Seite - 1052 - in Jacopo Strada and Cultural Patronage at the Imperial Court - The Antique as Innovation, Band 2
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1052 Index
Ludwig x, Duke of Bavaria-Landshut  71–72,
74, 76–77, 79, 256, 320, 613
Ludwig i, King of Bavaria  112, 113/3.5,
159n85
Ludwig vi, Elector Palatine  761
Lugt, Frits  661n55
Luther, Martin 
158
Lützelburger (Luzenburger), Barbara  720n5
Lützelburger (Luzenburger), Ferdinand  579,
720, 895
Lützelburger, Hans (Franck)  720n5
Luvigliano (Veneto), Villa dei Vescovi  449,
449/9.27, 479
Lynch, Sarah  324n125
Lyon  81, 95, 137–156, 333, 486, 496, 631, 730,
746, 865, 910, 915
L’Anticaille (Fourvière)  1440, 141/3.51
Hôtel Bullioud  150, 150/3.63
Table Claudienne  141, 141/3.51
Lyon, Corneille de  139
Lysander  302
Maasen, Wilhelm  20
Maastricht  283
Machuca, Pedro  76n19, 282
Madama d’Austria see Margaret of Austria,
Duchess of Florence, Duchess of
Parma
Madrid  218n60, 253, 281, 456
Casa de Campo (hunting lodge)  281,
281/5.34–5.35
Monasterio de las Descalzas Reales  91–
92, 92/2.15, 460–461, 460/9.38
Museo del Prado  295/5.62,
622/12.37–12.38
Madrid, Antonio de  281, 281/5.34–5.35
Madruzzo, Cristoforo, Cardinal and Prince-
Bishop of Trient  107
Maffei, family  163, 170n114
Maffei, Achille  168, 169–170
Maffei, Bernardino 
165
Maffei, Carlo  839, 919
Maffei, Count Federico 
611n81
Maffei, Raffaello  684n95
Magdalensberg (Austria)  12–12, 13/0.12
Maggi, Alessandro 
844
Maggi, Baldassare  523, 523/10.11
Maiano, Giuliano da  490n90 Mainz 
283
Malaspina, Guglielmo  455, 594, 921, 922, 923
Maler, Valentin 
90/2.12
Malingan see Marignano, Gian Giacomo de
Medici, Marquis of
Mameranus, Nicolaus  116
Mander, Carel van  527, 836
Manfredi, Carlo Francesco  486n84
Manilio, Pyrrho Aloysio  170
Manmacher, Mathias  432, 560n28, 834, 836
Mantegna, Andrea  52, 52/1.6–1.7,
369, 825
Mantovano, Giovan Battista
Mantua  45–66, 67, 72, 86, 185–186, 188,
224, 252, 256, 279–280, 295, 333, 363,
369n6, 456, 498, 506, 540–541–542,
548, 559, 561, 566–569, 599, 610–614,
617, 631, 654–659, 680, 688, 701–708,
709, 711, 725, 769, 777–778, 825–826,
836, 839, 853, 856, 864, 921867,
910–911
Basilica Palatina di Santa Barbara  705,
706n124
Cathedral (San Pietro) 
656,
657/13.35–13.36
House of Giulio Romano, Via Carlo Poma
18  369, 370/7.4
House Via Carlo Poma 22  364, 365/6.35
House Via Mazzini 25 (former Strada
house)  45–47, 46/1.1–1.2, 47/1.3–1.5
Palazzo del Te  28–29, 53, 363, 53/1.9–
1.10, 65, 71–72, 253, 256, 333, 490n90,
498–500, 498/9.92, 499/9.93, 516, 572,
613–614, 693, 701–708, 702/ 13.109,
704/13.110–111, 705–706/13.112–13.113,
710, 773, 778, 821/15.34, 911–912
Appartamento delle
Metamorfosi  671n69
Camera di Psiche 
53/1.10, 63, 64/1.22,
425, 614, 717, 778
Camera degli Imperatori  525
Camera degli Stucchi 
92/2.14, 103,
335, 633, 659, 665–667, 665–
668/13.51–31.58, 692, 762, 770, 822,
822/15.34, 827, 860, 908
Camera dei Venti  667
Camera delle Aquile 
58/1.17, 667
Camera di Attilio Regolo  525
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Buch Jacopo Strada and Cultural Patronage at the Imperial Court - The Antique as Innovation, Band 2"
