Seite - 1020 - in Jacopo Strada and Cultural Patronage at the Imperial Court - The Antique as Innovation, Band 2
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1020 Illustrations
1o.35 St Luke I: 63–69, a page from the Codex Argenteus, Wulfila’s Gothic
bible translation acquired by Strein for the Imperial library; Uppsala,
University Library, sig. ms. DG 1, f. 122v.; image ALVIN: Platform for
digital collections and digitized cultural heritage, Uppsala, University
Library    535
10.36–10.37 Two castles rebuilt for Reichard Strein von Schwarzenau, Schloss
Freidegg, 1575–1594 and Schloss Schwarzenau 1583(?)–1592, engravings
from VISCHER 1672, fols. 74 and 237; images BSB-MDZ    537
10.38 Schloss Schwarzenau, view of the west or entrance façade; image
author    537
10.39 Schloss Schwarzenau, the south façade; image Wikimedia/ Janos
Korom (CC BY-SA 2.0)   
537
10.40–10.41 Schloss Schwarzenau: the one surviving bastion-like outbuilding; im-
ages author    538
10.42 Sebastiano Serlio’s non-executed design for the château of Ancy-le-
France, from the Munich manuscript of the Sesto Libro, BSB-HS, Cod.
icon. 189, f. 17r    538
10.43 Sebastiano Serlio’s non-executed design for the château of Lourmarin,
woodcut from Strada’s edition of the Settimo Libro, SERLIO 1575, p.
215; SLUB, sig. Archit. 217; image SLUB-DS (CC-BY-SA 4.0)    538
10.44 The entrance façade of Schwarzenau; image author    539
10.45 Serlio’s proposal for ‘a house for a tyrant prince in the countryside’,
from the Munich manuscript of the Sesto Libro, BSB-HS, Cod. icon. 189,
f. 31r    539
10.46 A detail of the entrance façade of Schwarzenau; image author    539
10.47 Serlio’s proposal for the refurbishment of an old town house, detail;
woodcut from Strada’s edition of the Settimo Libro, SERLIO 1575, p.
157, SLUB, sig. Archit. 217; image SLUB-DS (CC-BY-SA 4.0)    539
10.48–10.49 Schwarzenau: the southwest pavilion and a detail of its rustic story;
images author    540
10.50 Schwarzenau: the entrance to the ground floor from the androne; im-
age author    541
10.51 Schwarzenau: a door surround on the first floor; image author    541
10.52 Schwarzenau: remains of the stucco ceiling in one of the octagonal
rooms in the north-west pavilion; image author    541
11.1 Domenico Pogggini, Portrait medal of Alfonso II d’ Este, Duke of
Ferrara, before 1559; NGA, acc. nr 1957.14.933.a; image NGA/open
access    547
11.2 Giovanni Battista Sermei, portrait bust of Francesco de’ Medici,
Grandduke of Tuscany, Florence, Ospedale degli Innocenti; image
Wikimedia/ Sailko (CC BY-SA 3.0)   
547
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Buch Jacopo Strada and Cultural Patronage at the Imperial Court - The Antique as Innovation, Band 2"
Jacopo Strada and Cultural Patronage at the Imperial Court
The Antique as Innovation, Band 2
- Titel
- Jacopo Strada and Cultural Patronage at the Imperial Court
- Untertitel
- The Antique as Innovation
- Band
- 2
- Autor
- Dirk Jacob Jansen
- Verlag
- Brill
- Ort
- Leiden
- Datum
- 2019
- Sprache
- englisch
- Lizenz
- CC BY-NC-ND 4.0
- ISBN
- 978-90-04-35949-9
- Abmessungen
- 15.8 x 24.1 cm
- Seiten
- 542
- Kategorien
- Biographien
- Kunst und Kultur
Inhaltsverzeichnis
- 11 The Musaeum: Strada’s Circle 547
- 11.1 Strada’s House 547
- 11.2 High-ranking Visitors: Strada’s Guest Book and Ottavio’s Stammbuch 548
- 11.3 ‘Urbanissime Strada’: Accessibility of and Hospitality in the Musaeum 554
- 11.4 Intellectual Associates 556
- 11.5 Strada’s Confessional Position 566
- 11.6 Contacts with Members of the Dynasty 570
- 12 The Musaeum: its Contents 576
- 12.1 Introduction 576
- 12.2 Strada’s own Descriptions of his Musaeum 577
- 12.3 Strada’s Acquisitions for Duke Albrecht V of Bavaria 580
- 12.4 Strada’s own Cabinet of Antiquities 592
- 12.5 Acquisitions of Other Materials in Venice 599
- 12.6 Commissions in Mantua 610
- 12.7 ‘Gemalte Lustigen Tiecher’: Contemporary Painting in Strada’s Musaeum 615
- 12.8 Conclusion 628
- 13 Books, Prints and Drawings: The Musaeum as a centre of visualdocumentation 629
- 13.1 Introduction 629
- 13.2 Strada’s Acquisition of Drawings 630
- 13.3 ‘Owls to Athens’: Some Documents Relating to Strada’s GraphicCollection 634
- 13.4 The Contents of Strada’s Collection of Prints and Drawings 641
- 13.5 Later Fate of Strada’s Prints and Drawings 647
- 13.6 Drawings Preserved in a Context Linking Them withStrada 649
- 13.7 Strada’s Commissions of Visual Documentation: Antiquity 673
- 13.8 Strada’s Commissions of Visual Documentation: Contemporary Architecture and Decoration 692
- 13.9 Images as a Source of Knowledge 711
- 13.10 Conclusion 717
- 14 ‘Ex Musaeo et Impensis Jacobi Stradae, S.C.M. Antiquarius, CivisRomani’: Strada’s Frustrated Ambitions as a Publisher 719
- 14.1 Is There Life beyond the Court? 719
- 14.2 Strada’s Family 719
- 14.3 Ottavio Strada’s Role 725
- 14.4 The Publishing Project: Strada Ambitions as a Publisher 728
- 14.5 The Musaeum as an Editorial Office? 739
- 14.6 Financing the Programme 752
- 14.7 The Index Sive Catalogus 760
- 14.8 Strada’s Approach of Christophe Plantin 775
- 14.9 The Rupture with Ottavio 781
- 14.10 Strada’s Testamentary Disposition 783
- 14.11 Conclusion: The Aftermath 786
- 15 Le Cose dell’antichità : Strada as a Student of Antiquity 799
- 16 Strada & Co.: By Appointment to His Majesty the Emperor 830
- 16.1 Strada as an Imperial Antiquary and Architect 830
- 16.2 Strada’s Role as an Agent 836
- 16.3 Strada as an Independent Agent 840
- 16.4 ‘Ex Musaeo Iacobi de Strada’: Study, Studio, Workshop, Office, Showroom 843
- 16.5 Strada’s Influence: An Agent of Change 849
- 16.6 Conclusion: Strada’s Personality 863
- 16.7 Epilogue: Back to the Portrait 868
- Appendices 877
- Chronological List of Sources 915
- Bibliography 932
- List of Illustrations 986
- Index 1038