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1059Index
Ripanda, Jacopo  684
Ripellino, Angelo Maria  22
Rivius (Ryff), Walther Hermann  275n45,
275/5.29, 276, 888
Robusti, family see Tintoretto
Römer, Georg  82, 126n35
Rogers, Everett  850–853, 852/16.3,
854–855
Roggendorf, Hans Wilhelm von  787
Rogna, Luigi 
370n7, 919
Romalli, Cristiana 
663
Romanino, Girolamo  256, 257/5.7
Romano, Giulio see Giulio Romano
Romano, Luzio 
157/3.81
Romano, Ulisse  215, 431, 431/9.4A-B and 9.5
Rome  51, 62, 67–70, 95, 140, 150, 156–187, 188,
201, 205, 224, 252, 280, 286, 333, 363,
380, 456, 473, 486, 491–492, 496, 508,
513, 515, 536, 548, 570, 581, 582, 585, 642,
655, 673–674, 680, 684, 701, 761, 769,
805, 823, 826, 831, 846, 866, 909, 913, 916
Rome and Vatican City: Topography  141, 761,
773, 908
Campo di Fiore 
163, 168, 170
Campo Marzio  163
Monte Cavallo  163–164
Palatine Hill  157, 481, 481/9.63, 483, 490,
492
Ponte Sant’Angelo see Pons Aelius
Rome: Antique monuments  673–674, 823
Amphitheatrum Castrense 
683
Aqua Appia  810
Aqua Claudia  809
Arch of Constantine  159, 684, 818
Arch of Marcus Aurelius  818
Arch of Septimius Severus  684
Arch of Titus  809n17, 810, 819
Basilica Aemilia  415, 655, 656/13.32
Basilica of Maxentius  684
Baths of Caracalla  163, 684, 808/15.7–
15.8, 809–810
Baths of Diocletianus  486–488,
485/9.70–9.71, 487/9.72 and 9.74, 684
Castrum Praetorium 
484/9.69
Circus Maximus  481, 481/9.63, 804, 809,
810/15.13–15.14, 811, 816, 817/15.19–15.20
Circus of Maxentius  481, 481/9.62
Colosseum  159, 361–362, 362/6.30, 684,
809 Column of Marcus Aurelius  178, 684,
688, 762, 769–770, 808, 911
Column of Trajan  62, 123/3.16, 159, 178,
247, 471n64, 522, 684–688, 685–
686/13.87–13.90, 692, 701, 762,
769–771, 806, 808, 827, 847, 860,
911
Domus Petronii  483, 483/9.68
Fasti Capitolini  158, 199, 733–734, 749
Forum of Augustus  240, 240/4.39
Forum of Trajan 
828
Forum Romanum  415
Horti Bassiani 
482/9.66, 483
Horti Caesaris  483, 483/9.67
Laocoon  158
Mausoleum of Augustus  684, 809
Mausoleum of Hadrian (Castel
Sant’Angelo)  684, 808/15.6, 809
Naumachia  816, 817/15.21–15.22
Palatium Nervae  809
Pantheon  158, 655, 656/13.31, 684
Pons Aelius  61, 809, 820–821, 820/15.29–
15.31, 821/15.32–15.33
Septizonium  684, 809n17
‘Temple of Bacchus’ (Santa
Costanza)  478, 478/9.55
Temple of Ianus Quadrifrons 
144/3.56
Temple of Jupiter Capitolinus  144/3.57
Temple of Peace 
809n17
Thermae Antoninae see Baths of Caracalla
Unidentified  652, 653/13.20
Vivarium  484, 484/9.69
Rome: Modern Architecture  692, 910
Cancelleria  157
Capitol  698, 733
Casa Maffei  170n114
Casino of Pius iv  85, 829
Castel Sant’Angelo  68, 157, 157/3.81, 668,
669/13.62–13.63, 699
House for Jacopo da Brescia 
380,
380/7.15, 516
Palazzo Madama (Palazzo Medici)  492
Orti Farnesiani  157, 458, 490, 698
Palazzo Adimari-Salviati  358, 359/6.24
Palazzo Alberini-Cicciaporci  363, 381,
382/7.17
Palazzo Branconio dell’Aquila 
415/8.26,
416
Palazzo Capranica-della Valle 
163/3.84
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Buch Jacopo Strada and Cultural Patronage at the Imperial Court - The Antique as Innovation, Band 2"
