Seite - 1005 - in Jacopo Strada and Cultural Patronage at the Imperial Court - The Antique as Innovation, Band 2
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1005Illustrations
5.85 Bonifaz Wohlmut, Church of St Peter and Paul at Kralovice (CZ),
(1575–1581); image Wikimedia/ Zdeňka Bušková (CC BY-SA
3.0)    325
5.86 Portrait of Jacopo Aconcio, anonymous XVT-century engraving, from
‘Ossana rende omaggio a Jacopo Aconcio’, in Trentino. Quotidiano
online della Provincia autonoma di Trentino (06.07.2017), URL: https://
www.ufficiostampa.provincia.tn.it/Comunicati/Ossana-rende
-omaggio-a-Jacopo-Aconcio (consulted 27.02.2018)    326
5.87 Rusticated pilasters at the entrance to the Burgkapelle, Hofburg,
Vienna; image author 
  329
5.88 Sebastiano Serlio, Fontainebleau, project for the Salle de Bal in Fon-
tainebleau, 1545–1546, woodcut from the Settimo Libro; SERLIO 1575,
p. 97; image SLUB-DS (CC-BY-SA 4.0)    329
5.89 Jacopo Strada and workshop, triumphal arch, reconstruction based
on the reverse of a Roman coin, drawing in pen, ink and wash from
Strada’s Magnum ac novum opus, FBG, ms. Chart A 2175, vol. 11, f.
27r    332
5.90 Anonymous sketch of a battle in the vicinity of Szatmár (Satu Mare) in
Transylvania, inserted among the Strada material in the album in the
library of the Strahov Monastery Prague, ms. D LIII 3, f. 106    337
5.91 Titian, portrait of Jacopo Strada: inscription; detail of Fig. 0.1    338
6.1 Reconstruction of the arcades of the Kaiserspital, from PICHLER
1904, pl. 46    340
6.2 Attributed to Francesco Terzio, design for the tomb of Emperor Maxi-
milian I, Innsbruck, ca 1555–1556; Albertina, inv. nr AZ9685    345
6.3 Attributed to Florian Abel, Visierung for the tomb of Emperor Maxi-
milian I, ca 1561; KHM, inv. nr KK-4971    346
6.4 The tomb of Maximilian I as executed by Alexander Colin, drawing by
Joseph Strickner 1744–1826; Innsbruck, Tiroler Landesmuseum Ferdi-
nandeum, inv. nr FB 1673/87    347
6.5 Jacopo Strada, detail of his reconstruction of a triumphal arch derived
from a Roman coin; FGB, ms. Chart. A 2175, vol. II, f. 23r    348
6.6 Attributed to Florian Abel, trophies in the socle zone, detail of
the Visierung for the tomb of Emperor Maximilian I; detail of ill.
6.03    348
6.7 Jacopo Strada, drawing after the Flora Farnese; ÖNB-HS, Cod. min. 21,1,
f.Â
12    349
6.8 Attributed to Florian Abel, Personification of Hope, detail of the Visier-
ung for the tomb of Emperor Maximilian I; detail of ill. 6.03    349
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Buch Jacopo Strada and Cultural Patronage at the Imperial Court - The Antique as Innovation, Band 2"
Jacopo Strada and Cultural Patronage at the Imperial Court
The Antique as Innovation, Band 2
- Titel
- Jacopo Strada and Cultural Patronage at the Imperial Court
- Untertitel
- The Antique as Innovation
- Band
- 2
- Autor
- Dirk Jacob Jansen
- Verlag
- Brill
- Ort
- Leiden
- Datum
- 2019
- Sprache
- englisch
- Lizenz
- CC BY-NC-ND 4.0
- ISBN
- 978-90-04-35949-9
- Abmessungen
- 15.8 x 24.1 cm
- Seiten
- 542
- Kategorien
- Biographien
- Kunst und Kultur
Inhaltsverzeichnis
- 11 The Musaeum: Strada’s Circle 547
- 11.1 Strada’s House 547
- 11.2 High-ranking Visitors: Strada’s Guest Book and Ottavio’s Stammbuch 548
- 11.3 ‘Urbanissime Strada’: Accessibility of and Hospitality in the Musaeum 554
- 11.4 Intellectual Associates 556
- 11.5 Strada’s Confessional Position 566
- 11.6 Contacts with Members of the Dynasty 570
- 12 The Musaeum: its Contents 576
- 12.1 Introduction 576
- 12.2 Strada’s own Descriptions of his Musaeum 577
- 12.3 Strada’s Acquisitions for Duke Albrecht V of Bavaria 580
- 12.4 Strada’s own Cabinet of Antiquities 592
- 12.5 Acquisitions of Other Materials in Venice 599
- 12.6 Commissions in Mantua 610
- 12.7 ‘Gemalte Lustigen Tiecher’: Contemporary Painting in Strada’s Musaeum 615
- 12.8 Conclusion 628
- 13 Books, Prints and Drawings: The Musaeum as a centre of visualdocumentation 629
- 13.1 Introduction 629
- 13.2 Strada’s Acquisition of Drawings 630
- 13.3 ‘Owls to Athens’: Some Documents Relating to Strada’s GraphicCollection 634
- 13.4 The Contents of Strada’s Collection of Prints and Drawings 641
- 13.5 Later Fate of Strada’s Prints and Drawings 647
- 13.6 Drawings Preserved in a Context Linking Them withStrada 649
- 13.7 Strada’s Commissions of Visual Documentation: Antiquity 673
- 13.8 Strada’s Commissions of Visual Documentation: Contemporary Architecture and Decoration 692
- 13.9 Images as a Source of Knowledge 711
- 13.10 Conclusion 717
- 14 ‘Ex Musaeo et Impensis Jacobi Stradae, S.C.M. Antiquarius, CivisRomani’: Strada’s Frustrated Ambitions as a Publisher 719
- 14.1 Is There Life beyond the Court? 719
- 14.2 Strada’s Family 719
- 14.3 Ottavio Strada’s Role 725
- 14.4 The Publishing Project: Strada Ambitions as a Publisher 728
- 14.5 The Musaeum as an Editorial Office? 739
- 14.6 Financing the Programme 752
- 14.7 The Index Sive Catalogus 760
- 14.8 Strada’s Approach of Christophe Plantin 775
- 14.9 The Rupture with Ottavio 781
- 14.10 Strada’s Testamentary Disposition 783
- 14.11 Conclusion: The Aftermath 786
- 15 Le Cose dell’antichità : Strada as a Student of Antiquity 799
- 16 Strada & Co.: By Appointment to His Majesty the Emperor 830
- 16.1 Strada as an Imperial Antiquary and Architect 830
- 16.2 Strada’s Role as an Agent 836
- 16.3 Strada as an Independent Agent 840
- 16.4 ‘Ex Musaeo Iacobi de Strada’: Study, Studio, Workshop, Office, Showroom 843
- 16.5 Strada’s Influence: An Agent of Change 849
- 16.6 Conclusion: Strada’s Personality 863
- 16.7 Epilogue: Back to the Portrait 868
- Appendices 877
- Chronological List of Sources 915
- Bibliography 932
- List of Illustrations 986
- Index 1038