Jacopo Strada and Cultural Patronage at the Imperial Court
The Antique as Innovation, Band 2
- Titel
- Jacopo Strada and Cultural Patronage at the Imperial Court
- Untertitel
- The Antique as Innovation
- Band
- 2
- Autor
- Dirk Jacob Jansen
- Verlag
- Brill
- Ort
- Leiden
- Datum
- 2019
- Sprache
- englisch
- Lizenz
- CC BY-NC-ND 4.0
- ISBN
- 978-90-04-35949-9
- Abmessungen
- 15.8 x 24.1 cm
- Seiten
- 542
- Kategorien
- Biographien
- Kunst und Kultur
Inhaltsverzeichnis
- 11 The Musaeum: Strada’s Circle 547
- 11.1 Strada’s House 547
- 11.2 High-ranking Visitors: Strada’s Guest Book and Ottavio’s Stammbuch 548
- 11.3 ‘Urbanissime Strada’: Accessibility of and Hospitality in the Musaeum 554
- 11.4 Intellectual Associates 556
- 11.5 Strada’s Confessional Position 566
- 11.6 Contacts with Members of the Dynasty 570
- 12 The Musaeum: its Contents 576
- 12.1 Introduction 576
- 12.2 Strada’s own Descriptions of his Musaeum 577
- 12.3 Strada’s Acquisitions for Duke Albrecht V of Bavaria 580
- 12.4 Strada’s own Cabinet of Antiquities 592
- 12.5 Acquisitions of Other Materials in Venice 599
- 12.6 Commissions in Mantua 610
- 12.7 ‘Gemalte Lustigen Tiecher’: Contemporary Painting in Strada’s Musaeum 615
- 12.8 Conclusion 628
- 13 Books, Prints and Drawings: The Musaeum as a centre of visualdocumentation 629
- 13.1 Introduction 629
- 13.2 Strada’s Acquisition of Drawings 630
- 13.3 ‘Owls to Athens’: Some Documents Relating to Strada’s GraphicCollection 634
- 13.4 The Contents of Strada’s Collection of Prints and Drawings 641
- 13.5 Later Fate of Strada’s Prints and Drawings 647
- 13.6 Drawings Preserved in a Context Linking Them withStrada 649
- 13.7 Strada’s Commissions of Visual Documentation: Antiquity 673
- 13.8 Strada’s Commissions of Visual Documentation: Contemporary Architecture and Decoration 692
- 13.9 Images as a Source of Knowledge 711
- 13.10 Conclusion 717
- 14 ‘Ex Musaeo et Impensis Jacobi Stradae, S.C.M. Antiquarius, CivisRomani’: Strada’s Frustrated Ambitions as a Publisher 719
- 14.1 Is There Life beyond the Court? 719
- 14.2 Strada’s Family 719
- 14.3 Ottavio Strada’s Role 725
- 14.4 The Publishing Project: Strada Ambitions as a Publisher 728
- 14.5 The Musaeum as an Editorial Office? 739
- 14.6 Financing the Programme 752
- 14.7 The Index Sive Catalogus 760
- 14.8 Strada’s Approach of Christophe Plantin 775
- 14.9 The Rupture with Ottavio 781
- 14.10 Strada’s Testamentary Disposition 783
- 14.11 Conclusion: The Aftermath 786
- 15 Le Cose dell’antichità : Strada as a Student of Antiquity 799
- 16 Strada & Co.: By Appointment to His Majesty the Emperor 830
- 16.1 Strada as an Imperial Antiquary and Architect 830
- 16.2 Strada’s Role as an Agent 836
- 16.3 Strada as an Independent Agent 840
- 16.4 ‘Ex Musaeo Iacobi de Strada’: Study, Studio, Workshop, Office, Showroom 843
- 16.5 Strada’s Influence: An Agent of Change 849
- 16.6 Conclusion: Strada’s Personality 863
- 16.7 Epilogue: Back to the Portrait 868
- Appendices 877
- Chronological List of Sources 915
- Bibliography 932
- List of Illustrations 986
- Index 1038