Seite - 1006 - in Jacopo Strada and Cultural Patronage at the Imperial Court - The Antique as Innovation, Band 2
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1006 Illustrations
6.9 Spes, after the Flora Farnese; engraving by Girolamo Porro from
Giovanni Battista Cavalieri’s printseries Antiquarum statuarum urbis
Romae primus et secundus liber, Rome 1585, I, nr 11; Chicago IL, Univer-
sity of Chicago Library, Special Collections Research Center, Speculum
Romanae Magnificentiae C 715; image from Speculum Romanae
Magnificentiae Digital: http://speculum.lib.uchicago.edu/index
.html    349
6.10 Jean Goujon, one of the caryatids of his Tribune des musiciens
of the Louvre, Paris 1551, detail; image Wikimedia/ Roi Roiability
(CC BY-SA 2.0)    349
6.11 Wolfgang Heimbach, the ceiling in the Ritterstube of the Vienna Hof-
burg, detail of Nächtliches Banquet (detail of Fig. 5.72)    351
6.12 A ceiling from Dobrovice castle, ca 1578, now in Å vihov Castle, Czechia;
image Wikimedia/ Jiřà Strašek (CC BY-SA 4.0)    351
6.13 Francesco Terzio, Ceremonial dinner in the ‘grosse tafl stuben’ of the
Vienna Hofburg, 1560, engraving, detail showing the timber ceiling
(detail of ill. 5.75) 
  352
6.14–6.15 Sebastiano Serlio, eight designs for timber ceilings, woodcuts from
the German edition of his Fourth Book, Die gemaynen Reglen von
der Architectur uber die funf Manieren der Gebeu, …, Antwerp 1542,
ff. 69v. and 70r.; Zurich, Zentralbibliothek, sig. T 74 | G; image e-rara.
ch 
  353
6.16 Monogrammist FA, The Tanzhaus, a temporary ballroom constructed
for the Habsburg family gathering in 1560, engraving from FRANCO-
LIN 1561; image BSB-MDZ (CC BY-NC-SA 3.0)    354
6.17 Corinthian capital of the Tanzhaus, detail of ill. 6.16    355
6.18 Sebastiano Serlio, Corinthian capital from the triumphal arch at
Pola (Dalmatia), woodcut from the Terzo libro, Venice 1544,
p. cxxix; HUB, sig. C 6339-8-10 Fol. Res; image HHB-D (CC BY-SA
3.0)    355
6.19 The Stallburg, Vienna, corner Reitschulgasse and Habsburgergasse;
image Wikimedia/ Extrawurst (CC BY-SA 3.0)    357
6.20 The Stallburg, detail from Jacob Hoefnagel and Claes Jansz. Visscher,
Vienna Avstriae—Wienn In Oesterreich, from a later reprint; image
author    357
6.21 Sebastiano Serlio, ‘della magione del principe illustre al modo di
Franza’, detail of a drawing from the Sesto Libro, Munich manuscript,
project XVII; BSB-HS, Cod. icon. 189, f. 18r    358
6.22 The Stallburg, corner at the Josefsplatz; image author    359
zurück zum
Buch Jacopo Strada and Cultural Patronage at the Imperial Court - The Antique as Innovation, Band 2"
Jacopo Strada and Cultural Patronage at the Imperial Court
The Antique as Innovation, Band 2
- Titel
- Jacopo Strada and Cultural Patronage at the Imperial Court
- Untertitel
- The Antique as Innovation
- Band
- 2
- Autor
- Dirk Jacob Jansen
- Verlag
- Brill
- Ort
- Leiden
- Datum
- 2019
- Sprache
- englisch
- Lizenz
- CC BY-NC-ND 4.0
- ISBN
- 978-90-04-35949-9
- Abmessungen
- 15.8 x 24.1 cm
- Seiten
- 542
- Kategorien
- Biographien
- Kunst und Kultur
Inhaltsverzeichnis
- 11 The Musaeum: Strada’s Circle 547
- 11.1 Strada’s House 547
- 11.2 High-ranking Visitors: Strada’s Guest Book and Ottavio’s Stammbuch 548
- 11.3 ‘Urbanissime Strada’: Accessibility of and Hospitality in the Musaeum 554
- 11.4 Intellectual Associates 556
- 11.5 Strada’s Confessional Position 566
- 11.6 Contacts with Members of the Dynasty 570
- 12 The Musaeum: its Contents 576
- 12.1 Introduction 576
- 12.2 Strada’s own Descriptions of his Musaeum 577
- 12.3 Strada’s Acquisitions for Duke Albrecht V of Bavaria 580
- 12.4 Strada’s own Cabinet of Antiquities 592
- 12.5 Acquisitions of Other Materials in Venice 599
- 12.6 Commissions in Mantua 610
- 12.7 ‘Gemalte Lustigen Tiecher’: Contemporary Painting in Strada’s Musaeum 615
- 12.8 Conclusion 628
- 13 Books, Prints and Drawings: The Musaeum as a centre of visualdocumentation 629
- 13.1 Introduction 629
- 13.2 Strada’s Acquisition of Drawings 630
- 13.3 ‘Owls to Athens’: Some Documents Relating to Strada’s GraphicCollection 634
- 13.4 The Contents of Strada’s Collection of Prints and Drawings 641
- 13.5 Later Fate of Strada’s Prints and Drawings 647
- 13.6 Drawings Preserved in a Context Linking Them withStrada 649
- 13.7 Strada’s Commissions of Visual Documentation: Antiquity 673
- 13.8 Strada’s Commissions of Visual Documentation: Contemporary Architecture and Decoration 692
- 13.9 Images as a Source of Knowledge 711
- 13.10 Conclusion 717
- 14 ‘Ex Musaeo et Impensis Jacobi Stradae, S.C.M. Antiquarius, CivisRomani’: Strada’s Frustrated Ambitions as a Publisher 719
- 14.1 Is There Life beyond the Court? 719
- 14.2 Strada’s Family 719
- 14.3 Ottavio Strada’s Role 725
- 14.4 The Publishing Project: Strada Ambitions as a Publisher 728
- 14.5 The Musaeum as an Editorial Office? 739
- 14.6 Financing the Programme 752
- 14.7 The Index Sive Catalogus 760
- 14.8 Strada’s Approach of Christophe Plantin 775
- 14.9 The Rupture with Ottavio 781
- 14.10 Strada’s Testamentary Disposition 783
- 14.11 Conclusion: The Aftermath 786
- 15 Le Cose dell’antichità : Strada as a Student of Antiquity 799
- 16 Strada & Co.: By Appointment to His Majesty the Emperor 830
- 16.1 Strada as an Imperial Antiquary and Architect 830
- 16.2 Strada’s Role as an Agent 836
- 16.3 Strada as an Independent Agent 840
- 16.4 ‘Ex Musaeo Iacobi de Strada’: Study, Studio, Workshop, Office, Showroom 843
- 16.5 Strada’s Influence: An Agent of Change 849
- 16.6 Conclusion: Strada’s Personality 863
- 16.7 Epilogue: Back to the Portrait 868
- Appendices 877
- Chronological List of Sources 915
- Bibliography 932
- List of Illustrations 986
- Index 1038