Seite - 1044 - in Jacopo Strada and Cultural Patronage at the Imperial Court - The Antique as Innovation, Band 2
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1044 Index
Danti, Vincenzo  157/3.81
Danube (river)  268, 434, 442–443, 475, 495,
816
Davari, Stefano  16, 29
Davidson, Bernice  29, 693
Dax, Paul  219
Delfin, Zaccaria see Dolfin, Zaccaria
Delfini, Gentile  167, 169
Delsenbach, Johann Adam 
446/9.22
Destrada, Jacobo  926
Deswarte-Rosa, Sylvie  28
Deutsch, Hans Rudolf Manuel the
Younger  732, 732/14.12–14.13,
766/14.32
Diemer, Dorothea  33–34
Diemer, Peter  33–34
Dienne, Louis Édouard Marie Hippolyte
de  794n150
Dietrichstein, Adam von  356n27, 456, 461,
509, 572–573, 573/11.35, 713, 720, 722n9,
723, 742, 749, 767n99, 833, 862, 883–884,
919, 926
Dietrichstein-Mensdorff, Count  26
Diffusion of Innovation paradigm see Rogers,
Everett
Dillingen  200
Dinsmoor, William Bell  28
Dio Cassius  811n21
Diocletian, Roman Emperor  471–480,
766/14.33
Dischinger, Gabriele  421
Dobrovice (Czechia), Castle  351, 351/6.12
Dodonaeus, Rembertus  562, 773/14.42,
775–776, 848, 903, 928
Doetecum, Joannes and Lucas van  486–488,
485/9.70–9.71, 487/9.72 and 9.74
Dolet, Etienne  138
Dolfin, Zaccaria  559, 567, 846
Dolza, Luisa  30
Domitian, Roman Emperor 
612, 811
Domsdorf, Franz von  554
Donangeli, Ascanio  804n12
Donauwörth, Fuggerhaus  134–137, 133/3.38–
136/3.45, 331, 424, 853, 863
Doni, Anton Francesco 
116, 166
Donzellini, Girolamo 
556, 562, 570
Doria, Andrea  260, 280, 287, 495–498,
495/9.88–9.89, 917
Doria, Giovan Andrea  495n96 Dornberg, Veit von  458, 603, 838, 921
Dosio, Giovanni Antonio  178, 557, 674
Dossi, Battista  256, 257/5.8–5.9
Dossi, Dosso  256, 257/5.8–5.9
Drašković, Juraj, Archbishop of Kalocsa,
Chancellor of Hungary  371, 548,
551/11.6, 553/11.12, 554–555, 569,
891–892
Dreger, Moriz  318
Dresden  279
Schloss  253
Gemäldegalerie 
605/12.23
Kupferstich-Kabinett  34, 233–236,
234–235/4.20–4.22, 596, 597/12.18
Drnholec | Dürnholz (Czechia),
Castle 
532/10.27–10.28, 533–534,
533/10.31–10.32, 863
Dubroeucq, Jacques see Broeucq, Jaques du
Duchet, Claude 
473n67
Dürer, Albrecht  82–83, 102, 223–224,
274–275, 278, 278/5.31, 320, 323, 344,
632n5, 636, 639–642, 642/13.3–13.6,
647
Düsseldorf, Museum Kunstpalast  28, 613–
614, 701–708, 702–708/13.109–13.117,
703n121, 709/13.118–13.119, 710
Dyck, Antony van  4
Dürnstein (Austria), Manor house  519,
520/10.6
Eberman, Adam  784n130, 899
Ebersdorf see Vienna, Kaiserebersdorf
Ebert, Jörg  220, 222n68
Écluse, Charles de l’ see Clusius
Ecouen, Château/ Musée National de la
Renaissance  460n41, 626/12.45
Edelmayer, Friedrich  35
Eger / Erlau / Agria (Hungary)  207, 556
Egio, Benedetto  168, 169
Egkl, Wilhelm  383–384, 385/8.1
Eheim, Fritz 
34
Ehrenbuch des Fuggerische
Geschlechts  113/3.6–3.7, 114, 712
Ehrenspiegel Österreichs 
114–115, 115/3.8–3.9,
117, 712
Eiseler, Thomas  364, 433n6, 890
Eleanor of Austria, Duchess of
Mantua  295n70, 313n104, 498,
504n109
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Buch Jacopo Strada and Cultural Patronage at the Imperial Court - The Antique as Innovation, Band 2"
