as Innovation
- Band
- 2
- Autor
- Dirk Jacob Jansen
- Verlag
- Brill
- Ort
- Leiden
- Datum
- 2019
- Sprache
- englisch
- Lizenz
- CC BY-NC-ND 4.0
- ISBN
- 978-90-04-35949-9
- Abmessungen
- 15.8 x 24.1 cm
- Seiten
- 542
- Kategorien
- Biographien
- Kunst und Kultur
Inhaltsverzeichnis
- 11 The Musaeum: Strada’s Circle 547
- 11.1 Strada’s House 547
- 11.2 High-ranking Visitors: Strada’s Guest Book and Ottavio’s Stammbuch 548
- 11.3 ‘Urbanissime Strada’: Accessibility of and Hospitality in the Musaeum 554
- 11.4 Intellectual Associates 556
- 11.5 Strada’s Confessional Position 566
- 11.6 Contacts with Members of the Dynasty 570
- 12 The Musaeum: its Contents 576
- 12.1 Introduction 576
- 12.2 Strada’s own Descriptions of his Musaeum 577
- 12.3 Strada’s Acquisitions for Duke Albrecht V of Bavaria 580
- 12.4 Strada’s own Cabinet of Antiquities 592
- 12.5 Acquisitions of Other Materials in Venice 599
- 12.6 Commissions in Mantua 610
- 12.7 ‘Gemalte Lustigen Tiecher’: Contemporary Painting in Strada’s Musaeum 615
- 12.8 Conclusion 628
- 13 Books, Prints and Drawings: The Musaeum as a centre of visualdocumentation 629
- 13.1 Introduction 629
- 13.2 Strada’s Acquisition of Drawings 630
- 13.3 ‘Owls to Athens’: Some Documents Relating to Strada’s GraphicCollection 634
- 13.4 The Contents of Strada’s Collection of Prints and Drawings 641
- 13.5 Later Fate of Strada’s Prints and Drawings 647
- 13.6 Drawings Preserved in a Context Linking Them withStrada 649
- 13.7 Strada’s Commissions of Visual Documentation: Antiquity 673
- 13.8 Strada’s Commissions of Visual Documentation: Contemporary Architecture and Decoration 692
- 13.9 Images as a Source of Knowledge 711
- 13.10 Conclusion 717
- 14 ‘Ex Musaeo et Impensis Jacobi Stradae, S.C.M. Antiquarius, CivisRomani’: Strada’s Frustrated Ambitions as a Publisher 719
- 14.1 Is There Life beyond the Court? 719
- 14.2 Strada’s Family 719
- 14.3 Ottavio Strada’s Role 725
- 14.4 The Publishing Project: Strada Ambitions as a Publisher 728
- 14.5 The Musaeum as an Editorial Office? 739
- 14.6 Financing the Programme 752
- 14.7 The Index Sive Catalogus 760
- 14.8 Strada’s Approach of Christophe Plantin 775
- 14.9 The Rupture with Ottavio 781
- 14.10 Strada’s Testamentary Disposition 783
- 14.11 Conclusion: The Aftermath 786
- 15 Le Cose dell’antichità : Strada as a Student of Antiquity 799
- 16 Strada & Co.: By Appointment to His Majesty the Emperor 830
- 16.1 Strada as an Imperial Antiquary and Architect 830
- 16.2 Strada’s Role as an Agent 836
- 16.3 Strada as an Independent Agent 840
- 16.4 ‘Ex Musaeo Iacobi de Strada’: Study, Studio, Workshop, Office, Showroom 843
- 16.5 Strada’s Influence: An Agent of Change 849
- 16.6 Conclusion: Strada’s Personality 863
- 16.7 Epilogue: Back to the Portrait 868
- Appendices 877
- Chronological List of Sources 915
- Bibliography 932
- List of Illustrations 986
- Index 1038