Seite - 1029 - in Jacopo Strada and Cultural Patronage at the Imperial Court - The Antique as Innovation, Band 2
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1029Illustrations
13.60–13.61 Ippolito Andreasi, documentary drawing of the west wall of the Gal-
leria dei Marmi, Palazzo Ducale, Mantua, and detail, showing the same
relief still in situ, commissioned by Jacopo Strada; SMKP, inv. nr F.P.
10879; image SMKP-Horst Kolberg/ARTOTHEK 
  669
13.62 Perino del Vaga, sopraporta in the Sala Paolina, Castel Sant’Angelo,
Rome, ca 1533; image Wikimedia/ Vassil/pd    669
13.63 Workshop of Jacopo Strada, copy of a design for, or a drawing after
Perino del Vaga’s sopraporte in the Sala Paolina, Castel Sant’Angelo,
Rome; ÖNB-HS, Cod. min. 21,3, f. 376/75r    669
13.64 Raphael, Compositional study for the Disputà in the Stanza della Sig-
natura, Vatican Palace, Rome, 1509; Albertina, inv. nr 224    670
13.65 Raphael, figure study for The Battle of Ostia in the Stanza dell’Incendio,
Vatican Palace, Rome, 1515; Albertina, inv. nr 17575    670
13.66–13.68 Giulio Romano or workshop, designs for a mural decoration in the
Palazzo del Te, and detail of Strada’s inscription; CCPG, inv. nrs. 938
and 939; images from BYAM-SHAW 1976, 2, pls. 233–234    671
13.69 Giulio Romano or workshop, design for a ewer in the form of dolphin;
CCPG; image from BYAM-SHAW 1976, 2, pl. 236    672
13.70 Workshop of Jacopo Strada, copy of Giulio’s design for a ewer in the
form of dolphin; ÖNB-HS, Cod. min. 21,3, f. 148r    672
13.71 Giulio Romano, design for a candlestick, CCPG, inv. nr 0851; image
from BYAM-SHAW 1976, 2, pl. 232   
672
13.72–13.73 Workshop of Jacopo Strada, documentary drawings of antique male
statues; ÖNB-HS, Cod. min. 21,3, ff. 338/55r. and 339/56r    676
13.74–13.77 Workshop of Jacopo Strada, female and male Roman portrait busts,
restored versions, drawings in pen and wash; ÖNB-HS, Cod. min. 21,3,
ff. 347/63v., 350/64r., 353/65r. and 354/66v 
  677
13.78 Jacopo Strada, portrait bust of Nero; SKD-KK, inv. nr Ca 74,
f. 6v    678
13.79 Workshop of Jacopo Strada, title page of a series of drawings of impe-
rial portrait busts, SKD-KK, inv. nr Ca 76    678
13.80 Workshop of Jacopo Strada, drawing of a bust of Victoria Augusta,
consort of the Emperor Tetricus, SKD-KK, Inv. nr. Ca 75, f. 84r; image ©
SKD-KK, photograph Andreas Diesend    678
13.81 Workshop of Jacopo Strada, drawing of a bust of the Emperor Con-
stantine VIII Porphyrogenitus, SKD-KK, inv. nr Ca 75, f. 52r. image ©
SKD-KK, photograph Andreas Diesend    678
13.82 The Arch of the Sergii at Pula; image Wikimedia/ Berthold Wernher
(CC BY-SA 3.0) 
  681
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Buch Jacopo Strada and Cultural Patronage at the Imperial Court - The Antique as Innovation, Band 2"
Jacopo Strada and Cultural Patronage at the Imperial Court
The Antique as Innovation, Band 2
- Titel
- Jacopo Strada and Cultural Patronage at the Imperial Court
- Untertitel
- The Antique as Innovation
- Band
- 2
- Autor
- Dirk Jacob Jansen
- Verlag
- Brill
- Ort
- Leiden
- Datum
- 2019
- Sprache
- englisch
- Lizenz
- CC BY-NC-ND 4.0
- ISBN
- 978-90-04-35949-9
- Abmessungen
- 15.8 x 24.1 cm
- Seiten
- 542
- Kategorien
- Biographien
- Kunst und Kultur
Inhaltsverzeichnis
- 11 The Musaeum: Strada’s Circle 547
- 11.1 Strada’s House 547
- 11.2 High-ranking Visitors: Strada’s Guest Book and Ottavio’s Stammbuch 548
- 11.3 ‘Urbanissime Strada’: Accessibility of and Hospitality in the Musaeum 554
- 11.4 Intellectual Associates 556
- 11.5 Strada’s Confessional Position 566
- 11.6 Contacts with Members of the Dynasty 570
- 12 The Musaeum: its Contents 576
- 12.1 Introduction 576
- 12.2 Strada’s own Descriptions of his Musaeum 577
- 12.3 Strada’s Acquisitions for Duke Albrecht V of Bavaria 580
- 12.4 Strada’s own Cabinet of Antiquities 592
- 12.5 Acquisitions of Other Materials in Venice 599
- 12.6 Commissions in Mantua 610
- 12.7 ‘Gemalte Lustigen Tiecher’: Contemporary Painting in Strada’s Musaeum 615
- 12.8 Conclusion 628
- 13 Books, Prints and Drawings: The Musaeum as a centre of visualdocumentation 629
- 13.1 Introduction 629
- 13.2 Strada’s Acquisition of Drawings 630
- 13.3 ‘Owls to Athens’: Some Documents Relating to Strada’s GraphicCollection 634
- 13.4 The Contents of Strada’s Collection of Prints and Drawings 641
- 13.5 Later Fate of Strada’s Prints and Drawings 647
- 13.6 Drawings Preserved in a Context Linking Them withStrada 649
- 13.7 Strada’s Commissions of Visual Documentation: Antiquity 673
- 13.8 Strada’s Commissions of Visual Documentation: Contemporary Architecture and Decoration 692
- 13.9 Images as a Source of Knowledge 711
- 13.10 Conclusion 717
- 14 ‘Ex Musaeo et Impensis Jacobi Stradae, S.C.M. Antiquarius, CivisRomani’: Strada’s Frustrated Ambitions as a Publisher 719
- 14.1 Is There Life beyond the Court? 719
- 14.2 Strada’s Family 719
- 14.3 Ottavio Strada’s Role 725
- 14.4 The Publishing Project: Strada Ambitions as a Publisher 728
- 14.5 The Musaeum as an Editorial Office? 739
- 14.6 Financing the Programme 752
- 14.7 The Index Sive Catalogus 760
- 14.8 Strada’s Approach of Christophe Plantin 775
- 14.9 The Rupture with Ottavio 781
- 14.10 Strada’s Testamentary Disposition 783
- 14.11 Conclusion: The Aftermath 786
- 15 Le Cose dell’antichità : Strada as a Student of Antiquity 799
- 16 Strada & Co.: By Appointment to His Majesty the Emperor 830
- 16.1 Strada as an Imperial Antiquary and Architect 830
- 16.2 Strada’s Role as an Agent 836
- 16.3 Strada as an Independent Agent 840
- 16.4 ‘Ex Musaeo Iacobi de Strada’: Study, Studio, Workshop, Office, Showroom 843
- 16.5 Strada’s Influence: An Agent of Change 849
- 16.6 Conclusion: Strada’s Personality 863
- 16.7 Epilogue: Back to the Portrait 868
- Appendices 877
- Chronological List of Sources 915
- Bibliography 932
- List of Illustrations 986
- Index 1038