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1059Index Ripanda, Jacopo  684 Ripellino, Angelo Maria  22 Rivius (Ryff), Walther Hermann  275n45, 275/5.29, 276, 888 Robusti, family see Tintoretto Römer, Georg  82, 126n35 Rogers, Everett  850–853, 852/16.3, 854–855 Roggendorf, Hans Wilhelm von  787 Rogna, Luigi  370n7, 919 Romalli, Cristiana  663 Romanino, Girolamo  256, 257/5.7 Romano, Giulio see Giulio Romano Romano, Luzio  157/3.81 Romano, Ulisse  215, 431, 431/9.4A-B and 9.5 Rome  51, 62, 67–70, 95, 140, 150, 156–187, 188, 201, 205, 224, 252, 280, 286, 333, 363, 380, 456, 473, 486, 491–492, 496, 508, 513, 515, 536, 548, 570, 581, 582, 585, 642, 655, 673–674, 680, 684, 701, 761, 769, 805, 823, 826, 831, 846, 866, 909, 913, 916 Rome and Vatican City: Topography  141, 761, 773, 908 Campo di Fiore  163, 168, 170 Campo Marzio  163 Monte Cavallo  163–164 Palatine Hill  157, 481, 481/9.63, 483, 490, 492 Ponte Sant’Angelo see Pons Aelius Rome: Antique monuments  673–674, 823 Amphitheatrum Castrense  683 Aqua Appia  810 Aqua Claudia  809 Arch of Constantine  159, 684, 818 Arch of Marcus Aurelius  818 Arch of Septimius Severus  684 Arch of Titus  809n17, 810, 819 Basilica Aemilia  415, 655, 656/13.32 Basilica of Maxentius  684 Baths of Caracalla  163, 684, 808/15.7– 15.8, 809–810 Baths of Diocletianus  486–488, 485/9.70–9.71, 487/9.72 and 9.74, 684 Castrum Praetorium  484/9.69 Circus Maximus  481, 481/9.63, 804, 809, 810/15.13–15.14, 811, 816, 817/15.19–15.20 Circus of Maxentius  481, 481/9.62 Colosseum  159, 361–362, 362/6.30, 684, 809 Column of Marcus Aurelius  178, 684, 688, 762, 769–770, 808, 911 Column of Trajan  62, 123/3.16, 159, 178, 247, 471n64, 522, 684–688, 685– 686/13.87–13.90, 692, 701, 762, 769–771, 806, 808, 827, 847, 860, 911 Domus Petronii  483, 483/9.68 Fasti Capitolini  158, 199, 733–734, 749 Forum of Augustus  240, 240/4.39 Forum of Trajan  828 Forum Romanum  415 Horti Bassiani  482/9.66, 483 Horti Caesaris  483, 483/9.67 Laocoon  158 Mausoleum of Augustus  684, 809 Mausoleum of Hadrian (Castel Sant’Angelo)  684, 808/15.6, 809 Naumachia  816, 817/15.21–15.22 Palatium Nervae  809 Pantheon  158, 655, 656/13.31, 684 Pons Aelius  61, 809, 820–821, 820/15.29– 15.31, 821/15.32–15.33 Septizonium  684, 809n17 ‘Temple of Bacchus’ (Santa Costanza)  478, 478/9.55 Temple of Ianus Quadrifrons  144/3.56 Temple of Jupiter Capitolinus  144/3.57 Temple of Peace  809n17 Thermae Antoninae see Baths of Caracalla Unidentified  652, 653/13.20 Vivarium  484, 484/9.69 Rome: Modern Architecture  692, 910 Cancelleria  157 Capitol  698, 733 Casa Maffei  170n114 Casino of Pius iv  85, 829 Castel Sant’Angelo  68, 157, 157/3.81, 668, 669/13.62–13.63, 699 House for Jacopo da Brescia  380, 380/7.15, 516 Palazzo Madama (Palazzo Medici)  492 Orti Farnesiani  157, 458, 490, 698 Palazzo Adimari-Salviati  358, 359/6.24 Palazzo Alberini-Cicciaporci  363, 381, 382/7.17 Palazzo Branconio dell’Aquila  415/8.26, 416 Palazzo Capranica-della Valle  163/3.84
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Jacopo Strada and Cultural Patronage at the Imperial Court The Antique as Innovation, Band 2
Titel
Jacopo Strada and Cultural Patronage at the Imperial Court
Untertitel
The Antique as Innovation
Band
2
Autor
Dirk Jacob Jansen
Verlag
Brill
Ort
Leiden
Datum
2019
Sprache
englisch
Lizenz
CC BY-NC-ND 4.0
ISBN
978-90-04-35949-9
Abmessungen
