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Jacopo Strada and Cultural Patronage at the Imperial Court - The Antique as Innovation, Band 2
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1013Illustrations 9.24 The service court of the Neugebäude with the fishponds on the left, the curtain wall on the right; image author    448 9.25 The service court of the Neugebäude: interior of the stable; image author    448 9.26 Giusto Utens, The Villa Medici at Poggio a Caiano, detail, Florence, Museo Firenze com’era; image Wilkimedia/ Sailko (CC BY-SA 3.0)    449 9.27 The Villa dei Vescovi at Luvigliano, by Giovanni Maria Falconetto and others, ca 1535–1540; image Wikimedia/ Marcok (CC BY-SA 4.0)    449 9.28 Neugebäude, ‘Schöne Saal’ on the ground floor of the west gallery; im- age Wikimedia/ Gryffindor (CC BY-SA 3.0)    450 9.29 Anton de Moys, Elevation and plan of the gallery of the Neuge- bäude, 1601, ÖStA-HKA, Sammlung der Karten und Pläne, sig. Ra-940/2    451 9.30 Anton de Moys, drawings of the interior of the gallery of the Neuge- bäude, indicating the damage to its vaulting, 1601, ÖStA-HKA, Sam- mlung der Karten und Pläne, inv. nr Ra-940/1    452 9.31 Johann Ferdinand Hetzendorf von Hohenberg, the Gloriette at Schön- brunn, built 1775 reusing the arcades from the Neugebäude; image Wikimedia/ Martin Abegglen (CA BY-SA 2.0)    452 9.32 One entablature block, remained in situ in the Neugebäude; image author    453 9.33 One entablature block from the Neugebäude, as reused in Gloriette at Schönbrunn; image author    453 9.34 The column pairs from the Neugebäude reused in the Gloriette at Schönbrunn; image author    454 9.35 The column pairs from the Neugebäude reused in the Gloriette at Schönbrunn; image author    454 9.36 Ptuj (Pettau), Gate of the castle, designed by Sallustio Peruzzi; image www.gradovi.net/ Gorazd Žagar    457 9.37 The workbench for turning wood made for the Emperor Maximilan I, ca 1518; Burg Kreuzenstein, Lower Austria; image from EGG 1969, p. 159, cat. nr 592; Fig. 129    460 9.38 Reliquiary of the True Cross; the mount of the actual relic was made by Maximilian II, Madrid, Monasterio de las Descalzas Reales; image from RUDOLF 1995, p. 166, pl. 144    460 9.39 Barthel Beham, Suleiman’s Zeltburg at the siege of Vienna of 1529, detail of a drawing in pen and wash; Vienna, Museen der Stadt Wien, inv. nr 97.022; image from KAISER FERDINAND I 2003, p. 411    466
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Jacopo Strada and Cultural Patronage at the Imperial Court The Antique as Innovation, Band 2
Titel
Jacopo Strada and Cultural Patronage at the Imperial Court
Untertitel
The Antique as Innovation
Band
2
Autor
Dirk Jacob Jansen
Verlag
Brill
Ort
Leiden
Datum
2019
Sprache
englisch
Lizenz
CC BY-NC-ND 4.0
ISBN
978-90-04-35949-9
Abmessungen
15.8 x 24.1 cm
Seiten
542
Kategorien
Biographien
Kunst und Kultur

Inhaltsverzeichnis

  1. 11 The Musaeum: Strada’s Circle 547
    1. 11.1 Strada’s House 547
    2. 11.2 High-ranking Visitors: Strada’s Guest Book and Ottavio’s Stammbuch 548
    3. 11.3 ‘Urbanissime Strada’: Accessibility of and Hospitality in the Musaeum 554
    4. 11.4 Intellectual Associates 556
    5. 11.5 Strada’s Confessional Position 566
    6. 11.6 Contacts with Members of the Dynasty 570
  2. 12 The Musaeum: its Contents 576
    1. 12.1 Introduction 576
    2. 12.2 Strada’s own Descriptions of his Musaeum 577
    3. 12.3 Strada’s Acquisitions for Duke Albrecht V of Bavaria 580
    4. 12.4 Strada’s own Cabinet of Antiquities 592
    5. 12.5 Acquisitions of Other Materials in Venice 599
    6. 12.6 Commissions in Mantua 610
    7. 12.7 ‘Gemalte Lustigen Tiecher’: Contemporary Painting in Strada’s Musaeum 615
    8. 12.8 Conclusion 628
  3. 13 Books, Prints and Drawings: The Musaeum as a centre of visualdocumentation 629
    1. 13.1 Introduction 629
    2. 13.2 Strada’s Acquisition of Drawings 630
    3. 13.3 ‘Owls to Athens’: Some Documents Relating to Strada’s GraphicCollection 634
    4. 13.4 The Contents of Strada’s Collection of Prints and Drawings 641
    5. 13.5 Later Fate of Strada’s Prints and Drawings 647
    6. 13.6 Drawings Preserved in a Context Linking Them withStrada 649
    7. 13.7 Strada’s Commissions of Visual Documentation: Antiquity 673
    8. 13.8 Strada’s Commissions of Visual Documentation: Contemporary Architecture and Decoration 692
    9. 13.9 Images as a Source of Knowledge 711
    10. 13.10 Conclusion 717
  4. 14 ‘Ex Musaeo et Impensis Jacobi Stradae, S.C.M. Antiquarius, CivisRomani’: Strada’s Frustrated Ambitions as a Publisher 719
    1. 14.1 Is There Life beyond the Court? 719
    2. 14.2 Strada’s Family 719
    3. 14.3 Ottavio Strada’s Role 725
    4. 14.4 The Publishing Project: Strada Ambitions as a Publisher 728
    5. 14.5 The Musaeum as an Editorial Office? 739
    6. 14.6 Financing the Programme 752
    7. 14.7 The Index Sive Catalogus 760
    8. 14.8 Strada’s Approach of Christophe Plantin 775
    9. 14.9 The Rupture with Ottavio 781
    10. 14.10 Strada’s Testamentary Disposition 783
    11. 14.11 Conclusion: The Aftermath 786
  5. 15 Le Cose dell’antichità: Strada as a Student of Antiquity 799
    1. 15.1 Profession: Antiquarius 799
    2. 15.2 Strada’s Qualities as an Antiquary 807
    3. 15.3 Strada’s Method 813
    4. 15.4 Strada’s Aims 822
  6. 16 Strada & Co.: By Appointment to His Majesty the Emperor 830
    1. 16.1 Strada as an Imperial Antiquary and Architect 830
    2. 16.2 Strada’s Role as an Agent 836
    3. 16.3 Strada as an Independent Agent 840
    4. 16.4 ‘Ex Musaeo Iacobi de Strada’: Study, Studio, Workshop, Office, Showroom 843
    5. 16.5 Strada’s Influence: An Agent of Change 849
    6. 16.6 Conclusion: Strada’s Personality 863
    7. 16.7 Epilogue: Back to the Portrait 868
  7. Appendices 877
    1. A Some Unpublished Letters 877
    2. B Strada’s Will 894
    3. C Strada’s Musaeum: Pleasant paintings 900
    4. D Strada’s Musaeum: The Index Sive Catalogus 902
  8. Chronological List of Sources 915
  9. Bibliography 932
  10. List of Illustrations 986
  11. Index 1038
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Jacopo Strada and Cultural Patronage at the Imperial Court