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Verancsics (Verantius) , Antal (Antonius)
see Vrančić, Antun
Vercingetorix 745/14.24
Verheyen, Egon
28–29, 613–614
Verneuil-en-Halatte, Château 503, 505/9.101
Verona 68, 280, 515, 568, 725n16
Arena
280, 362, 362/6.32
Palazzo Canossa 503
Verona, Annibale da
145
Veronese, Paolo
616–621, 616/12.33–12.34,
628, 900
Vesalius, Andreas 129
Vesontio see Besançon
Vespasian, Roman Emperor
809/15.9–15.11,
810, 817, 819
Vettori, Piero 159n85, 633n12, 886
Viadana (Lombardy) 709, 777
Vicenza 515
Palazzo Thiene 72, 418, 419/8.35
Victoria Augusta, Roman Empress
678/13.79
Vienna 81, 98, 105, 109, 199, 201, 203, 210,
218n60, 219, 220, 224, 254, 255, 279, 283,
307, 318–319, 323, 334, 337, 339, 357,
368, 380, 385, 456, 462, 486, 508n114,
510, 562–563, 568n42, 590, 603, 630,
630/13.2, 655, 719, 724, 742, 756, 762,
772, 778, 784, 787, 826, 836–837, 840,
843, 848, 855–857, 880–882, 883, 896,
899, 906
Vienna, ‘Hofakademie’ 462
Vienna: Topography 433, 772, 790
Bankgasse see Schenkengasse
Brunn am Gebirge (suburb) 907
Burgbastei (fortification) 308, 308/5.70–
5.71, 376n19
Donauauen 442
Herrengasse 369, 552
Josefsplatz
356, 359/6.22
Kaiserebersdorf / Ebersdorf
(suburb) 465
Landhaus 553
Lazenhof 204, 205/4.9
Liechtenstein (suburb) 907
Löwelbastei (fortification) 367, 368/7.1–
7.2, 373, 374–375, 376n19, 378–379
Minoritenplatz
552
Mödling (suburb) 907
Perchtoldsdorf / Petersdorf (suburb) 907
Prater (park) 268, 442 Ringstrasse 369/7.3, 373
Sankt Ulrich (suburb) 367, 559, 788, 895,
930
Schenkengasse 367–369, 374–375, 536,
552, 559
Simmering (suburb) 442
Vienna: Architecture 251
Augustinerkloster 313
Burgtheater 367, 368/7.3
Hofburg 31, 32–33, 193, 217, 259–260,
261/5.14, 307–331, 308/5.70–5.71,
309/5.72, 322, 337, 369, 370n7, 432,
446n24, 508n113, 553, 831, 836, 863
Amalienburg / Ernestinische
Trakt 217, 508n113, 517–520,
518/10.4, 520/10.5, 831, 863
Courtyard (In der Burg) 314
‘Kindertrakt’ 311–313, 312/5.74, 356
Kunstkammer 17, 35, 313
Lustgarten 313, 356–357
Schweizerhof 262, 307–308, 319/5.80,
328–330, 329/5.87
‘Ritterstube’ 309, 316, 316/5.76, 350
Schweizertor 261, 310, 322,
322/5.81–5.82
‘Taflstube’ 312/5.75, 314–316, 350–352,
352/6.13, 354, 375, 424
Stallburg 32, 317, 355–366, 357/6.19–
6.20, 359/6.22, 361/6.29, 362/6.31,
377, 381, 432, 437, 515–516, 516/10.3,
517, 520, 534, 572, 827, 831, 863, 865
Tanzhaus 352–355, 354/6.16, 355/6.17
Concordia house see Teuffenbach House
Fasangarten (garden at Simmering) 434,
442
Grünes Lusthaus (hunting lodge in the
Prater) 259, 268, 290–307, 434–435,
437, 442, 445, 461, 462, 474, 489, 572
Hofspital | Kaiserspital 75n18, 212–213,
260, 340–341, 341/6.1, 365, 512
Kaiserebersdorf, castle 214, 220, 321–322,
432–434, 433/9.6–9.7, 438, 441/9.15,
442, 446n24, 484n84, 505n113
Katterburg (hunting lodge)
see Schönbrunn palace434–436
Michaelerkirche 356
Minoritenkirche 569, 784, 895
Neugebäude, pleasure palace and
gardens 30, 31, 32, 37, 65, 97, 214, 216,