15.8 x 24.1 cm
Seiten
542
Kategorien
Biographien
Kunst und Kultur

Inhaltsverzeichnis

  1. 11 The Musaeum: Strada’s Circle 547
    1. 11.1 Strada’s House 547
    2. 11.2 High-ranking Visitors: Strada’s Guest Book and Ottavio’s Stammbuch 548
    3. 11.3 ‘Urbanissime Strada’: Accessibility of and Hospitality in the Musaeum 554
    4. 11.4 Intellectual Associates 556
    5. 11.5 Strada’s Confessional Position 566
    6. 11.6 Contacts with Members of the Dynasty 570
  2. 12 The Musaeum: its Contents 576
    1. 12.1 Introduction 576
    2. 12.2 Strada’s own Descriptions of his Musaeum 577
    3. 12.3 Strada’s Acquisitions for Duke Albrecht V of Bavaria 580
    4. 12.4 Strada’s own Cabinet of Antiquities 592
    5. 12.5 Acquisitions of Other Materials in Venice 599
    6. 12.6 Commissions in Mantua 610
    7. 12.7 ‘Gemalte Lustigen Tiecher’: Contemporary Painting in Strada’s Musaeum 615
    8. 12.8 Conclusion 628
  3. 13 Books, Prints and Drawings: The Musaeum as a centre of visualdocumentation 629
    1. 13.1 Introduction 629
    2. 13.2 Strada’s Acquisition of Drawings 630
    3. 13.3 ‘Owls to Athens’: Some Documents Relating to Strada’s GraphicCollection 634
    4. 13.4 The Contents of Strada’s Collection of Prints and Drawings 641
    5. 13.5 Later Fate of Strada’s Prints and Drawings 647
    6. 13.6 Drawings Preserved in a Context Linking Them withStrada 649
    7. 13.7 Strada’s Commissions of Visual Documentation: Antiquity 673
    8. 13.8 Strada’s Commissions of Visual Documentation: Contemporary Architecture and Decoration 692
    9. 13.9 Images as a Source of Knowledge 711
    10. 13.10 Conclusion 717
  4. 14 ‘Ex Musaeo et Impensis Jacobi Stradae, S.C.M. Antiquarius, CivisRomani’: Strada’s Frustrated Ambitions as a Publisher 719
    1. 14.1 Is There Life beyond the Court? 719
    2. 14.2 Strada’s Family 719
    3. 14.3 Ottavio Strada’s Role 725
    4. 14.4 The Publishing Project: Strada Ambitions as a Publisher 728
    5. 14.5 The Musaeum as an Editorial Office? 739
    6. 14.6 Financing the Programme 752
    7. 14.7 The Index Sive Catalogus 760
    8. 14.8 Strada’s Approach of Christophe Plantin 775
    9. 14.9 The Rupture with Ottavio 781
    10. 14.10 Strada’s Testamentary Disposition 783
    11. 14.11 Conclusion: The Aftermath 786
  5. 15 Le Cose dell’antichità: Strada as a Student of Antiquity 799
    1. 15.1 Profession: Antiquarius 799
    2. 15.2 Strada’s Qualities as an Antiquary 807
    3. 15.3 Strada’s Method 813
    4. 15.4 Strada’s Aims 822
  6. 16 Strada & Co.: By Appointment to His Majesty the Emperor 830
    1. 16.1 Strada as an Imperial Antiquary and Architect 830
    2. 16.2 Strada’s Role as an Agent 836
    3. 16.3 Strada as an Independent Agent 840
    4. 16.4 ‘Ex Musaeo Iacobi de Strada’: Study, Studio, Workshop, Office, Showroom 843
    5. 16.5 Strada’s Influence: An Agent of Change 849
    6. 16.6 Conclusion: Strada’s Personality 863
    7. 16.7 Epilogue: Back to the Portrait 868
  7. Appendices 877
    1. A Some Unpublished Letters 877
    2. B Strada’s Will 894
    3. C Strada’s Musaeum: Pleasant paintings 900
    4. D Strada’s Musaeum: The Index Sive Catalogus 902
  8. Chronological List of Sources 915
  9. Bibliography 932
  10. List of Illustrations 986
  11. Index 1038
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Jacopo Strada and Cultural Patronage at the Imperial Court