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Jacopo Strada and Cultural Patronage at the Imperial Court - The Antique as Innovation, Band 2
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1012 Illustrations 9.9 Monogram of Emperor Maximilian II and Empress Maria under the Bohemian crown, as depicted on the dedication page of Tanner’s trea- tise of the Prater Lusthaus; ÖNB-HS, ms. 8085    435 9.10 Severin Brachmann, King Maximilian II and his consort Maria of Spain in a pavilion in one of their gardens, limestone relief, ca 1560; KHM, inv. nr KK 9895    436 9.11–9.12 Georg Matthäus Vischer, view of Schönbrunn; engraving from VISCHER 1672, pl. 92, and detail; BSB, inv.-nr Hbks/F 71; image BSB-MDZ    436 9.13 The Vienna Neugebäude in its present state; image author    437 9.14 View of the Neugebäude complex as envisaged in the reconstruction model, realized by Modellbauwerkstätte Philipp Lang; Vienna, Schloß Neugebäude; image Wikimedia/ Gryffindor (CC-BY-SA 3.0)    438 9.15–9.16 Lucas van Valckenborch, Rudolf II and his brothers in front of the Vienna Neugebäude, ca 1593, and detail; KHM, Gemäldegalerie, inv. nr 9863    441 9.17 Matthäus Merian, Eigentliche Delineatio des Schönen Lusthauses genannt das Neugebäu, bird’s-eye view from the north; engraving, 1649, from his print series Topographia Provinciarum Austriacarum, Austriae, Styriae, Carinthiae, Carniolae, Tyrolis, Frankfurt a.M. 1679; Dusseldorf, Universitäts- und Landesbibliothek; image digital.ub.uni- duesseldorf.de/ihd, acc.-nr 39:131883S (CC BY-NC-SA 4.0)    443 9.18 Andreas Altmann, Design for the frame of a green tunnel for the garden at Prague Castle, 1567; NAP, inv. nr ČDKM IV, Kart. 191, f. 452    444 9.19 The green tunnel in the gardens of the Villa d’Este, detail from a 17th-century copy after Etienne du Pérac’s bird’s eye view of 1571, handcoloured engraving; image Wikimedia/pd    444 9.20 Hans Vredeman de Vries, design for a garden labyrinth, ca 1587: engrav- ing from a later edition of his print series Hortorum viridiarumque, ca 1635–1640; ARM, inv. nr RP-P-1964-3023    444 9.21 Galleries in carpentry to be overgrown with ivy at the Château de Montargis, engraving from ANDROUET DU CERCEAU 1576, pl. 33; image BN-INHA, collections Doucet, sig. Num Fol Res 538(1) (open licence)    445 9.22 Johann Adam Delsenbach, Das Neugebäude: Ein Kayserl: Lust-Haus, bird’s-eye view from the north-east, engraving after a design by Joseph Emanuel Fischer von Erlach, 1715; image Wikimedia/pd    446 9.23 View of the service buildings east of the main block of the Neuge- bäude (tennis court, stabling, fishponds, perhaps a menagerie); detail of ill.9.22    447
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Jacopo Strada and Cultural Patronage at the Imperial Court The Antique as Innovation, Band 2
Titel
Jacopo Strada and Cultural Patronage at the Imperial Court
Untertitel
The Antique as Innovation
Band
2
Autor
Dirk Jacob Jansen
Verlag
Brill
Ort
Leiden
Datum
2019
Sprache
englisch
Lizenz
CC BY-NC-ND 4.0
ISBN
978-90-04-35949-9
Abmessungen
15.8 x 24.1 cm
Seiten
542
Kategorien
Biographien
Kunst und Kultur

Inhaltsverzeichnis

  1. 11 The Musaeum: Strada’s Circle 547
    1. 11.1 Strada’s House 547
