Seite - 1004 - in Jacopo Strada and Cultural Patronage at the Imperial Court - The Antique as Innovation, Band 2
Bild der Seite - 1004 -
Text der Seite - 1004 -
1004 Illustrations
5.65 Bonifaz Wohlmut, plan of King Maximilian II’s Lusthaus and the ad-
joining garden and orchard on the Prater island, from Georg Tanner’s
description (1557); ÖNB-HS, ms. 8085    300
5.66–5.69 Bonifaz Wohlmut, two geometrical schemes for a quincunx pattern
and designs of an orchard planted according to the quincunx scheme,
illustrations from Georg Tanner’s description of Maximilian II’s
Grünes Lusthaus; ÖNB-HS, ms. 8085    301
5.70 The Hofburg, detail from the town plan of Vienna by Augustin Hirsch-
vogel, 1547; image from KÜHNEL 1971, p. 35    308
5.71 The Vienna Hofburg in 1558, detail from an engraving by Hans Sebald
Lautensack; image RIHA    308
5.72 Plan of the Hofburg: the black parts were existent by 1600; drawn by
Walther Brauneis; image from KÜHNEL 1971, pp. 56–57    309
5.73 Hans Sebald Lautensack, joust on foot on the Burgplatz in Vienna,
1560; hand-coloured engraving from FRANCOLIN 1561, ÖNB-HS, (Alt-)
sig. 667200-C/ Rara 175    311
5.74 The Hofburg and the new wing constructed ca 1553–1556, detail
from ill. 5.73    312
5.75 Francesco Terzio, ceremonial dinner of Emperor Ferdinand I and his
family in the ‘grosse tafl stuben’ of the Vienna Hofburg, 1560; hand-
coloured engraving from FRANCOLIN 1561, ÖNB-HS, (Alt-)
sig. 667200-C/ Rara 175    312
5.76 Wolfgang Heimbach, Nächtliches Banquet, oil on copper; KHM, Gemäl-
degalerie, inv. nr GG-599    316
5.77 Sebastiano Serlio, Château de Ancy-le-Franc, ca 1545; image Wikime-
dia/ Christophe Finot    318
5.78 Sebastiano Serlio, alternative design for Ancy-le-Franc, drawing from
the Munich ms. of the Sesto Libro; BSB-HS, Cod. icon 189, f. 17r    318
5.79 Lintel and entablature of a window frame of Queen Anna’s Summer
Palace, ca 1540–1545; image author    319
5.80 Lintel and entablature of a window frame of the Schweizerische Trakt
of the Hofburg, Vienna, ca 1553; image author    319
5.81 Vienna, Hofburg: the Schweizertor, 1552; image author    322
5.82 Pietro Ferrabosco, ceiling decorations of the Schweizertor; image
author    322
5.83 Domenico dell’Allio, Façade of the Landhaus in Graz, ca 1556–1560;
image Wikimedia/ Cezar Suceveanu (CC BY-SA 4.0)    324
5.84 Bonifaz Wohlmut, Prague Castle, Ballhaus (1567–1569); image
author    325
zurück zum
Buch Jacopo Strada and Cultural Patronage at the Imperial Court - The Antique as Innovation, Band 2"
Jacopo Strada and Cultural Patronage at the Imperial Court
The Antique as Innovation, Band 2
- Titel
- Jacopo Strada and Cultural Patronage at the Imperial Court
- Untertitel
- The Antique as Innovation
- Band
- 2
- Autor
- Dirk Jacob Jansen
- Verlag
- Brill
- Ort
- Leiden
- Datum
- 2019
- Sprache
- englisch
- Lizenz
- CC BY-NC-ND 4.0
- ISBN
- 978-90-04-35949-9
- Abmessungen
- 15.8 x 24.1 cm
- Seiten
- 542
- Kategorien
- Biographien
- Kunst und Kultur
Inhaltsverzeichnis
- 11 The Musaeum: Strada’s Circle 547
- 11.1 Strada’s House 547
- 11.2 High-ranking Visitors: Strada’s Guest Book and Ottavio’s Stammbuch 548
- 11.3 ‘Urbanissime Strada’: Accessibility of and Hospitality in the Musaeum 554
- 11.4 Intellectual Associates 556
- 11.5 Strada’s Confessional Position 566
- 11.6 Contacts with Members of the Dynasty 570
- 12 The Musaeum: its Contents 576
- 12.1 Introduction 576
- 12.2 Strada’s own Descriptions of his Musaeum 577
- 12.3 Strada’s Acquisitions for Duke Albrecht V of Bavaria 580
- 12.4 Strada’s own Cabinet of Antiquities 592
- 12.5 Acquisitions of Other Materials in Venice 599
- 12.6 Commissions in Mantua 610
- 12.7 ‘Gemalte Lustigen Tiecher’: Contemporary Painting in Strada’s Musaeum 615
- 12.8 Conclusion 628
- 13 Books, Prints and Drawings: The Musaeum as a centre of visualdocumentation 629
- 13.1 Introduction 629
- 13.2 Strada’s Acquisition of Drawings 630
- 13.3 ‘Owls to Athens’: Some Documents Relating to Strada’s GraphicCollection 634
- 13.4 The Contents of Strada’s Collection of Prints and Drawings 641
- 13.5 Later Fate of Strada’s Prints and Drawings 647
- 13.6 Drawings Preserved in a Context Linking Them withStrada 649
- 13.7 Strada’s Commissions of Visual Documentation: Antiquity 673
- 13.8 Strada’s Commissions of Visual Documentation: Contemporary Architecture and Decoration 692
- 13.9 Images as a Source of Knowledge 711
- 13.10 Conclusion 717
- 14 ‘Ex Musaeo et Impensis Jacobi Stradae, S.C.M. Antiquarius, CivisRomani’: Strada’s Frustrated Ambitions as a Publisher 719
- 14.1 Is There Life beyond the Court? 719
- 14.2 Strada’s Family 719
- 14.3 Ottavio Strada’s Role 725
- 14.4 The Publishing Project: Strada Ambitions as a Publisher 728
- 14.5 The Musaeum as an Editorial Office? 739
- 14.6 Financing the Programme 752
- 14.7 The Index Sive Catalogus 760
- 14.8 Strada’s Approach of Christophe Plantin 775
- 14.9 The Rupture with Ottavio 781
- 14.10 Strada’s Testamentary Disposition 783
- 14.11 Conclusion: The Aftermath 786
- 15 Le Cose dell’antichità : Strada as a Student of Antiquity 799
- 16 Strada & Co.: By Appointment to His Majesty the Emperor 830
- 16.1 Strada as an Imperial Antiquary and Architect 830
- 16.2 Strada’s Role as an Agent 836
- 16.3 Strada as an Independent Agent 840
- 16.4 ‘Ex Musaeo Iacobi de Strada’: Study, Studio, Workshop, Office, Showroom 843
- 16.5 Strada’s Influence: An Agent of Change 849
- 16.6 Conclusion: Strada’s Personality 863
- 16.7 Epilogue: Back to the Portrait 868
- Appendices 877
- Chronological List of Sources 915
- Bibliography 932
- List of Illustrations 986
- Index 1038