Seite - 1016 - in Jacopo Strada and Cultural Patronage at the Imperial Court - The Antique as Innovation, Band 2
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1016 Illustrations
9.71 Section through the Baths of Diocletian in Rome, engraving after VAN
NOYE 1558, and a detail; from NALIS 1998, p. 53, cat. nr 60    485
9.72 Section through the central rotunda of Baths of Diocletian in Rome,
detail of Fig. 9.71    487
9.73 The hall in the West pavilion of the Neugebäude; image author    487
9.74 Reconstruction of a façade of the Baths of Diocletian in Rome, show-
ing an arcade carried on free-standing columns; engraving after VAN
NOYE 1558; image from NALIS 1998, p. 61, cat. nr 77    487
9.75 Sebastiano Serlio, plan of a tomb of the Kings of Jerusalem, from his
Terzo Libro, Venice 1544, p. 95, HUB, sig. C 6339-8-10 Fol. Res; image
HHB-D (CC BY-SA 3.0)    488
9.76 Plan of the grotto in the west pavilion of the Neugebäude, detail; im-
age from WEHDORN 2004, p. 056   
488
9.77 The central cupola of the grotto in the west pavilion of the Neuge-
bäude; image author    488
9.78–9.79 A general view of the grotto in the West pavilion of the Neuge-
bäude, and a detail of its building method and -material; images
author    489
9.80 Pirro Ligorio, Gran loggia of the Villa d’Este at Tivoli; image Sylva
Dobalová    491
9.81 The central block of the Neugebäude, detail of the reconstruction
model of the Neugebäude, Modellbauwerkstätte Philipp Lang, Vienna;
image author 
  491
9.82 Villa Madama, Rome: the fishponds; image Flickr/
arthistory390 
  492
9.83 Neugebäude, Vienna: the fishponds; image author 
  492
9.84 The Neugebäude service court: the fishponds on the left, the wall
opposite echoes but does not exactly repeat the ‘Neugebäude motif’;
image author 
  493
9.85 ‘Schöne Saal’ in the west wing of the Neugebäude; image Wikimedia/
Gryffindor (CC BY-SA 3.0)    494
9.86 The Munich Antiquarium, interior; image Wikimedia/ Mk063 (CC
BY-SA 4.0)    494
9.87 Antonio da Sangallo the Younger, Plan of the Villa Madama in Rome;
Florence, Galleria degli Uffizi, inv. nr GDSU 314 A    494
9.88 C.F. Krieger, View of the Palazzo del Principe in Genoa, built for
Andrea Doria, seen from the South; image from VOLKAMER 1987/
1708, p. 96    495
9.89 Antonio Giolfi and Giuseppe Riviera, after Antonio Giolfi, view of the
Palazzo del Principe in Genoa, built for Andrea Doria, seen from the
South; etching, before 1769; image Wikimedia/pd    495
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Buch Jacopo Strada and Cultural Patronage at the Imperial Court - The Antique as Innovation, Band 2"
Jacopo Strada and Cultural Patronage at the Imperial Court
The Antique as Innovation, Band 2
- Titel
- Jacopo Strada and Cultural Patronage at the Imperial Court
- Untertitel
- The Antique as Innovation
- Band
- 2
- Autor
- Dirk Jacob Jansen
- Verlag
- Brill
- Ort
- Leiden
- Datum
- 2019
- Sprache
- englisch
- Lizenz
- CC BY-NC-ND 4.0
- ISBN
- 978-90-04-35949-9
- Abmessungen
- 15.8 x 24.1 cm
- Seiten
- 542
- Kategorien
- Biographien
- Kunst und Kultur
Inhaltsverzeichnis
- 11 The Musaeum: Strada’s Circle 547
- 11.1 Strada’s House 547
- 11.2 High-ranking Visitors: Strada’s Guest Book and Ottavio’s Stammbuch 548
- 11.3 ‘Urbanissime Strada’: Accessibility of and Hospitality in the Musaeum 554
- 11.4 Intellectual Associates 556
- 11.5 Strada’s Confessional Position 566
- 11.6 Contacts with Members of the Dynasty 570
- 12 The Musaeum: its Contents 576
- 12.1 Introduction 576
- 12.2 Strada’s own Descriptions of his Musaeum 577
- 12.3 Strada’s Acquisitions for Duke Albrecht V of Bavaria 580
- 12.4 Strada’s own Cabinet of Antiquities 592
- 12.5 Acquisitions of Other Materials in Venice 599
- 12.6 Commissions in Mantua 610
- 12.7 ‘Gemalte Lustigen Tiecher’: Contemporary Painting in Strada’s Musaeum 615
- 12.8 Conclusion 628
- 13 Books, Prints and Drawings: The Musaeum as a centre of visualdocumentation 629
- 13.1 Introduction 629
- 13.2 Strada’s Acquisition of Drawings 630
- 13.3 ‘Owls to Athens’: Some Documents Relating to Strada’s GraphicCollection 634
- 13.4 The Contents of Strada’s Collection of Prints and Drawings 641
- 13.5 Later Fate of Strada’s Prints and Drawings 647
- 13.6 Drawings Preserved in a Context Linking Them withStrada 649
- 13.7 Strada’s Commissions of Visual Documentation: Antiquity 673
- 13.8 Strada’s Commissions of Visual Documentation: Contemporary Architecture and Decoration 692
- 13.9 Images as a Source of Knowledge 711
- 13.10 Conclusion 717
- 14 ‘Ex Musaeo et Impensis Jacobi Stradae, S.C.M. Antiquarius, CivisRomani’: Strada’s Frustrated Ambitions as a Publisher 719
- 14.1 Is There Life beyond the Court? 719
- 14.2 Strada’s Family 719
- 14.3 Ottavio Strada’s Role 725
- 14.4 The Publishing Project: Strada Ambitions as a Publisher 728
- 14.5 The Musaeum as an Editorial Office? 739
- 14.6 Financing the Programme 752
- 14.7 The Index Sive Catalogus 760
- 14.8 Strada’s Approach of Christophe Plantin 775
- 14.9 The Rupture with Ottavio 781
- 14.10 Strada’s Testamentary Disposition 783
- 14.11 Conclusion: The Aftermath 786
- 15 Le Cose dell’antichità : Strada as a Student of Antiquity 799
- 16 Strada & Co.: By Appointment to His Majesty the Emperor 830
- 16.1 Strada as an Imperial Antiquary and Architect 830
- 16.2 Strada’s Role as an Agent 836
- 16.3 Strada as an Independent Agent 840
- 16.4 ‘Ex Musaeo Iacobi de Strada’: Study, Studio, Workshop, Office, Showroom 843
- 16.5 Strada’s Influence: An Agent of Change 849
- 16.6 Conclusion: Strada’s Personality 863
- 16.7 Epilogue: Back to the Portrait 868
- Appendices 877
- Chronological List of Sources 915
- Bibliography 932
- List of Illustrations 986
- Index 1038