Jacopo Strada and Cultural Patronage at the Imperial Court
The Antique as Innovation, Band 2
- Titel
- Jacopo Strada and Cultural Patronage at the Imperial Court
- Untertitel
- The Antique as Innovation
- Band
- 2
- Autor
- Dirk Jacob Jansen
- Verlag
- Brill
- Ort
- Leiden
- Datum
- 2019
- Sprache
- englisch
- Lizenz
- CC BY-NC-ND 4.0
- ISBN
- 978-90-04-35949-9
- Abmessungen
- 15.8 x 24.1 cm
- Seiten
- 542
- Kategorien
- Biographien
- Kunst und Kultur
Inhaltsverzeichnis
- 11 The Musaeum: Strada’s Circle 547
- 11.1 Strada’s House 547
- 11.2 High-ranking Visitors: Strada’s Guest Book and Ottavio’s Stammbuch 548
- 11.3 ‘Urbanissime Strada’: Accessibility of and Hospitality in the Musaeum 554
- 11.4 Intellectual Associates 556
- 11.5 Strada’s Confessional Position 566
- 11.6 Contacts with Members of the Dynasty 570
- 12 The Musaeum: its Contents 576
- 12.1 Introduction 576
- 12.2 Strada’s own Descriptions of his Musaeum 577
- 12.3 Strada’s Acquisitions for Duke Albrecht V of Bavaria 580
- 12.4 Strada’s own Cabinet of Antiquities 592
- 12.5 Acquisitions of Other Materials in Venice 599
- 12.6 Commissions in Mantua 610
- 12.7 ‘Gemalte Lustigen Tiecher’: Contemporary Painting in Strada’s Musaeum 615
- 12.8 Conclusion 628
- 13 Books, Prints and Drawings: The Musaeum as a centre of visualdocumentation 629
- 13.1 Introduction 629
- 13.2 Strada’s Acquisition of Drawings 630
- 13.3 ‘Owls to Athens’: Some Documents Relating to Strada’s GraphicCollection 634
- 13.4 The Contents of Strada’s Collection of Prints and Drawings 641
- 13.5 Later Fate of Strada’s Prints and Drawings 647
- 13.6 Drawings Preserved in a Context Linking Them withStrada 649
- 13.7 Strada’s Commissions of Visual Documentation: Antiquity 673
- 13.8 Strada’s Commissions of Visual Documentation: Contemporary Architecture and Decoration 692
- 13.9 Images as a Source of Knowledge 711
- 13.10 Conclusion 717
- 14 ‘Ex Musaeo et Impensis Jacobi Stradae, S.C.M. Antiquarius, CivisRomani’: Strada’s Frustrated Ambitions as a Publisher 719
- 14.1 Is There Life beyond the Court? 719
- 14.2 Strada’s Family 719
- 14.3 Ottavio Strada’s Role 725
- 14.4 The Publishing Project: Strada Ambitions as a Publisher 728
- 14.5 The Musaeum as an Editorial Office? 739
- 14.6 Financing the Programme 752
- 14.7 The Index Sive Catalogus 760
- 14.8 Strada’s Approach of Christophe Plantin 775
- 14.9 The Rupture with Ottavio 781
- 14.10 Strada’s Testamentary Disposition 783
- 14.11 Conclusion: The Aftermath 786
- 15 Le Cose dell’antichità : Strada as a Student of Antiquity 799
- 16 Strada & Co.: By Appointment to His Majesty the Emperor 830
- 16.1 Strada as an Imperial Antiquary and Architect 830
- 16.2 Strada’s Role as an Agent 836
- 16.3 Strada as an Independent Agent 840
- 16.4 ‘Ex Musaeo Iacobi de Strada’: Study, Studio, Workshop, Office, Showroom 843
- 16.5 Strada’s Influence: An Agent of Change 849
- 16.6 Conclusion: Strada’s Personality 863
- 16.7 Epilogue: Back to the Portrait 868
- Appendices 877
- Chronological List of Sources 915
- Bibliography 932
- List of Illustrations 986
- Index 1038