Jacopo Strada and Cultural Patronage at the Imperial Court
The Antique as Innovation, Band 2
- Titel
- Jacopo Strada and Cultural Patronage at the Imperial Court
- Untertitel
- The Antique as Innovation
- Band
- 2
- Autor
- Dirk Jacob Jansen
- Verlag
- Brill
- Ort
- Leiden
- Datum
- 2019
- Sprache
- englisch
- Lizenz
- CC BY-NC-ND 4.0
- ISBN
- 978-90-04-35949-9
- Abmessungen
- 15.8 x 24.1 cm
- Seiten
- 542
- Kategorien
- Biographien
- Kunst und Kultur
Inhaltsverzeichnis
- 11 The Musaeum: Strada’s Circle 547
- 11.1 Strada’s House 547
- 11.2 High-ranking Visitors: Strada’s Guest Book and Ottavio’s Stammbuch 548
- 11.3 ‘Urbanissime Strada’: Accessibility of and Hospitality in the Musaeum 554
- 11.4 Intellectual Associates 556
- 11.5 Strada’s Confessional Position 566
- 11.6 Contacts with Members of the Dynasty 570
- 12 The Musaeum: its Contents 576
- 12.1 Introduction 576
- 12.2 Strada’s own Descriptions of his Musaeum 577
- 12.3 Strada’s Acquisitions for Duke Albrecht V of Bavaria 580
- 12.4 Strada’s own Cabinet of Antiquities 592
- 12.5 Acquisitions of Other Materials in Venice 599
- 12.6 Commissions in Mantua 610
- 12.7 ‘Gemalte Lustigen Tiecher’: Contemporary Painting in Strada’s Musaeum 615
- 12.8 Conclusion 628
- 13 Books, Prints and Drawings: The Musaeum as a centre of visualdocumentation 629
- 13.1 Introduction 629
- 13.2 Strada’s Acquisition of Drawings 630
- 13.3 ‘Owls to Athens’: Some Documents Relating to Strada’s GraphicCollection 634
- 13.4 The Contents of Strada’s Collection of Prints and Drawings 641
- 13.5 Later Fate of Strada’s Prints and Drawings 647
- 13.6 Drawings Preserved in a Context Linking Them withStrada 649
- 13.7 Strada’s Commissions of Visual Documentation: Antiquity 673
- 13.8 Strada’s Commissions of Visual Documentation: Contemporary Architecture and Decoration 692
- 13.9 Images as a Source of Knowledge 711
- 13.10 Conclusion 717
- 14 ‘Ex Musaeo et Impensis Jacobi Stradae, S.C.M. Antiquarius, CivisRomani’: Strada’s Frustrated Ambitions as a Publisher 719
- 14.1 Is There Life beyond the Court? 719
- 14.2 Strada’s Family 719
- 14.3 Ottavio Strada’s Role 725
- 14.4 The Publishing Project: Strada Ambitions as a Publisher 728
- 14.5 The Musaeum as an Editorial Office? 739
- 14.6 Financing the Programme 752
- 14.7 The Index Sive Catalogus 760
- 14.8 Strada’s Approach of Christophe Plantin 775
- 14.9 The Rupture with Ottavio 781
- 14.10 Strada’s Testamentary Disposition 783
- 14.11 Conclusion: The Aftermath 786
- 15 Le Cose dell’antichità : Strada as a Student of Antiquity 799
- 16 Strada & Co.: By Appointment to His Majesty the Emperor 830
- 16.1 Strada as an Imperial Antiquary and Architect 830
- 16.2 Strada’s Role as an Agent 836
- 16.3 Strada as an Independent Agent 840
- 16.4 ‘Ex Musaeo Iacobi de Strada’: Study, Studio, Workshop, Office, Showroom 843
- 16.5 Strada’s Influence: An Agent of Change 849
- 16.6 Conclusion: Strada’s Personality 863
- 16.7 Epilogue: Back to the Portrait 868
- Appendices 877
- Chronological List of Sources 915
- Bibliography 932
- List of Illustrations 986
- Index 1038