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Buch Jacopo Strada and Cultural Patronage at the Imperial Court - The Antique as Innovation, Band 2"
Jacopo Strada and Cultural Patronage at the Imperial Court
The Antique as Innovation, Band 2
- Titel
- Jacopo Strada and Cultural Patronage at the Imperial Court
- Untertitel
- The Antique as Innovation
- Band
- 2
- Autor
- Dirk Jacob Jansen
- Verlag
- Brill
- Ort
- Leiden
- Datum
- 2019
- Sprache
- englisch
- Lizenz
- CC BY-NC-ND 4.0
- ISBN
- 978-90-04-35949-9
- Abmessungen
- 15.8 x 24.1 cm
- Seiten
- 542
- Kategorien
- Biographien
- Kunst und Kultur
Inhaltsverzeichnis
- 11 The Musaeum: Strada’s Circle 547
- 12 The Musaeum: its Contents 576
- 12.1 Introduction 576
- 12.2 Strada’s own Descriptions of his Musaeum 577
- 12.3 Strada’s Acquisitions for Duke Albrecht V of Bavaria 580
- 12.4 Strada’s own Cabinet of Antiquities 592
- 12.5 Acquisitions of Other Materials in Venice 599
- 12.6 Commissions in Mantua 610
- 12.7 ‘Gemalte Lustigen Tiecher’: Contemporary Painting in Strada’s Musaeum 615
- 12.8 Conclusion 628
- 13 Books, Prints and Drawings: The Musaeum as a centre of visualdocumentation 629
- 13.1 Introduction 629
- 13.2 Strada’s Acquisition of Drawings 630
- 13.3 ‘Owls to Athens’: Some Documents Relating to Strada’s GraphicCollection 634
- 13.4 The Contents of Strada’s Collection of Prints and Drawings 641
- 13.5 Later Fate of Strada’s Prints and Drawings 647
- 13.6 Drawings Preserved in a Context Linking Them withStrada 649
- 13.7 Strada’s Commissions of Visual Documentation: Antiquity 673
- 13.8 Strada’s Commissions of Visual Documentation: Contemporary Architecture and Decoration 692
- 13.9 Images as a Source of Knowledge 711
- 13.10 Conclusion 717
- 14 ‘Ex Musaeo et Impensis Jacobi Stradae, S.C.M. Antiquarius, CivisRomani’: Strada’s Frustrated Ambitions as a Publisher 719
- 14.1 Is There Life beyond the Court? 719
- 14.2 Strada’s Family 719
- 14.3 Ottavio Strada’s Role 725
- 14.4 The Publishing Project: Strada Ambitions as a Publisher 728
- 14.5 The Musaeum as an Editorial Office? 739
- 14.6 Financing the Programme 752
- 14.7 The Index Sive Catalogus 760
- 14.8 Strada’s Approach of Christophe Plantin 775
- 14.9 The Rupture with Ottavio 781
- 14.10 Strada’s Testamentary Disposition 783
- 14.11 Conclusion: The Aftermath 786
- 15 Le Cose dell’antichità: Strada as a Student of Antiquity 799
- 16 Strada & Co.: By Appointment to His Majesty the Emperor 830
- 16.1 Strada as an Imperial Antiquary and Architect 830
- 16.2 Strada’s Role as an Agent 836
- 16.3 Strada as an Independent Agent 840
- 16.4 ‘Ex Musaeo Iacobi de Strada’: Study, Studio, Workshop, Office, Showroom 843
- 16.5 Strada’s Influence: An Agent of Change 849
- 16.6 Conclusion: Strada’s Personality 863
- 16.7 Epilogue: Back to the Portrait 868
- Appendices 877
- Chronological List of Sources 915
- Bibliography 932
- List of Illustrations 986
- Index 1038