Seite - 1014 - in Jacopo Strada and Cultural Patronage at the Imperial Court - The Antique as Innovation, Band 2

1014 Illustrations 9.40 Nakkaş Osman, miniature depicting the siege of Vienna of 1529, from Seyyid Lokman, Hünernāme, vol. 2, ca 1587, Istanbul, Topkapi Sarayi Museum, rep. nr H. 1524, f. 257b; image Wikimedia/ Géza Fehér    466 9.41 Sebastiano Serlio, plan of Polybius’ Castrametatio adapted to a forti- fied town; BSB-HS, Cod. icon. 190, folded plan fols. 1a-v.–1b-r    469 9.42 A measured ground plan of the existing remains of Diocletian’s palace at Split, engravings from ADAM 1764, Pl. V; image DLDAMC    471 9.43 Detail of Adam’s general view of the town and fortifications of Split, showing how the existing remains of Diocletian’s palace were incorpo- rated in the fabric of the later medieval and Renaissance town, engrav- ing from ADAM 1764, Pl. II; image DLDAMC    471 9.44 Martino Rota, map of Spalato (Split) and its countryside, 1570, engrav- ing, detail; image from PELC 1997, p. 231, nr 181    472 9.45 Martino Rota, portrait of Antun Vrančić, Imperial Ambassador in Con- stantinople, afterwards Archbishop of Esztergom; coloured engraving, ca 1570; image Wikimedia/pd    472 9.46 Anonymous draughtsman (Palladio?), design of a doorway in Diocle- tian’s palace at Split, mid-sixteenth century; London, Royal Insti- tute of British Architects, sig. SC139/PALL/IX/16, image ref. 28237 28266    472 9.47 The closed central arch of the south façade of the Neugebäude; image Wikimedia/Gryffindor (CC BY-SA 3.0)    474 9.48 The reconstruction model of the Neugebäude, hypothetical recon- struction of the portico in front of the south façade, Modellbauwerk- stätte Philipp Lang, Vienna; image author    474 9.49–9.50 Robert Adam, general view of his measurement and (details of) his reconstitution of the south façade of Diocletian’s palace at Split, show- ing the Serliana at the east end, engraving from ADAM 1764, Pls. VII and VIII; image DLDAMC    475 9.51–9.52 Robert Adam, views of the Porta Aurea and of the Peristyle of Diocle- tian’s palace in Split, engraving from ADAM 1764, Pls. XII and XX; image DLDAMC    476 9.53 Anonymous draughtsman (Palladio?), plan of Diocletian’s Mausoleum in his palace at Split, mid-sixteenth century; London, Royal Institute of British Architects, sig. SC136/PALL/VIII/2r., image ref. 28237    477 9.54 Robert Adam, interior of the Mausoleum at Diocletian’s palace in Split, engraving from ADAM 1764, Pl. XXXIII; image DLDAMC    477 9.55 Sebastiano Serlio, plan of a ‘Temple of Bacchus’ (Santa Costanza in Rome), from his Terzo Libro, Venice 1544, p. XIX; image HHB-D (CC BY-SA 3.0)    478