    2. 11.2 High-ranking Visitors: Strada’s Guest Book and Ottavio’s Stammbuch 548
    3. 11.3 ‘Urbanissime Strada’: Accessibility of and Hospitality in the Musaeum 554
    4. 11.4 Intellectual Associates 556
    5. 11.5 Strada’s Confessional Position 566
    6. 11.6 Contacts with Members of the Dynasty 570
  2. 12 The Musaeum: its Contents 576
    1. 12.1 Introduction 576
    2. 12.2 Strada’s own Descriptions of his Musaeum 577
    3. 12.3 Strada’s Acquisitions for Duke Albrecht V of Bavaria 580
    4. 12.4 Strada’s own Cabinet of Antiquities 592
    5. 12.5 Acquisitions of Other Materials in Venice 599
    6. 12.6 Commissions in Mantua 610
    7. 12.7 ‘Gemalte Lustigen Tiecher’: Contemporary Painting in Strada’s Musaeum 615
    8. 12.8 Conclusion 628
  3. 13 Books, Prints and Drawings: The Musaeum as a centre of visualdocumentation 629
    1. 13.1 Introduction 629
    2. 13.2 Strada’s Acquisition of Drawings 630
    3. 13.3 ‘Owls to Athens’: Some Documents Relating to Strada’s GraphicCollection 634
    4. 13.4 The Contents of Strada’s Collection of Prints and Drawings 641
    5. 13.5 Later Fate of Strada’s Prints and Drawings 647
    6. 13.6 Drawings Preserved in a Context Linking Them withStrada 649
    7. 13.7 Strada’s Commissions of Visual Documentation: Antiquity 673
    8. 13.8 Strada’s Commissions of Visual Documentation: Contemporary Architecture and Decoration 692
    9. 13.9 Images as a Source of Knowledge 711
    10. 13.10 Conclusion 717
  4. 14 ‘Ex Musaeo et Impensis Jacobi Stradae, S.C.M. Antiquarius, CivisRomani’: Strada’s Frustrated Ambitions as a Publisher 719
    1. 14.1 Is There Life beyond the Court? 719
    2. 14.2 Strada’s Family 719
    3. 14.3 Ottavio Strada’s Role 725
    4. 14.4 The Publishing Project: Strada Ambitions as a Publisher 728
    5. 14.5 The Musaeum as an Editorial Office? 739
    6. 14.6 Financing the Programme 752
    7. 14.7 The Index Sive Catalogus 760
    8. 14.8 Strada’s Approach of Christophe Plantin 775
    9. 14.9 The Rupture with Ottavio 781
    10. 14.10 Strada’s Testamentary Disposition 783
    11. 14.11 Conclusion: The Aftermath 786
  5. 15 Le Cose dell’antichità: Strada as a Student of Antiquity 799
    1. 15.1 Profession: Antiquarius 799
    2. 15.2 Strada’s Qualities as an Antiquary 807
    3. 15.3 Strada’s Method 813
    4. 15.4 Strada’s Aims 822
  6. 16 Strada & Co.: By Appointment to His Majesty the Emperor 830
    1. 16.1 Strada as an Imperial Antiquary and Architect 830
    2. 16.2 Strada’s Role as an Agent 836
    3. 16.3 Strada as an Independent Agent 840
    4. 16.4 ‘Ex Musaeo Iacobi de Strada’: Study, Studio, Workshop, Office, Showroom 843
    5. 16.5 Strada’s Influence: An Agent of Change 849
    6. 16.6 Conclusion: Strada’s Personality 863
    7. 16.7 Epilogue: Back to the Portrait 868
  7. Appendices 877
    1. A Some Unpublished Letters 877
    2. B Strada’s Will 894
    3. C Strada’s Musaeum: Pleasant paintings 900
    4. D Strada’s Musaeum: The Index Sive Catalogus 902
  8. Chronological List of Sources 915
  9. Bibliography 932
  10. List of Illustrations 986
  11. Index 1038
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Jacopo Strada and Cultural Patronage at the Imperial Court