Seite - 1013 - in Jacopo Strada and Cultural Patronage at the Imperial Court - The Antique as Innovation, Band 2
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1013Illustrations
9.24 The service court of the Neugebäude with the fishponds on the left,
the curtain wall on the right; image author    448
9.25 The service court of the Neugebäude: interior of the stable; image
author    448
9.26 Giusto Utens, The Villa Medici at Poggio a Caiano, detail, Florence,
Museo Firenze com’era; image Wilkimedia/ Sailko (CC BY-SA
3.0)    449
9.27 The Villa dei Vescovi at Luvigliano, by Giovanni Maria Falconetto
and others, ca 1535–1540; image Wikimedia/ Marcok (CC BY-SA
4.0)    449
9.28 Neugebäude, ‘Schöne Saal’ on the ground floor of the west gallery; im-
age Wikimedia/ Gryffindor (CC BY-SA 3.0) 
  450
9.29 Anton de Moys, Elevation and plan of the gallery of the Neuge-
bäude, 1601, ÖStA-HKA, Sammlung der Karten und Pläne, sig.
Ra-940/2    451
9.30 Anton de Moys, drawings of the interior of the gallery of the Neuge-
bäude, indicating the damage to its vaulting, 1601, ÖStA-HKA, Sam-
mlung der Karten und Pläne, inv. nr Ra-940/1    452
9.31 Johann Ferdinand Hetzendorf von Hohenberg, the Gloriette at Schön-
brunn, built 1775 reusing the arcades from the Neugebäude; image
Wikimedia/ Martin Abegglen (CA BY-SA 2.0)    452
9.32 One entablature block, remained in situ in the Neugebäude; image
author    453
9.33 One entablature block from the Neugebäude, as reused in Gloriette at
Schönbrunn; image author    453
9.34 The column pairs from the Neugebäude reused in the Gloriette at
Schönbrunn; image author    454
9.35 The column pairs from the Neugebäude reused in the Gloriette at
Schönbrunn; image author    454
9.36 Ptuj (Pettau), Gate of the castle, designed by Sallustio Peruzzi; image
www.gradovi.net/ Gorazd Žagar    457
9.37 The workbench for turning wood made for the Emperor Maximilan
I, ca 1518; Burg Kreuzenstein, Lower Austria; image from EGG 1969, p.
159, cat. nr 592; Fig. 129   
460
9.38 Reliquiary of the True Cross; the mount of the actual relic was made
by Maximilian II, Madrid, Monasterio de las Descalzas Reales; image
from RUDOLF 1995, p. 166, pl. 144 
  460
9.39 Barthel Beham, Suleiman’s Zeltburg at the siege of Vienna of
1529, detail of a drawing in pen and wash; Vienna, Museen der
Stadt Wien, inv. nr 97.022; image from KAISER FERDINAND I 2003,
p. 411    466
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Buch Jacopo Strada and Cultural Patronage at the Imperial Court - The Antique as Innovation, Band 2"
Jacopo Strada and Cultural Patronage at the Imperial Court
The Antique as Innovation, Band 2
- Titel
- Jacopo Strada and Cultural Patronage at the Imperial Court
- Untertitel
- The Antique as Innovation
- Band
- 2
- Autor
- Dirk Jacob Jansen
- Verlag
- Brill
- Ort
- Leiden
- Datum
- 2019
- Sprache
- englisch
- Lizenz
- CC BY-NC-ND 4.0
- ISBN
- 978-90-04-35949-9
- Abmessungen
- 15.8 x 24.1 cm
- Seiten
- 542
- Kategorien
- Biographien
- Kunst und Kultur
Inhaltsverzeichnis
- 11 The Musaeum: Strada’s Circle 547
- 11.1 Strada’s House 547
- 11.2 High-ranking Visitors: Strada’s Guest Book and Ottavio’s Stammbuch 548
- 11.3 ‘Urbanissime Strada’: Accessibility of and Hospitality in the Musaeum 554
- 11.4 Intellectual Associates 556
- 11.5 Strada’s Confessional Position 566
- 11.6 Contacts with Members of the Dynasty 570
- 12 The Musaeum: its Contents 576
- 12.1 Introduction 576
- 12.2 Strada’s own Descriptions of his Musaeum 577
- 12.3 Strada’s Acquisitions for Duke Albrecht V of Bavaria 580
- 12.4 Strada’s own Cabinet of Antiquities 592
- 12.5 Acquisitions of Other Materials in Venice 599
- 12.6 Commissions in Mantua 610
- 12.7 ‘Gemalte Lustigen Tiecher’: Contemporary Painting in Strada’s Musaeum 615
- 12.8 Conclusion 628
- 13 Books, Prints and Drawings: The Musaeum as a centre of visualdocumentation 629
- 13.1 Introduction 629
- 13.2 Strada’s Acquisition of Drawings 630
- 13.3 ‘Owls to Athens’: Some Documents Relating to Strada’s GraphicCollection 634
- 13.4 The Contents of Strada’s Collection of Prints and Drawings 641
- 13.5 Later Fate of Strada’s Prints and Drawings 647
- 13.6 Drawings Preserved in a Context Linking Them withStrada 649
- 13.7 Strada’s Commissions of Visual Documentation: Antiquity 673
- 13.8 Strada’s Commissions of Visual Documentation: Contemporary Architecture and Decoration 692
- 13.9 Images as a Source of Knowledge 711
- 13.10 Conclusion 717
- 14 ‘Ex Musaeo et Impensis Jacobi Stradae, S.C.M. Antiquarius, CivisRomani’: Strada’s Frustrated Ambitions as a Publisher 719
- 14.1 Is There Life beyond the Court? 719
- 14.2 Strada’s Family 719
- 14.3 Ottavio Strada’s Role 725
- 14.4 The Publishing Project: Strada Ambitions as a Publisher 728
- 14.5 The Musaeum as an Editorial Office? 739
- 14.6 Financing the Programme 752
- 14.7 The Index Sive Catalogus 760
- 14.8 Strada’s Approach of Christophe Plantin 775
- 14.9 The Rupture with Ottavio 781
- 14.10 Strada’s Testamentary Disposition 783
- 14.11 Conclusion: The Aftermath 786
- 15 Le Cose dell’antichità : Strada as a Student of Antiquity 799
- 16 Strada & Co.: By Appointment to His Majesty the Emperor 830
- 16.1 Strada as an Imperial Antiquary and Architect 830
- 16.2 Strada’s Role as an Agent 836
- 16.3 Strada as an Independent Agent 840
- 16.4 ‘Ex Musaeo Iacobi de Strada’: Study, Studio, Workshop, Office, Showroom 843
- 16.5 Strada’s Influence: An Agent of Change 849
- 16.6 Conclusion: Strada’s Personality 863
- 16.7 Epilogue: Back to the Portrait 868
- Appendices 877
- Chronological List of Sources 915
- Bibliography 932
- List of Illustrations 986
- Index 1038