Seite - 999 - in Jacopo Strada and Cultural Patronage at the Imperial Court - The Antique as Innovation, Band 2
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999Illustrations
4.18–4.19 Jacopo Strada, Europa and A Moorish woman, designs for the costumes
of an entry in the 1571 Vienna festival; ÖBN-HS, Cod. min. 21,3, ff.
315/33, 317/34    232
4.20–4.22 Workshop of Jacopo Strada, designs for festival costumes, SKD-KK, inv.
nr Ca 93: two tympani players on horseback (f. 2), a female figure on
foot (f.Â
80) and a female figure on horseback, f. 6; © images SKD-KK,
photograph by Andreas Diesend    234
4.23–4.25 Jost Amman, Europa, Moorish woman and Persian soldiers; engravings
after Jacopo Strada’s costume designs from his print series Stattliche
Mummereien so vor zeiten grosse Potentaten gehabt haben, 1584; images
from SEELIG 2003    235
4.26 Workshop of Jacopo Strada, Galearum antiquarum, title page, ÖNB-HS,
Cod. min. 21.1; image author    237
4.27 Workshop of Jacopo Strada, design for an ornamental helmet
all’antica, from his ms. Galearum antiquarum, ÖNB-HS, Cod. min. 21,1,
f. 33; image author    237
4.28 Anonymous draughtsman, orbit of Jacopo Strada, design for an orna-
mental helmet all’antica; New York, private collection    237
4.29–4.31 Workshop of Jacopo Strada, designs for helmets and headdresses in
antique, medieval, and oriental fashion, from Galearum antiquarum;
all ÖNB-HS, Cod. min 21,1, ff. 44, 84 and 61    238
4.32–4.34 Workshop of Jacopo Strada, designs for a leg-piece of a suit of orna-
mental armour and for elements of horse’s trappings; all ÖNB-HS, Cod.
min. 21,3, ff. 60, 50 and 51 
  238
4.35 Workshop of Jacopo Strada, documentary drawing of the design
for a richly caparisoned horse; ÖNB-HS, Cod. min. 21,3, f. 45    239
4.36–4.37 Jacopo Strada or assistant, costume designs for two participants
in a court festival; Budapest, Szépművészeti Múzeum, inv. nrs.
1312–1313 
  239
4.38 Jacopo Strada, documentary drawing of the design for a
triumphal arch for a ceremonial entry; ÖNB-HS, Cod. min. 21,3,
f. 40    240
4.39 Jacopo Strada, drawing of the reverse of a coin of Augustus,
in his Magnum ac Novum Opus; FBG, ms. Chart. A 2174, vol. 4,
f. 89r    240
4.40 Francesco Terzio (?), Portrait of Hans Francolin; hand-coloured
engraving from FRANCOLIN 1561, frontispiece; ÖNB-HS, (Alt-) sig.
667200-C / Rara 175    241
4.41 Here attributed to Jacopo Strada, Emblem for Hans Francolin; engrav-
ing from FRANCOLIN 1561, BSB, sig. Esgl- Her 2 16; image BSB-MDZ
(CC BY-NC-SA 4.0)    241
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Buch Jacopo Strada and Cultural Patronage at the Imperial Court - The Antique as Innovation, Band 2"
Jacopo Strada and Cultural Patronage at the Imperial Court
The Antique as Innovation, Band 2
- Titel
- Jacopo Strada and Cultural Patronage at the Imperial Court
- Untertitel
- The Antique as Innovation
- Band
- 2
- Autor
- Dirk Jacob Jansen
- Verlag
- Brill
- Ort
- Leiden
- Datum
- 2019
- Sprache
- englisch
- Lizenz
- CC BY-NC-ND 4.0
- ISBN
- 978-90-04-35949-9
- Abmessungen
- 15.8 x 24.1 cm
- Seiten
- 542
- Kategorien
- Biographien
- Kunst und Kultur
Inhaltsverzeichnis
- 11 The Musaeum: Strada’s Circle 547
- 11.1 Strada’s House 547
- 11.2 High-ranking Visitors: Strada’s Guest Book and Ottavio’s Stammbuch 548
- 11.3 ‘Urbanissime Strada’: Accessibility of and Hospitality in the Musaeum 554
- 11.4 Intellectual Associates 556
- 11.5 Strada’s Confessional Position 566
- 11.6 Contacts with Members of the Dynasty 570
- 12 The Musaeum: its Contents 576
- 12.1 Introduction 576
- 12.2 Strada’s own Descriptions of his Musaeum 577
- 12.3 Strada’s Acquisitions for Duke Albrecht V of Bavaria 580
- 12.4 Strada’s own Cabinet of Antiquities 592
- 12.5 Acquisitions of Other Materials in Venice 599
- 12.6 Commissions in Mantua 610
- 12.7 ‘Gemalte Lustigen Tiecher’: Contemporary Painting in Strada’s Musaeum 615
- 12.8 Conclusion 628
- 13 Books, Prints and Drawings: The Musaeum as a centre of visualdocumentation 629
- 13.1 Introduction 629
- 13.2 Strada’s Acquisition of Drawings 630
- 13.3 ‘Owls to Athens’: Some Documents Relating to Strada’s GraphicCollection 634
- 13.4 The Contents of Strada’s Collection of Prints and Drawings 641
- 13.5 Later Fate of Strada’s Prints and Drawings 647
- 13.6 Drawings Preserved in a Context Linking Them withStrada 649
- 13.7 Strada’s Commissions of Visual Documentation: Antiquity 673
- 13.8 Strada’s Commissions of Visual Documentation: Contemporary Architecture and Decoration 692
- 13.9 Images as a Source of Knowledge 711
- 13.10 Conclusion 717
- 14 ‘Ex Musaeo et Impensis Jacobi Stradae, S.C.M. Antiquarius, CivisRomani’: Strada’s Frustrated Ambitions as a Publisher 719
- 14.1 Is There Life beyond the Court? 719
- 14.2 Strada’s Family 719
- 14.3 Ottavio Strada’s Role 725
- 14.4 The Publishing Project: Strada Ambitions as a Publisher 728
- 14.5 The Musaeum as an Editorial Office? 739
- 14.6 Financing the Programme 752
- 14.7 The Index Sive Catalogus 760
- 14.8 Strada’s Approach of Christophe Plantin 775
- 14.9 The Rupture with Ottavio 781
- 14.10 Strada’s Testamentary Disposition 783
- 14.11 Conclusion: The Aftermath 786
- 15 Le Cose dell’antichità : Strada as a Student of Antiquity 799
- 16 Strada & Co.: By Appointment to His Majesty the Emperor 830
- 16.1 Strada as an Imperial Antiquary and Architect 830
- 16.2 Strada’s Role as an Agent 836
- 16.3 Strada as an Independent Agent 840
- 16.4 ‘Ex Musaeo Iacobi de Strada’: Study, Studio, Workshop, Office, Showroom 843
- 16.5 Strada’s Influence: An Agent of Change 849
- 16.6 Conclusion: Strada’s Personality 863
- 16.7 Epilogue: Back to the Portrait 868
- Appendices 877
- Chronological List of Sources 915
- Bibliography 932
- List of Illustrations 986
- Index 1038