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Jacopo Strada and Cultural Patronage at the Imperial Court - The Antique as Innovation, Band 2
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1004 Illustrations 5.65 Bonifaz Wohlmut, plan of King Maximilian II’s Lusthaus and the ad- joining garden and orchard on the Prater island, from Georg Tanner’s description (1557); ÖNB-HS, ms. 8085    300 5.66–5.69 Bonifaz Wohlmut, two geometrical schemes for a quincunx pattern and designs of an orchard planted according to the quincunx scheme, illustrations from Georg Tanner’s description of Maximilian II’s Grünes Lusthaus; ÖNB-HS, ms. 8085    301 5.70 The Hofburg, detail from the town plan of Vienna by Augustin Hirsch- vogel, 1547; image from KÜHNEL 1971, p. 35    308 5.71 The Vienna Hofburg in 1558, detail from an engraving by Hans Sebald Lautensack; image RIHA    308 5.72 Plan of the Hofburg: the black parts were existent by 1600; drawn by Walther Brauneis; image from KÜHNEL 1971, pp. 56–57    309 5.73 Hans Sebald Lautensack, joust on foot on the Burgplatz in Vienna, 1560; hand-coloured engraving from FRANCOLIN 1561, ÖNB-HS, (Alt-) sig. 667200-C/ Rara 175    311 5.74 The Hofburg and the new wing constructed ca 1553–1556, detail from ill. 5.73    312 5.75 Francesco Terzio, ceremonial dinner of Emperor Ferdinand I and his family in the ‘grosse tafl stuben’ of the Vienna Hofburg, 1560; hand- coloured engraving from FRANCOLIN 1561, ÖNB-HS, (Alt-) sig. 667200-C/ Rara 175    312 5.76 Wolfgang Heimbach, Nächtliches Banquet, oil on copper; KHM, Gemäl- degalerie, inv. nr GG-599    316 5.77 Sebastiano Serlio, Château de Ancy-le-Franc, ca 1545; image Wikime- dia/ Christophe Finot    318 5.78 Sebastiano Serlio, alternative design for Ancy-le-Franc, drawing from the Munich ms. of the Sesto Libro; BSB-HS, Cod. icon 189, f. 17r    318 5.79 Lintel and entablature of a window frame of Queen Anna’s Summer Palace, ca 1540–1545; image author    319 5.80 Lintel and entablature of a window frame of the Schweizerische Trakt of the Hofburg, Vienna, ca 1553; image author    319 5.81 Vienna, Hofburg: the Schweizertor, 1552; image author    322 5.82 Pietro Ferrabosco, ceiling decorations of the Schweizertor; image author    322 5.83 Domenico dell’Allio, Façade of the Landhaus in Graz, ca 1556–1560; image Wikimedia/ Cezar Suceveanu (CC BY-SA 4.0)    324 5.84 Bonifaz Wohlmut, Prague Castle, Ballhaus (1567–1569); image author    325
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Jacopo Strada and Cultural Patronage at the Imperial Court The Antique as Innovation, Band 2
Titel
Jacopo Strada and Cultural Patronage at the Imperial Court
Untertitel
The Antique as Innovation
Band
2
Autor
Dirk Jacob Jansen
Verlag
Brill
Ort
Leiden
Datum
2019
Sprache
englisch
Lizenz
CC BY-NC-ND 4.0
ISBN
978-90-04-35949-9
Abmessungen
15.8 x 24.1 cm
Seiten
542
Kategorien
Biographien
Kunst und Kultur

Inhaltsverzeichnis

  1. 11 The Musaeum: Strada’s Circle 547
    1. 11.1 Strada’s House 547
    2. 11.2 High-ranking Visitors: Strada’s Guest Book and Ottavio’s Stammbuch 548
    3. 11.3 ‘Urbanissime Strada’: Accessibility of and Hospitality in the Musaeum 554
    4. 11.4 Intellectual Associates 556
    5. 11.5 Strada’s Confessional Position 566
    6. 11.6 Contacts with Members of the Dynasty 570
  2. 12 The Musaeum: its Contents 576
    1. 12.1 Introduction 576
    2. 12.2 Strada’s own Descriptions of his Musaeum 577
    3. 12.3 Strada’s Acquisitions for Duke Albrecht V of Bavaria 580
    4. 12.4 Strada’s own Cabinet of Antiquities 592
    5. 12.5 Acquisitions of Other Materials in Venice 599
    6. 12.6 Commissions in Mantua 610
    7. 12.7 ‘Gemalte Lustigen Tiecher’: Contemporary Painting in Strada’s Musaeum 615
    8. 12.8 Conclusion 628
  3. 13 Books, Prints and Drawings: The Musaeum as a centre of visualdocumentation 629
    1. 13.1 Introduction 629
    2. 13.2 Strada’s Acquisition of Drawings 630
    3. 13.3 ‘Owls to Athens’: Some Documents Relating to Strada’s GraphicCollection 634
    4. 13.4 The Contents of Strada’s Collection of Prints and Drawings 641
    5. 13.5 Later Fate of Strada’s Prints and Drawings 647
    6. 13.6 Drawings Preserved in a Context Linking Them withStrada 649
    7. 13.7 Strada’s Commissions of Visual Documentation: Antiquity 673
    8. 13.8 Strada’s Commissions of Visual Documentation: Contemporary Architecture and Decoration 692
    9. 13.9 Images as a Source of Knowledge 711
    10. 13.10 Conclusion 717
  4. 14 ‘Ex Musaeo et Impensis Jacobi Stradae, S.C.M. Antiquarius, CivisRomani’: Strada’s Frustrated Ambitions as a Publisher 719
    1. 14.1 Is There Life beyond the Court? 719
    2. 14.2 Strada’s Family 719
    3. 14.3 Ottavio Strada’s Role 725
    4. 14.4 The Publishing Project: Strada Ambitions as a Publisher 728
    5. 14.5 The Musaeum as an Editorial Office? 739
    6. 14.6 Financing the Programme 752
    7. 14.7 The Index Sive Catalogus 760
    8. 14.8 Strada’s Approach of Christophe Plantin 775
    9. 14.9 The Rupture with Ottavio 781
    10. 14.10 Strada’s Testamentary Disposition 783
    11. 14.11 Conclusion: The Aftermath 786
  5. 15 Le Cose dell’antichità: Strada as a Student of Antiquity 799
    1. 15.1 Profession: Antiquarius 799
    2. 15.2 Strada’s Qualities as an Antiquary 807
    3. 15.3 Strada’s Method 813
    4. 15.4 Strada’s Aims 822
  6. 16 Strada & Co.: By Appointment to His Majesty the Emperor 830
    1. 16.1 Strada as an Imperial Antiquary and Architect 830
    2. 16.2 Strada’s Role as an Agent 836
    3. 16.3 Strada as an Independent Agent 840
    4. 16.4 ‘Ex Musaeo Iacobi de Strada’: Study, Studio, Workshop, Office, Showroom 843
    5. 16.5 Strada’s Influence: An Agent of Change 849
    6. 16.6 Conclusion: Strada’s Personality 863
    7. 16.7 Epilogue: Back to the Portrait 868
  7. Appendices 877
    1. A Some Unpublished Letters 877
    2. B Strada’s Will 894
    3. C Strada’s Musaeum: Pleasant paintings 900
    4. D Strada’s Musaeum: The Index Sive Catalogus 902
  8. Chronological List of Sources 915
  9. Bibliography 932
  10. List of Illustrations 986
  11. Index 1038
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Jacopo Strada and Cultural Patronage at the Imperial Court